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FCC Chair Brendan Carr: Criticism of My Comments on Jimmy Kimmel Are ‘Projection and Distortion’

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FCC Chair Brendan Carr has been in the news after threatening action against ABC, Disney, and Jimmy Kimmel for what he deemed unsavory comments in the wake of Charlie Kirk’s death. He’s now defending his statements.

While appearing at the 2025 Concordia Annual Summit, Carr was asked about the situation.

He says he’s been wildly misrepresented.

“The reality is there’s a lot of Democrats out there that are engaged in a campaign of projection and distortion,” Carr said. “They’re completely misrepresenting the work of the FCC and what we’ve been doing. I saw there was a letter from some Senate Democrats that said the FCC threatened to revoke the license of Disney and ABC if they didn’t fire Jimmy Kimmel. That did not happen in any way, shape, or form.”

In his defense, Carr argued that he had simply “raised concerns about news distortion.” He added that his goal was to “empower local TV stations to serve the needs of local communities” against “national programmers like Disney, Comcast, and Paramount,” who aren’t subject to license renewals from the FCC.

“What’s happened over the years is that those national programmers have exerted more and more control and pressure on the local TV stations,” Carr continued. “They don’t feel like they can push back on the national programmers, even when they think there’s some content that they don’t think — in their judgment, not my judgment — makes sense for the local communities.

“What we saw here — and the reporting on this is very, very clear — is those local TV stations, for the first time in a long time, stood up and said, ‘We don’t want to run that program, at least right now.’ And reporting has shown that Disney itself reached out to Kimmel and had conversations with him, and it was a product of those conversations where Disney — on its own — made the business decision not to have them air for some period of time. We’ll see how that turns out.”

In an appearance on Benny Johnson’s podcast, Commissioner Carr said, “We can do this the easy way or the hard way. These companies can find ways to take action on Kimmel, or there is going to be additional work for the FCC ahead.” ABC subsequently announced Kimmel’s suspension hours later, after affiliate ownership groups Sinclair and Nexstar announced they would pre-empt his late-night program.

Carr later championed the moves from Sinclair and Nexstar, stating that they did “the right thing” and took “quick action” to being “responsive to the needs and values of the local communities you serve.” He concluded by noting his hope that “other broadcasters follow” the lead set forth by those two entities.

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Jimmy Pitaro Says New YouTube TV Package Must Meet Right Business Terms for ESPN

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ESPN Chairman Jimmy Pitaro confirmed that the sports media giant is in discussions with YouTube TV about extending its distribution partnership, signaling the network’s continued focus on digital accessibility and targeted offerings for fans.

“Our mission is to serve the sports fan, right? And so we want to be present across price points and across content offerings,” Pitaro said speaking at an Axios media event. “So this idea of a skinny bundle or sports/broadcast offering made sense to us on the right terms. If you’re asking me specifically about YouTube TV, our deal is coming up this fall. We’re in discussions with them now. We are certainly open to a sports package or a genre-specific sports offering on the right business terms.”

The comments underscore ESPN’s ongoing efforts to balance traditional cable distribution with emerging digital platforms, as streaming services continue to reshape the sports media landscape. Analysts suggest that such partnerships allow ESPN to reach younger, cord-cutting audiences while maintaining its presence among legacy cable subscribers.

The looming expiration reportedly in December has raised concerns among sports fans who rely on YouTube TV for comprehensive coverage of live sports. While YouTube TV will continue to provide access to most ESPN content, including ESPN, ESPN2, and other linear channels available through both the YouTube TV app and the ESPN app until its contract with ESPN ends, the exclusive offerings of ESPN Unlimited—such as premium live events, including WWE programming—will be off-limits until a new deal is reached.

Pitaro offered no additional details on the discussions with YouTube.

Pitaro, who has been with ESPN since 2018, also addressed speculation about his potential future beyond the network, including the possibility of becoming the next Disney CEO. While he declined to comment directly on succession rumors, he emphasized his dedication to his current role and the ongoing initiatives at ESPN.

