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Ian Rambo Named Fredericksburg Radio Operations Manager

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Ian Rambo becomes Connoisseur Media’s new operations manager for Fredericksburg, Virginia. The veteran broadcaster won a 2024 NAB Marconi Award as operations manager.

What We Know Most recently, Rambo oversaw six stations at Riverfront Broadcasting in Rapid City, South Dakota, where he led his team to a 2024 NAB Marconi Award. Previously, he managed programming for Haugo Broadcasting’s four-station cluster. Throughout his career, he held programming, promotions, and on-air roles with Cumulus Media in Topeka and Great Plains Media in Lawrence, Kansas. In his new role, he oversees WFLS-FM, WVBX-FM, WWUZ-FM, and WNTX-AM while hosting mornings on WFLS.

What They Said “I’m excited to join Connoisseur Media Fredericksburg and work with such a talented and passionate team,” Rambo explained. He thanked Keith Dakin, Brian Foster, and Debbie Patten for putting their trust in him. “I’m incredibly grateful for this opportunity and look forward to building meaningful relationships with listeners throughout Fredericksburg and the surrounding communities,” he added.

What Remains Unclear Connoisseur hasn’t announced specific programming changes or strategic initiatives. So far, the company provided no details about potential station rebranding or format adjustments. Additionally, financial terms of the appointment remain private. Finally, timeline specifics for implementation remain undisclosed.

What It Means This hiring reinforces Connoisseur’s commitment to experienced local leadership. Clearly, the appointment demonstrates continued investment in market-focused programming. Rambo’s Marconi-winning background signals operational excellence expectations. Therefore, his experience managing larger clusters suggests potential expansion opportunities ahead.

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The Volume Lands ‘Nothing Major’ Tennis Podcast In Multi-Year Deal

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Nothing Major joins The Volume. The tennis podcast just landed a multiyear deal with Colin Cowherd’s network.

What We Know: Nothing Major, hosted by John Isner, Sam Querrey and Stevie Johnson, launched in 2024. The show has averaged six million monthly views and downloads this year, according to executive producer Charlie Fox to SBJ. Sponsors already include Tennis Warehouse, IBM and NordVPN. Under the new deal, The Volume takes over sponsorship and ad sales from Athletes First and will also assist with production, creative strategy and marketing.

What They Said: Jamie Horowitz (via Sports Business Journal): “When you look at the portfolio, it was clear tennis was missing. With ‘Nothing Major,’ that gap is filled while staying true to The Volume’s core focus: working with digital creators who combine personality and authority. John, Sam and Steve are a perfect fit for that.”

Charlie Fox, executive producer: “The gasoline [on the fire] is having what we’ve already built. But being able to be seen by more people. Once somebody ingests what we’re making and gets a taste of it, it turns into just a fun hang with the guys where you’re also learning a bit about tennis and the ecosystem of the sport.”

What Remains Unclear: Financial terms weren’t disclosed.

What It Means: Tennis podcasting is heating up, and The Volume just bet on a rising contender. The Volume’s portfolio now contains 21 brands under its umbrella in categories ranging from sports to entertainment. Adding a proven entity with a built in audience only will benefit all parties involved.

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Elon Musk’s X Ends Lawsuit Against World Federation of Advertisers

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X, the social media platform owned by Elon Musk, has ended its lawsuit against the World Federation of Advertisers. The decision closes a closely watched legal battle over advertiser coordination.

What We Know: X announced Wednesday that it has dropped its antitrust lawsuit against the World Federation of Advertisers and the now-defunct Global Alliance for Responsible Media (GARM). The case began in August 2024. Then-CEO Linda Yaccarino accused GARM, “four of its key members,” and the WFA of organizing “a systematic illegal boycott.” However, both sides have now agreed to move forward without continuing the litigation. GARM had already ceased operations shortly after the lawsuit was filed. As a result, the agreement formally closes one of the media industry’s highest-profile legal fights involving advertiser coordination and brand safety.

