Home Blog Page 365

Nielsen Names Peter Naylor First-Ever Chief Client Officer

0

Nielsen has announced it has appointed Peter Naylor as its first-ever Chief Client Officer, a newly created position focusing on clients, advertisers, and publishers.

Naylor comes to the company after previously working at Netflix, Hulu, and Snap, among other companies. At Netflix, he was the organization’s first-ever Vice President of Global Advertising Sales. He helmed similar sales executive roles at Hulu and the social media platform Snapchat.

“Nielsen’s partners represent the very best of advertising and media. I am thrilled to be in a position to support them and the markets we serve during this dynamic time in media,” said Naylor. “As a Nielsen customer for over 20 years, I will tap into my experience to help clients find even more success with Nielsen data, while also sharing partners’ needs to develop even better world class products at Nielsen.”

In his role with Nielsen, Peter Naylor will report directly to CEO Karthik Rao.

“The key to Nielsen’s continued success is working closely with our clients to build the best marketing intelligence platform in the world,” said Rao. “Peter is the perfect person to help that mission, building on Nielsen’s momentum of Big Data + Panel measurement, live streaming innovation and our AI transformation. He has led teams across linear TV, streaming and social media. He knows what consumers and clients want – and need – as behaviors continue to evolve. We can’t wait to keep building with him and our partners.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Why the Media Needs Blockchain Now More Than Ever

0

The media is facing a trust problem. The fake news spreads faster than the real one, deepfakes are increasingly difficult to spot, and people begin to question practically everything they see online. The reality is now negotiable, and that is not where journalism ought to be.

Blockchain could change that. Built on transparency and verification, it offers the kind of accountability traditional media systems can’t match. In the same way that investors closely follow upcoming crypto coins to evaluate which projects are genuine, news organizations could use blockchain to trace sources, timestamp content, and prove authenticity. The technology designed to assist in finance may be the only hope for facts in a world full of misinformation.

A Growing Problem

The internet has simplified the process of publishing and made the truth more difficult to locate. On a daily basis, there are millions of stories circulating online, videos, and images, most of which have been photoshopped or completely fabricated. The Deepfake technology has now reached a disturbing level of replicating voices, faces, and even events. Another problem would be a falsely reported video that starts trending before the newsroom can confirm it.

Social media just intensifies the issue. The fake headlines are more likely to be spread more quickly than the confirmed ones because outrage spreads more easily than facts. These distortions may change the opinion of the people instantly during such periods as huge elections or a crisis. 

To viewers who already question more traditional sources, each photo-shopped image or false clip undermines the little credibility they have left. And the outcome is basically an information ecosystem whereby doubt is spreading at a greater rate than the truth. One of the lowest levels in recent history is that only 31% of adults trust the media to deliver fair and accurate news.

How Blockchain Brings Transparency to Information

Trust used to come from reputation. Now, it needs proof. Blockchain offers a digital record, which cannot be changed or destroyed. Every entry is time-stamped, verified, and visible to anyone who checks. To journalists, it implies that a story could be proved from beginning to end.

In the case of newsrooms, it might mean being able to track down when a photo was shot or when a quote was first used. It may also display the name of the person who edited an item and the time, which creates an open record of responsibility. The same technology that secures financial transactions could secure facts, turning reporting into something verifiable, not just believable.

It was found that 72% of Americans now worry about distinguishing real news from fake content online. In a world where misinformation moves faster than correction, blockchain could give journalism what it’s been missing: a way to prove the truth. 

Protecting Intellectual Property and Journalism Integrity

Original reporting doesn’t travel far before it’s copied these days. Stories are lifted word for word, videos are reposted without credit, and AI tools are starting to blur who made what. For journalists, that’s more than an annoyance; it’s a threat to credibility and ownership.

Blockchain offers a fix that actually makes sense. Each article, photo, or video could be logged with a digital signature like a verifiable record showing who created it and when it first went live. That record can’t be changed or deleted, which means creators finally have a way to prove what’s theirs.