“I don’t want to speak about the Disney role beyond what I’ve said publicly, which is that I truly love my job,” Pitaro said. “I’m a huge sports fan. This is the job that I’ve always wanted. I’m incredibly energized about what we did a couple weeks ago in terms of the direct-to-consumer launch and the enhanced app.”

Pitaro highlighted ESPN’s recent product roadmap enhancements, noting that digital innovation remains a core focus for the network. “My background is digital. I spent over a decade at Yahoo slash launch dot com. I’m passionate about digital product, and I believe that’s one of the areas where I add value to the ESPN team. That is what motivates me and excites me—working with our product folks to serve the sports fan.”

Industry insiders say Pitaro’s expertise in digital media positions him as a transformative leader within the sports broadcasting world. His experience with digital platforms, combined with ESPN’s push into direct-to-consumer streaming, may serve as a blueprint for future media deals across Disney’s broader portfolio if current CEO Bob Iger were to move from his post.

For now, Pitaro appears focused on executing ESPN’s growth strategy while strengthening its presence across both traditional and streaming platforms. Discussions with YouTube TV and continued enhancements to ESPN’s direct-to-consumer offerings signal a network adapting to the evolving demands of the modern sports fan, balancing innovation with the stability of its established brand.

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FCC Commissioner Anna Gomez: Threats About Revoking Licenses ‘Truly Empty’

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The role of the FCC and when or how it should police broadcast content has risen to the forefront in the wake of the suspension of ABC’s Jimmy Kimmel. Commissioner Anna Gomez is speaking out on her thoughts on the matter.

While speaking at the Media Trends Live Summit 2025 with Axios, FCC Commissioner Gomez shared that the situation is a complex one, but not for the reasons some observers might think.

“It is a very hard standard to meet to revoke a license, which is why it’s so rarely done,” she said.

Her comments come after FCC Chair Brendan Carr threatened action against ABC after Jimmy Kimmel argued that the assassin of Charlie Kirk was a member of the Make America Great Again movement, and laughing at the reaction from President Donald Trump to Kirk’s death.

In an appearance on Benny Johnson’s podcast, Commissioner Carr said, “We can do this the easy way or the hard way. These companies can find ways to take action on Kimmel, or there is going to be additional work for the FCC ahead.” ABC subsequently announced Kimmel’s suspension hours later, after affiliate ownership groups Sinclair and Nexstar announced they would pre-empt his late-night program.

Carr later championed the moves from Sinclair and Nexstar, stating that they did “the right thing” and took “quick action” to being “responsive to the needs and values of the local communities you serve.” He concluded by noting his hope that “other broadcasters follow” the lead set forth by those two entities.

Gomez noted that those media companies recognize the importance of their broadcast licenses, and that’s why “the pressure is on those local broadcasters.”

“We issue licenses for eight-year terms,” Gomez said. “We are nowhere near the expiration of any licenses. So these threats are truly empty. We don’t have the ability to actually take these actions. But it’s the threat and the enforcement threat that is the point. It is to get capitulation as soon as possible.

“And when you see so much capitulation by the corporate parents, it’s really disappointing. Because every time they capitulate rather than show courage, what they are doing is eroding our democracy and our First Amendment freedoms.”

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Oliver Darcy Expands Status Team With Key Hires

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Status, the media newsletter founded by former CNN reporter Oliver Darcy, is bolstering its editorial team with two well-known names from Vanity Fair and The Wrap.

Brian Lowry, who spent years at Variety, CNN, and most recently served as media editor at The Wrap, will join as Hollywood correspondent and editor. He’ll also take the lead on a new Friday edition of the newsletter and contribute film and TV reviews. Natalie Korach, most recently at Vanity Fair, will serve as media correspondent and anchor two of Status’ daily installments. The hires join editor Jon Passantino, who came aboard earlier this year.