What They Said: “Today the World Federation of Advertisers (WFA) and X Corp. are putting the litigation involving the Global Alliance for Responsible Media (GARM) behind them. This resets the relationship between the two organizations. WFA reiterates its commitment to freedom of speech, a principle first included in WFA’s founding constitution back in 1953, and a principle it shares with X. On August 9, 2024, WFA discontinued GARM. WFA will not form or restart GARM or a similar initiative. WFA and X are fully aligned in the view that brands, platforms and consumers will all benefit from brand-safety innovation.” -Joint statement from X and WFA

What Remains Unclear: Neither side disclosed whether the settlement includes additional financial or legal terms. It’s also unclear whether X has reached similar resolutions with the advertisers originally named in the lawsuit or if any related disputes remain active.

What It Means: The agreement removes a significant legal overhang for X and Elon Musk. It also ends a dispute that drew widespread attention across advertising and media. Meanwhile, the WFA publicly committed not to revive GARM or launch a similar initiative. That commitment could ease concerns among brands and platforms while allowing both organizations to refocus on brand-safety innovation without ongoing courtroom battles.

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Shams Charania: “Ethically” Couldn’t Report LeBron James Met With Cleveland Cavaliers In July

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LeBron James met Cleveland’s front office in Akron this July. ESPN Insider Shams Charania knew about it for weeks and said nothing, saying he ethically couldn’t report on the meeting.

What We Know: Charania revealed on the Game Over podcast that Cavaliers executives visited James in Akron in early July. Koby Altman, Brandon Weems, and members of the Gilbert family attended, according to Charania. He’d learned of the meeting from multiple sources on background weeks earlier. However, he held the story because no one would confirm it on the record.

What They Said: (All quotes from Game Over w/Max Kellerman & Rich Paul)

Shams Charania on why he held back reporting on LeBron James meeting with the Cleveland Cavaliers: “In real time, the integrity aspect matters more than anything. This was information I was told by multiple people on background, off the record. This was something that ethically I couldn’t report. Because it wasn’t told to me in a way that I was able to have a report or go double check and triple check. It was told to me off the record.”

Shams Charania explains why he didn’t report the information when gathered: “For me, responsibility is important. Being upfront is important. Ethically doing the job the right way. My job is to tell the truth. If it’s off the record and it’s being told like this isn’t reportable. If I did that, you’re burning the source.”

Shams Charania explains why he was likely told the information off the record: “You know the history of LeBron in Cleveland. What he means to that organization. Something like that. That’s probably why it was told to me off the record. If that were you know something that got out, I do think in real time it does lead on a little bit.”

What Remains Unclear: Any details of the meeting with James and the Cavaliers are unknown.

What It Means: The reveal shows insiders sometimes protect sources over headlines, despite the role they choose to take on. Charania’s choice to not report is just the latest example of how ESPN insiders are aware of information but choose what to report and not based on relationships. Using ethics as the reasoning since it was off record. However, when you get multiple sources saying the same thing. It leads to questioning why this wasn’t revealed. Ultimately, the story became public only after James picked Philadelphia.

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Chuck Tiller Announces Departure From Salem Media Houston

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Chuck Tiller is leaving Salem Media Houston after a 25-year tenure. His departure ends a lengthy run overseeing two of the company’s Houston radio brands.

What We Know: Chuck Tiller announced that he’s no longer with Salem Media after the company eliminated his position on Friday, July 24. Tiller spent 25 years with Salem Media across two stints and most recently served as Operations Manager for the Houston cluster that included AM 1070 The Answer and 100.7 The Word. During his tenure, he helped launch KNTH-AM as Houston’s newest news/talk station in November 2004. Over the years, Tiller became a familiar leader within the market, overseeing programming and operations while helping guide the cluster through multiple industry changes.