Independent reporters receive the praise they rightfully deserve, and large media houses receive safeguards against edits and content theft. In the wake of the media industry struggling to keep pace with the rapid disruption of AI, blockchain may be an addition to the changes that will provide an option to maintain authorship and integrity in a world that is becoming more and more machine-driven.

Decentralized Media: Giving Power Back to the Audience

A growing number of media startups are rethinking who gets to decide what’s true. Instead of leaving fact-checking to a handful of editors or algorithms, decentralized platforms are putting verification in the hands of their audiences. With blockchain, that idea starts to make sense.

Every story can be logged on a public ledger where readers can trace sources, review edits, and even vote on authenticity. Reputation systems built on blockchain mean credibility is earned transparently, not handed out through clicks or ad dollars.

This model has been tested by some projects that have allowed reporters to publish straight to the blockchain and have allowed readers can verify each step of the process. It is an idea of what journalism would be like when trust is not a top-down system, but a bottom-up one.

Difficulties and the Path to Go

Blockchain will not solve journalism immediately. The technology itself is a good one, but its use is slow, and not all newsrooms can afford to test it. It could be costly to keep media on a blockchain, and creating intuitive software to help journalists, many of whom are not tech-savvy, is still in development.

There’s also the question of trust itself. Technology can verify data, but it can’t rebuild faith in institutions on its own. People still need to believe the motives behind the reporting.

Still, the momentum is shifting. With the increasing misinformation and the need to find evidence, blockchain is no longer a buzzword but a potential basis. It will not kill journalism, but it could also possibly restore what it has lost: transparency and trust.

Final Thoughts

Blockchain will not rescue the media, but it may allow it to regain its footing. The industry has been chasing trust for years and losing ground with every viral fake and AI-forged headline. What the blockchain is offering is something journalism has not had in a long time: a means to verify rather than make claims.

It is not an issue of replacing reporters with code and transforming newsrooms into technology laboratories. It’s about building systems that make truth harder to fake and easier to trace. If journalism’s future depends on transparency, then blockchain isn’t just a nice idea; it’s a necessary one.

Salem Radio Network Replaces Eric Metaxas With New Show From Kevin McCullough

0

Salem Radio Network has announced it is replacing The Eric Metaxas Show in its daily lineup with a new show hosted by Kevin McCullough.

That Kevin Show will be heard from 2-4 PM ET. Broadcasting from Times Square, the show will debut on the Salem Radio Network on Monday, November 24th.

That Kevin Show doesn’t whisper opinions – it detonates them,” McCullough said. “In a media world allergic to truth and humor, we bring both, with a healthy dose of common sense. I’m deeply thankful for the opportunity to grow this show with the team at Salem, and I couldn’t be more excited about what’s ahead.”

“Kevin McCullough is one of the most engaging communicators in talk radio,” said Salem Media Group Senior Vice President of Spoken Word Format Phil Boyce. “He brings a bold voice with strong convictions, a great sense of humor, and a deep faith that shines through in every broadcast. We’re thrilled to welcome That KEVIN Show to SRN and know it will connect powerfully with listeners across both our NewsTalk and Christian Talk stations.”

McCullough is a columnist for Townhall.com, and is also a regular contributor to Salem News Channel. He’s previously made appearances on Fox News, CNN, MSNBC, and Newsmax.

In addition to the daily show heard from 2-4 PM ET, a weekend edition will be heard from 9-11 PM ET on Salem Radio Network, and 8-10 AM ET on Salem News Channel.

The Eric Metaxas Show debuted in 2015, and was heard from 2-4 PM ET on Salem Radio Network. That program ended in September, as Metaxas exited the company as part of broader layoffs.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

ESPN Daytime Programming Earns Highest October Viewership Since 2015

0

ESPN’s weekday daytime studio lineup recorded its strongest October in ten years, driven by year-over-year growth across all 10 shows in the 7 a.m.–7 p.m. Eastern window. The network averaged 424,000 viewers during daytime hours, marking a 13 percent increase from October 2024 and its highest monthly daytime audience since 2015.