“Brian is one of the most respected voices in all Hollywood,” Darcy told The Hollywood Reporter. “Entertainment conglomerates own many of the nation’s newsrooms and late-night shows, so Hollywood is central to the broader story we’re telling at Status.”

Darcy was equally bullish on Korach. “Natalie has proven herself as a strong reporter with the ability to dig behind the scenes and write deeply reported features,” he said. “She’ll strengthen both our daily news and long-form work.”

The expansion allows Status to shift to seven-day publishing. Korach says she looks forward to offering readers deeper perspective on “the forces shaping the business and our culture,” while Lowry called reuniting with Darcy and Passantino “too good an opportunity to pass up.”

On the business side, Darcy has enlisted former Deadline chief revenue officer Stacey Farish to build advertising and sponsorships. The company has also launched a video podcast, Power Lines.

For Darcy, the moves reflect a larger mission. “We’re not owned by billionaires; we’re accountable to readers,” he said. “That gives us the freedom to be tough in our coverage and deliver accountability journalism at a critical time.”

Salem Radio Network Hosts Mike Gallagher, Larry Elder, Eric Metaxas Share Experience of Charlie Kirk’s Funeral

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Salem Radio Network hosts Mike Gallagher, Larry Elder, and Eric Metaxas had the unenviable task of attending a memorial to their friend and colleague, Charlie Kirk, on Sunday afternoon.

Between their radio programs and social media, the hosts have shared their experiences at the funeral service at State Farm Stadium in suburban Phoenix.

Before the service, Gallagher shared a video on social media that showed Salem Radio Network personnel being stuck in traffic more than two miles away from the stadium, despite departing their hotels at 6 AM PT in an effort to beat the traffic.

Gallagher shared that the group ultimately left their bus and walked the necessary mileage to ensure they were there in time.

During his radio show on Monday morning, Mike Gallagher called the service transformational.

“State Farm Stadium became a cathedral,” Gallagher said. “It was not a memorial service. That was not a funeral. That was a revival … These are moments that I will never, ever, forget. It was one of the most important and profound experiences I’ve ever had.”

Meanwhile, on social media, both Eric Metaxas and Larry Elder shared photos from their experiences at the event.

Charlie Kirk was a member of the Salem Radio Network lineup, with The Charlie Kirk Show airing live from Noon to 2 PM ET.

Joining the radio hosts at the memorial service was a contingent of Salem Media Group dignitaries, like CEO David Santrella, and Executive Vice President Phil Boyce, and Dinesh D’Souza, among others.

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Amazon Prime Seeing Massive Gains In Thursday Night Football Viewership Across Demos

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Amazon’s Thursday Night Football on Prime continues its upward trajectory, as last week’s AFC East showdown between the Miami Dolphins and Buffalo Bills delivered 16.45 million viewers. The game marked a 23% increase compared to the same week a year ago and a 10% boost from last season’s Bills-Dolphins season opener.

The strong audience made Thursday’s game the third most-watched TNF on Prime broadcast ever. It also marked the first time the franchise has surpassed 16 million viewers in consecutive weeks, further underscoring Prime Video’s momentum as it enters its third season as the exclusive home of the package.

The broadcast peaked at 18.33 million viewers between 9:15 and 9:29 p.m. ET, according to Nielsen’s Big Data + Panel measurement. Through two games, TNF on Prime is averaging 17.13 million viewers. That figure represents a 21% increase from last season’s average through two weeks and a 30% jump from the full 2024 season.

While the numbers are impressive overall, Amazon’s NFL coverage continues to make its biggest mark with younger audiences. The platform is drawing the largest P18-34 and P18-49 audiences across any full-season NFL package. In the P18-34 demographic, TNF is averaging 3.64 million viewers, up 39% over last year. In P18-49, the average is 8.32 million, also up 39% year-over-year.

At the same time, TNF is seeing gains among older viewers. The P55+ audience has grown 22% compared to 2024, averaging 6.25 million viewers, and is up 37% compared to 2023. The broad appeal has helped keep the median age of TNF’s audience at 47.4, more than seven years younger than the average NFL audience on linear television.