What They Said: “My time at Salem Radio Houston has come to an end. My job was eliminated Friday, July 24th. I was at Salem for a total of 25 years. I worked there twice. Also, I assisted getting KNTH on the air as the latest news/talk station in November 2004. I met many great people while there. I had great staff, too.” -Chuck Tiller

What Remains Unclear: Salem Media hasn’t announced plans to fill the Operations Manager position. Additionally, it’s unknown whether the company intends to restructure leadership responsibilities within the Houston cluster or replace the role outright.

What It Means: Tiller’s exit marks the departure of a longtime market leader with deep institutional knowledge of Salem Media’s Houston operations. As a result, the company now faces a transition period for stations including AM 1070 The Answer and 100.7 The Word. While listeners may not notice immediate changes, the move creates another leadership vacancy during a period when many radio groups continue evaluating staffing and operational structures.

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DAZN Strikes Exclusive Partnership Becoming Streaming Home For YES Network, MSG Networks

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DAZN just landed a major U.S. sports streaming deal. The platform will exclusively carry MSG Networks and YES Network content starting in the 2026-2027 NBA and NHL seasons.

What We Know: Subscribers in the networks’ coverage areas will get live Yankees, Knicks, Nets, Rangers, Devils, Islanders and Sabres games. They’ll also access 24/7 feeds of MSG, MSG Sportsnet and YES, plus on-demand highlights and original programming. In addition, existing pay-TV subscribers keep MSG and YES content through DAZN at no extra cost. Meanwhile, current Gotham Sports App users will migrate to DAZN. Exact timing on the process is unknown.

What They Said: Shay Segev, CEO, DAZN Group: “The New York sports landscape has a rich heritage of teams. DAZN is honored to partner with both the YES Network and MSG Networks to become their exclusive direct-to-consumer streaming home, bringing the Yankees, Knicks, Rangers, Nets, Devils, Islanders, and Sabres to more fans than ever before. This is what DAZN does best. Connecting fans to the sport they love and creating immersive digital experiences that go far beyond the game. It is a defining moment for us and underscores our commitment to expanding our footprint in the United States.”

Jon Litner, President and CEO, YES Network: “Our new strategic partnership with DAZN reflects the YES Network’s continued commitment to elevate the streaming experience for our direct-to-consumer subscribers and TV Everywhere users. DAZN offers a world-class technology platform and elite, and live sports streaming expertise. We look forward to working with them and MSG Networks to continue to serve Yankees and Nets fans, as well as fans of the teams carried by MSG, with the most compelling sports content in the country.”

Kevin Marotta, SVP, Content and Marketing, MSG Networks: “DAZN is a premier streaming platform that operates all over the world. We couldn’t be happier to offer our fans this opportunity to watch MSG Networks content on their state-of-the-art platform. Coming off of a historic Knicks Championship season, we are excited to take our streaming offering to the next level. Fans of the Knicks, Rangers, Islanders, Devils and Sabres deserve the best of the best and we’re proud to offer the MSG and YES direct-to-consumer content through this partnership with DAZN.”

What Remains Unclear: The migration timeline for Gotham Sports App users is unknown. Moreover, confirmed pricing details is also unknown.

What It Means: The Gotham Sports app is no more. This deal significantly expands DAZN’s U.S. footprint beyond combat sports and soccer. Moreover, for MSG and YES, it signals a shift toward consolidated streaming under one global platform. Reaching fans well beyond traditional pay-TV. In addition. with DAZN reported to be interested in capitalizing on local RSN collapses, this deal provides a blueprint for the platform moving into the future.

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Amended Suit Claims Spotify Ignored Streaming Fraud

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Rapper RBX just filed an amended lawsuit against Spotify. The suit alleges Spotify ignores massive streaming fraud.

What We Know RBX claims Spotify diverted at least $600 million in royalties over 48 months. Drake’s catalog specifically experienced suspicious streams from Turkey, falsely geomapped to the United Kingdom. Suspicious accounts listen exclusively to Drake for 23 hours daily, indicating bot activity. Meanwhile, the platform aggressively polices independent artists yet tolerates artificial streams for superstars like Drake.