The surge follows a strong September in which every individual studio show also saw year-over-year growth, positioning ESPN for one of its most successful early fall sports seasons in recent memory.

Among the highlights, Get Up drew an average of 464,000 viewers, its largest October audience since debuting in 2018. The Pat McAfee Show reached an average of 439,000 viewers, combining ESPN and YouTube metrics for its most-watched October ever. Meanwhile, First Take delivered an average of 524,000 viewers, its second most-watched October in the show’s eight-year history.

Legacy programs also posted strong gains. NFL Live and the 6 p.m. edition of SportsCenter each logged their best October in a decade, with averages of 443,000 and 502,000 viewers, respectively, both up more than 20 percent from the previous year. The network’s 5 p.m. SportsCenter also improved 16 percent year-over-year, registering an average of 446,000 viewers.

The NBA season kickoff contributed to audience growth for ESPN’s afternoon lineup. NBA Today drew an average of 331,000 viewers, a 26 percent increase from last year and the largest October audience for an ESPN NBA daily studio show since 2017. Additionally, Pardon the Interruption saw a 20 percent year-over-year increase, reaching an average of 720,000 viewers, while the 2 p.m. edition of SportsCenter hit an average of 312,000 viewers, its best October since 2020.

Outside of daytime, ESPN’s late-night 11 p.m. SportsCenter experienced a 45 percent jump from October 2024, totaling an average of 645,000 viewers, highlighting strong interest across the network’s broader programming schedule. The morning edition of SportsCenter also posted solid gains, drawing an average of 268,000 viewers, the highest October audience since 2019.

The combined results demonstrate ESPN’s ability to maintain audience engagement across multiple platforms, including linear television and streaming. With the NFL season in full swing and the NBA season underway, the network is positioned to sustain strong performance through the remainder of the fall sports calendar.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Versant Announces USA Sports Division Housing WWE, NASCAR, WNBA and More

0

Versant announces that USA Sports is officially joining the crowded TV sports arena, positioning itself as a major player in a media landscape increasingly defined by the battle for live, appointment viewing.

The newly launched division from Versant—the soon-to-be spun-off company from NBCUniversal—aims to build a broad portfolio of marquee sports rights, featuring everything from NASCAR and the PGA Tour to the Premier League, WWE, and the WNBA. Programming will primarily air across USA Network and Golf Channel, with CNBC expected to join the rotation on weekends beginning in 2026.

Altogether, the company said USA Sports will deliver more than 10,000 hours of live games and studio programming annually.

“Our new USA Sports brand and division name leans into USA Network’s decades-long reputation as a top national sports and entertainment network,” said Matt Hong, president of USA Sports, in a statement. “Our diverse portfolio of sports properties and programming across our platforms highlights top-tier global leagues and amplifies major events throughout the sports landscape. USA Sports has something for all sports fans across the country.”

The network programming includes a sizable commitment to women’s sports—an area that continues to see rapid audience growth. USA Sports plans to air around 1,000 hours of women’s sports coverage in 2026, featuring the WNBA, LPGA Tour, and League One Volleyball.

The new division borrows its name and spirit from USA Network, one of cable’s longest-running brands. Originally launched in 1977 under the leadership of Kay Koplovitz, USA Network has been a fixture in sports and entertainment for nearly five decades.

Versant, for its part, inherits a strong but traditional media lineup that leans heavily toward cable properties such as MSNBC, CNBC, E!, and Oxygen. With the spin-off, executives are seeking to diversify beyond linear television, exploring ventures such as newsletters, conferences, and other direct-to-consumer products designed to strengthen viewer engagement and brand identity.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Mike McVay, Kelly Orchard Partner For Radio-Related Book on Mental Health

0

Radio Hall of Famer Mike McVay and Kelly Orchard have announced plans for a new book related to the radio industry and the fear of failure.