Prime Video’s shoulder programming is also benefitting from the boost. TNF Nightcap, the network’s postgame show, hit a record-high 3.32 million viewers following Thursday’s game. That topped the previous record of 2.79 million set just a week earlier. Season-to-date, the postgame show is averaging 3.04 million viewers, a 49% increase over last season and a 64% jump from 2023.

Meanwhile, TNF Tonight, the weekly pregame show that begins at 7 p.m. ET, is averaging 2.11 million viewers through two weeks. That number is up 38% from last season and 51% compared to two years ago.

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Brent Musburger: More Voices in Sports Media Around the NFL Is a Good Thing

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Brent Musburger has never been shy about expressing his view of the NFL’s dominance in American culture, and the legendary broadcaster believes the league’s pull continues to shape the sports media landscape in meaningful ways. Speaking on The NFL Today+ via CBS Sports, Musburger spoke out about the surge of shows built around pro football, Musburger pointed to the ratings that drive the conversation.

“Well, there’s more [shows] of it,” Musburger said. “I mean, everybody has live shows, and now there’s talk shows. Football is the number one entertainment in this country. Period. End of story. Look at the ratings of the top 100 shows at the end of the year. Okay, Super Bowl always going to be one, but in the top 10, it’s dominated by NFL games.”

He referenced the NFL’s opening weekend on NBC as an example of the league’s unmatched drawing power. Both the Thursday night kickoff and the Sunday night showcase drew massive numbers, reinforcing why advertisers prioritize football over nearly everything else.

“This is where the advertiser wants to be. Involved with the National Football League,” Musburger explained. “And so you get the offshoot of that is all the talk shows.”

For Musburger, the multiplying number of outlets and programs covering football is not something to be concerned about. Instead, he believes it adds value to the sports media ecosystem.

“I think it’s for the better, because we just have more opinions, more voices,” he said. “Yeah, I think the more voices you get, the better.”

Musburger’s perspective speaks to a larger truth about the NFL’s cultural presence. Networks, streamers, radio stations, and digital platforms continue to invest heavily in football-driven programming, knowing the audience rarely shrinks. The league’s gravitational pull fuels debate shows, podcasts, and daily segments across outlets ranging from ESPN and Fox to YouTube and TikTok.

Musburger and his the legacy of The NFL Today on CBS was honored on Sunday marking the 50th anniversary of the network’s coverage of the league. CBS Sports went all-in on its retro look for its broadcast on Sunday as their studio took on a unique, 1970s-era look for the pregame show, and all of the hosts at the desk dressed up in clothing more fitting of that era. In-game analysts Ian Eagle and J.J. Watt joined in with changes to their looks to better fit the theme. In addition, CBS brought back legendary broadcaster Musburger, who was the original host of “The NFL Today,” for its pregame show, joining James Brown, Bill Cowher, Nate Burleson and Matt Ryan.

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Howard Stern: I’m Canceling Disney+ After Jimmy Kimmel Suspension

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Reactions to ABC’s suspension of Jimmy Kimmel continue to pour in. Howard Stern shared his response on Monday, saying he’s voting with his wallet.

During The Howard Stern Show, the SiriusXM host argued that the decision by ABC and Disney to remove Kimmel’s late-night show indefinitely wasn’t an acceptable decision.

“Someone’s gotta step up and be f—ing saying, ‘Hey, enough. We’re not gonna bow,’ Stern said Monday morning. “Now it might sound stupid, but the thing I did this morning, I’m canceling my Disney+. I’m trying to say with the pocketbook that I do not support what they’re doing with Jimmy.”

Stern continued by noting that he had been in touch with Kimmel to ask him how he was doing personally amid the firestorm.

Stern, who has famously feuded with the FCC several times during his long media tenure, believed that the threats from FCC chair Brendan Carr — which came before Kimmel’s suspension was announced — is a bridge too far.