What’s at Stake Independent artists lose significant royalty revenue while Drake’s inflated streams benefit Spotify’s metrics. Ad revenue increases when platform metrics show higher engagement and monthly active users. Furthermore, the company’s selective fraud enforcement creates an uneven playing field in the ecosystem. Streaming payouts shrink for emerging artists competing with manipulated catalog performance data.

What Remains Unclear How extensively did fraud affect Drake’s actual streaming numbers over the relevant period? Will this amended complaint survive judicial scrutiny after the previous dismissal? Additionally, did Spotify knowingly ignore the fraud or simply prioritize superstar accounts over enforcement? What remedy could adequately compensate thousands of independent artists across multiple years?

What It Means Just when you thought the Spotify streaming fraud saga was fading away, it roared back. Spotify now faces mounting legal pressure over its fraud-prevention practices and selective enforcement. Critically, the industry increasingly questions whether major DSPs adequately protect indie creators. This amended case may reshape how platforms audit and report suspicious streaming activity. As a result, artists increasingly demand transparency in how DSPs detect and handle manipulated streams.

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The Kyle Shanahan News Timeline Exposed Sports Media’s Biggest Credibility Problem

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Can we be honest? There are conflicts of interest throughout sports and sports media. The NFL owns 10% of ESPN. Networks have multiple media rights deals with several leagues. Sports radio stations operate the same way. Some stations are even owned by the teams themselves. Rarely, if ever, is anything truly objective anymore because that’s the nature of the industry today, and it’s likely never turn back.

COVID forever changed how the media gains access to teams, players and executives. Teams control the messaging more than ever before. That reality was never more evident than the news involving San Francisco 49ers head coach Kyle Shanahan earlier this week. Eleven days after a car accident left the NFL head coach with multiple injuries, the public finally learned about it.

The immediate outcry was deafening. People searched timelines for timestamps on tweets. Was there a cover-up led by the San Francisco 49ers? The NFL? Were local reporters asleep at the wheel? Why did Adam Schefter have a fully written story just minutes after the 49ers announced the incident?

Can we be honest again? Are you really stunned?

National & Local

Chris Simms does a fantastic job as an analyst on ProFootballTalk alongside Mike Florio. On Monday, he admitted he learned about Shanahan’s accident within hours of it happening. Yet, he also said he was stunned it took so long for the story to become public. Simms credited the goodwill Shanahan built with members of the media and throughout the San Francisco area as the reason it remained quiet for so long.

Doesn’t Chris Simms work alongside one of the top insiders in NFL media? His longtime friendship with Shanahan illustrates how difficult it can be to separate personal relationships from journalistic responsibility.

San Francisco 49ers columnist Tim Kawakami said he also knew some information before the team’s announcement. However, he clarified he only knew “15%” of the details, so he decided not to report it before the team made its announcement.

Then, during an appearance on the 49ers Plus-Minus podcast, Kawakami said he didn’t believe a personal matter involving the coach was worth pursuing to the same extent as a trade or firing.

Kawakami is one of the best reporters covering the San Francisco 49ers anywhere in the country. Yet, his reasoning was that it involved a personal matter, so he chose not to dig deeper. Would it be fair to say that a car accident, while personal, could affect a team entering training camp? Or is a serious crash involving the head coach of an NFL franchise somehow not considered news?

The “Insider”

Then there’s ESPN’s Adam Schefter and the network’s entire NFL insider roster. The job description is simple: Be the source for breaking NFL news. Whether it’s a trade, firing, arrest or car accident, the expectation is to deliver important information to the outlet paying millions of dollars to serve NFL fans around the world.

Now, I don’t expect every member of ESPN’s team to know every detail about every player, coach and executive in every NFL market. However, nationally, they’re built to be more connected and more prepared than any local beat reporter could ever hope to be.

There was considerable criticism surrounding the timing of Schefter’s report. One minute after the 49ers released their official statement, ESPN.com published a complete story that included details, the location, statements from local officials and more.

After days of criticism and allegations that he had been “sitting” on the story, Schefter addressed the timing of the report.