Flipping the Format on the Fear of Failure is a project utilizing Orchard’s expertise — where she’s worked as both a psychotherapist and broadcaster — examining emotional intelligence and the effect positive leadership can have in the radio industry.

“This project captured my interest because of the human need that exists,” said McVay Media Consulting founder Mike McVay.

“People in our industry are facing more than ratings pressure; they’re facing uncertainty, stress, and burnout,” he added. “Kelly’s approach connects those realities to real, actionable tools.”

“Radio taught me how to lead, how to fail, and how to get back up,” said Kelly Orchard, M.A., LMFT. “I was raised in the business—my father engineered the first ‘Boss Radio’ broadcast at KHJ in Los Angeles—and those lessons shaped my work as a therapist. Now I get to give them back to the industry that raised me.”

Together, the duo is creating companion workshops and presentations to help companies and individual stations strengthen their mindset, communication, and culture.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

FCC Commissioner Brendan Carr Calls for an End to the Disney, YouTube TV Carriage Dispute

0

Federal Communications Commission Chair Brendan Carr is calling on Disney and YouTube TV to resolve their ongoing carriage dispute that has left millions of viewers without access to ABC, ESPN, and other Disney-owned networks.

In a post on X, Carr said the two sides “need to get a deal done and end this blackout.” Adding that “people should have the right to watch the programming they paid for — including football.”

The blackout began at the end of October, when Disney and YouTube TV failed to reach new retransmission and carriage agreements before their previous deal expired. As a result, Disney-owned broadcast and cable networks were pulled from the Google-owned streaming TV platform. Leaving subscribers unable to watch major college football matchups, Monday Night Football, and other live sports and entertainment programming.

The public dispute has quickly escalated, with both companies blaming each other for the impasse.

YouTube TV claims Disney is demanding terms that would force price increases for customers. While Disney argues that Google’s parent company, Alphabet, is leveraging its market power to “eliminate competition” and avoid paying “industry-standard” rates already accepted by other distributors.

Meanwhile, YouTube TV has attempted to ease subscriber frustration. Offering affected users a $20 credit and assuring customers that it is “working to negotiate a deal with Disney that pays them fairly for their content and returns their programming to YouTube TV.”

Carr’s involvement underscores growing frustration among policymakers as consumers increasingly find themselves. Caught in the middle of high-stakes disputes between major content providers and distributors. Though the FCC does not directly intervene in private retransmission negotiations. Carr’s comments reflect mounting public pressure on both companies to prioritize viewers over leverage.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Mike Valenti “Hates” Gus Johnson Following Final Call Of Indiana, Penn State Going Viral

0

Detroit sports radio host Mike Valenti unloaded on FOX Sports play-by-play announcer Gus Johnson this week, blasting what he called an over-the-top and “fake” final call during Indiana’s upset win over Penn State on Saturday.

On The Valenti Show with Rico on 97.1 The Ticket, Valenti devoted part of Monday’s show to expressing his growing frustration with Johnson’s style, saying the veteran broadcaster has become “a caricature” of himself.

“A network executive needs to sit him down and go, here’s the deal,” Valenti said. “You putz, you’re not the storyline — the game is.”

Valenti’s comments came in response to Johnson’s final moments on the FOX broadcast, when Johnson’s voice appeared to crack as he called Indiana’s game-winning touchdown avoiding overtime. Valenti wasn’t buying it.

“That was such a fake response,” he said. “He didn’t lose his damn voice. He faked it. He’s fake. His whole existence is fake. Shut up. The guy is nothing but a charlatan. What a fake-ass call. He ruins everything he touches.”

Valenti, who’s built a reputation for sharp, unapologetic sports commentary, said Johnson’s energy no longer adds excitement but instead overshadows the moment.