“I just know when government says, ‘I’m not pleased with you, so we’re gonna orchestrate a way to silence you,’ it’s the wrong direction for our country,” Stern concluded. “And I should know, I’ve been involved in something like this. And now ABC is put in the same position, and it’s unfortunate that ABC even has to be in this position. They shouldn’t have to be in this position. I feel for them too, in this.”

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SiriusXM Launches Taylor Swift’s Channel 13 Ahead of New Album Release

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SiriusXM is going all-in on Taylor Swift with the launch of Taylor’s Channel 13, a limited-run station dedicated entirely to the global superstar’s music and career. The exclusive channel debuted Saturday, September 20th, 13 days prior to the release of Swift’s highly anticipated new album, The Life of a Showgirl.

The 24/7 channel will serve as a destination for fans to relive Swift’s 19 years of music. It will feature her earliest country hits to her record-breaking pop anthems. Programming will spotlight her four Album of the Year Grammy winners, The Eras Tour fan favorites, “From the Vault” tracks, live recordings, and brand-new cuts from The Life of a Showgirl.

On Friday, October 3rd (the album’s release date) Taylor’s Channel 13 will feature the full project in its entirety every other hour beginning at midnight ET. In addition, the channel will showcase fan stories and personal experiences, creating a space for Swifties to share how the singer’s music has shaped their lives.

“Taylor Swift continues to not only dominate the music world, but also every aspect of pop culture,” said Scott Greenstein, SiriusXM’s President and Chief Content Officer. “We are thrilled to deliver subscribers a place to celebrate their fandom and her new album with the launch of Taylor’s Channel 13. SiriusXM has proudly supported Taylor from the very beginning of her career and championed her artistry every step of the way.”

Subscribers can access the channel across North America in their cars on Channel 13 or through the SiriusXM app from September 20th through October 19th. SiriusXM has a long history with Swift. Its pop station Hits 1 was the first in North America to spin her music back in June 2007.

ESPN Extends Broadcast Rights Partnership With Ohio Valley Conference

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The Ohio Valley Conference is extending its longstanding partnership with ESPN, agreeing to a new six-year media rights deal that will carry through the 2030-31 academic year. The agreement provides the OVC with an unprecedented level of national and digital exposure, ensuring that fans across the country will have access to hundreds of live events annually through ESPN’s platforms, including its new direct-to-consumer service launched in August.

A key component of the deal is volume. At least 725 events per year will be available digitally on ESPN+, giving schools and athletes a consistent spotlight. On linear television, regular season men’s and women’s basketball games will air on ESPN, ESPN2, or ESPNU. The conference tournament will also receive prominent placement, with the semifinals televised on one of ESPN’s linear networks and the men’s championship carried by ESPN or ESPN2.

“We’re excited to build on our longstanding partnership with the OVC with this new agreement,” said Mallory Kenny, ESPN’s director of programming and acquisitions. “This deal underscores ESPN’s commitment to elevating college sports and we look forward to showcasing the OVC’s student-athletes on a national stage across our platforms in the years ahead.”

In addition, the OVC will maintain the ability to broadcast up to 50 linear events per year locally within its footprint, allowing the league to strengthen ties to regional audiences while expanding its national reach.

OVC Commissioner Beth DeBauche echoed that sentiment, stressing the visibility and resources the partnership provides for the league’s institutions.

“This deal provides an exceptional platform to showcase the extraordinary talent of our student-athletes and the outstanding competition that defines the OVC,” DeBauche said. “ESPN’s commitment to our conference supports our strategic growth initiatives and ensures our member institutions receive the quality broadcast coverage they deserve.”

She added that the agreement represents more than exposure, calling it “an investment in the future of OVC athletics and our student-athletes.”

The OVC’s relationship with ESPN dates back decades, including memorable late-night basketball games in the early 1980s that first introduced the league to a national television audience. The two sides most recently extended their media rights deal in 2018, a pact that moved OVC contests onto ESPN+ and provided a foundation for digital growth.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.