“It’s the quietest time of the NFL year. The 49ers did a great job at keeping things quiet,” said Schefter. “It’s a sensitive situation. It’s not like a transaction or a signing. Where there’s a signing. There are certain things that are a little bit sensitive. People are a little bit private about certain things, and different stories move at different rhythms and paces. That that was probably the quietest week in the NFL calendar.”

Adam Schefter reportedly earns more than $9 million annually from ESPN, and he referenced the week of the accident being “quiet” not once, but twice. Credit ESPN Radio’s Evan Cohen for asking the question that needed to be asked. But is that the answer ESPN executives, who sign Schefter’s checks, want to hear?

Fuel For The Fire

The NFL proudly promotes itself as a 365-day-a-year business. News happens during the season, before the season and well after the Super Bowl concludes. Suggesting the league’s top insider didn’t have the biggest NFL story entering training camp because it was a “quiet” week simply doesn’t hold up.

That explanation only adds fuel to a growing concern that ESPN could be perceived as compromised because the NFL owns 10% of the company.

To ESPN’s credit, network executives have addressed those concerns since the NFL acquired its ownership stake.

ESPN President Jimmy Pitaro told Richard Deitsch the network’s approach to covering the league will not change because of the investment. ESPN’s head of content Burke Magnus echoed that sentiment on The Varsity podcast. Outgoing ESPN Executive Vice President and Executive Editor of Sports News and Entertainment David Roberts told me the same earlier this month.

“The commitment to journalism at ESPN is as strong as it’s ever been. The NFL Network is now part of the fabric of what we are here at ESPN. That will not change [our approach at ESPN]. I can assure you of that,” said Roberts.

Credibility Matters

The Kyle Shanahan accident presented a perfect opportunity to demonstrate that commitment. Instead, ESPN missed the moment. So did local reporters. So did national insiders and analysts. If an NFL head coach suffering serious injuries in a car accident doesn’t qualify as one of the biggest stories in football, then what does?

This isn’t about demanding reporters ignore compassion or publish every private detail the moment they hear it. Journalism requires judgment, and every story deserves context. But when nearly every influential voice with knowledge of a story chooses to wait—whether because of relationships, access, loyalty or business interests—it’s fair for fans to ask who the media is really serving.

Sports journalism has never been free of conflicts of interest, and it probably never will be. The industry depends on partnerships, access and relationships. Those realities make transparency and accountability more important than ever.

The Kyle Shanahan story wasn’t simply about a delayed news report. It was a reminder that credibility isn’t measured when covering the easy stories. It’s measured when delivering important news risks upsetting the very people who help provide it.

If the people with the best access aren’t willing to report one of the biggest stories in the NFL until the team decides it’s time, then they’re no longer setting the news agenda.

They’re following it.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Key Industries That Reinvented With Technology or Just Simply Disappeared

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Like an EF5 tornado ripping through a community, technology has been a massively disruptive force, driving a pace of change unlike anything in history. Entire industries have been completely transformed, while others have been eradicated altogether. Companies that once dominated markets were either unable or unwilling to adapt, while high-tech innovation delivered devastating knockout blows.

Let’s take a look back in history to perhaps head off future collisions created by time and innovation.

Video Rental Business

The most famous example is the now-defunct video rental business. Boomers and Gen-Xers will remember when Friday nights in the ’90s meant a trip to Blockbuster or the local video store. At its peak, Blockbuster operated more than 9,000 stores worldwide. Its video rental model made the company a household favorite.

Then, like a guided missile, Netflix introduced subscription-based services. Shortly thereafter, broadband internet fundamentally changed the industry.

Within a decade, streaming platforms had made brick-and-mortar rental outlets obsolete. Interestingly, consumers didn’t just switch products—they abandoned an entire experience. Consider that just 26 years ago, Netflix founders Reed Hastings and Marc Randolph offered their DVD-by-mail startup to Blockbuster for a measly $50 million. Blockbuster CEO John Antioco turned them down, dismissing Netflix as a tiny, unprofitable niche business.