“He ruined the moment. He ruins everything,” Valenti continued. “I don’t dislike him — I hate him. He ruins everything. He has jumped so many sharks that it’s SeaWorld now. It’s ridiculous. He’s not even who he is anymore. There was a time he was a rising star, and now he is just… he’s a buffoon. He is a clown.”

For Valenti, Johnson’s approach represents a broader problem with how some broadcasters treat the game as a personal stage rather than a showcase for the athletes. He compared Saturday’s call to what might have been if handled by legendary voices of the past.

“Jackass, it was such a moment, man,” Valenti said. “Can you imagine a Brent Musburger or a Keith Jackson or a Brad Nessler? Imagine what that moment could have been. And instead, you get that.”

Johnson, who has been one of FOX Sports’ most recognizable voices for more than a decade, is known for his emotional, high-octane delivery and signature catchphrases. While many fans praise his enthusiasm, others — like Valenti — believe the act has worn thin in recent years.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Marshall Adams, Longtime News/Talk Radio Programmer/Consultant, Dies

1

Marshall Adams, the longtime news/talk radio anchor, reporter, programmer, and consultant, has died.

Adams worked at some of the largest and most influential news/talk stations in the country during his career. He spent time as the Program Director of KDKA in Pittsburgh, in addition to working as a news anchor at 740 KTRH in Houston, 1410 KQV in Pittsburgh, and as news director at WBT in Charlotte.

After a brief stint working for Cumulus Media, helping launch All News 106.7 in Atlanta, he launched Marshall Adams Media, a consulting firm specializing in all-news and news/talk radio.

As part of his role as an independent consultant, he produced programming for the Fisher House Foundation, a charity that provides complimentary quality-of-life services for active military members, veterans, and their families.

He is survived by his three children, Jordan, William, and Charlotte, his parents, Linda and Alan, and a brother, Brian.

Funeral services will be held on Saturday, November 15th at 3 PM at the James W. Shirley Funeral Home in North Huntingdon, Pennsylvania. Friends and family will be received from 1-3 PM in advance of the ceremony.

Marshall Adams was only 51.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

PickleJar, Local Radio Networks Form Partnership To Expand ‘Up All Night’ Syndication

0

PickleJar Entertainment Group is expanding its national radio footprint through a new broadcast partnership with Local Radio Networks, naming the Michigan-based syndicator its national distribution partner for the overnight country show PickleJar Up All Night.

The deal marks a major step in PickleJar’s strategy. To grow its national presence and strengthen engagement between artists, fans, and stations through technology and storytelling. Under the agreement, LRN will oversee affiliate relations and distribution. Working directly with local and regional broadcasters across the U.S. to expand the show’s reach.

Originating from Nashville, PickleJar Up All Night airs weeknights and features hosts Katie Cook and Scott Gaines. The show blends artist interviews, live performances, and fan-driven interaction through the PickleJar Live App. A digital platform that integrates listener engagement tools, live event content, and social interaction for country fans.

Kristian Barowsky, President and Co-Founder of PickleJar Entertainment Group. She said the collaboration strengthens both the program’s distribution and its mission to connect audiences more closely with artists.

“We’re thrilled to partner with Local Radio Networks to take PickleJar Up All Night to stations across the country,” Barowsky said. “LRN’s infrastructure and broadcast expertise make them the ideal partner to help us deliver our vision of connecting artists, fans, and radio in new and meaningful ways.”

For LRN, the partnership represents a chance to enhance its slate of syndicated programming with a show designed for modern country radio audiences that crave authenticity and interactive content.

“Local Radio Networks is excited to work with PickleJar to syndicate Up All Night nationwide,” said Steve Swick, CEO of Local Radio Networks. “Together, we’ll create a new model for our Country music format affiliates. One that combines PickleJar’s innovative platform with LRN’s proven ability to deliver high-quality 24/7 programming to local broadcasters.”

The collaboration also opens the door for new joint projects. Both companies plan to co-develop additional country music programming and digital experiences. Ones that reflect the genre’s evolving landscape and the changing expectations of fans.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.