Whoops!!

Like most of us, Netflix believes generative AI is transforming content production and says it was used in about 300 titles this year. The company recently announced a new documentary called American Experiment, which features 17 minutes of AI-enhanced footage produced “twice as fast and at half the cost.”

Photography

The world of photography experienced devastating blunt-force trauma beginning with digital cameras in the 1990s. Film and camera manufacturers, photo-processing labs, and one-hour photo stores were once fixtures in nearly every community and drugstore. Digital cameras quickly reduced the demand for traditional cameras and film. The introduction of smartphones finished the job in the late 2000s, eventually eliminating the need for standalone digital cameras. These days, iPhones are even used to make commercial movies.

Following a 2012 bankruptcy, Eastman Kodak became a much smaller company and now focuses on commercial printing, advanced materials and chemicals, pharmaceuticals, and analog film production. Amazingly, billions of photos will be taken in the next 24 hours without a single roll of film.

Travel

The travel industry has also undergone a technological transformation. Travel agents were once the primary resource for airline tickets, hotel reservations, and vacation planning. When I owned my research firm, my travel agent handled all of our company travel arrangements. That changed once online booking sites gave consumers direct access to virtually every travel option imaginable. It allowed us to comparison shop ourselves.

While specialized travel advisors still serve luxury travelers and those with highly complex itineraries, traditional neighborhood travel agents have largely disappeared.

Print Advertising

Print advertising in traditional newspapers has also been profoundly disrupted. For decades, newspaper advertising generated enormous revenue, including classified listings for jobs, real estate, automobiles, and personal ads.

The internet rapidly replaced nearly all of those categories with faster, searchable, and often free alternatives such as Craigslist and, eventually, Facebook Marketplace. While newspapers continue to publish, their business model has fundamentally shifted toward digital.

Music

The music industry offers another powerful example in our own backyard. Record stores were once neighborhood gathering places where we purchased albums, cassettes, and CDs. They were also where we discovered new music.

Then came digital downloads, which significantly disrupted physical sales. The final blow came when streaming transformed the industry into a subscription model rather than one built on ownership.

Today, we have instant access to tens of millions of songs from virtually any device. Frankly, I miss the hundreds of albums lining the bookshelves in my living room alongside the turntable, amplifier, and speakers. They’ve all been replaced by Bluetooth soundbars.

Banks

Even banking has undergone an evolutionary transformation because of technology. Who needs to visit a local branch with mobile banking, online bill payment, remote deposits, digital wallets, and mobile check deposits allowing us to manage nearly every transaction from our phones?

Physical branches are now used primarily for complex financial services, business banking, and customers who are less comfortable with technology. Without question, technology has permanently shifted consumer needs and expectations.

Broadcast Media

The impact of technology on broadcast media hardly needs to be summarized for us.

We have experienced more than our share of technological disruption. Radio and television no longer compete only with each other. They now compete with streaming audio, podcasts, YouTube, social media creators, gaming, and countless other digital entertainment options. Yet unlike some industries, broadcasting hasn’t disappeared. Instead, many successful media companies have expanded into digital marketing, streaming content, podcasts, connected TV, and social media services, transforming themselves from broadcasters into multi-platform media companies.

The lesson across every industry is clear and consistent. Technology rarely asks permission before changing consumer behavior. Companies that cling to legacy business models often struggle, while those willing to innovate and take risks frequently discover entirely new opportunities.

History suggests that technology doesn’t simply change industries—it rewards organizations willing to evolve. The businesses that survive aren’t always the biggest or the oldest. They’re the ones that recognize change early, embrace innovation, and continually redefine the value they provide to customers. In today’s economy, adaptability may be the most valuable competitive advantage any organization can possess.

Next week, I’ll discuss 10 industries that likely have a target on their backs for a technology makeover—or takeover.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

How LeBron James Arrival Ignited Renewed Radio Tension Between 97.5 The Fanatic, 94WIP

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Many in the sports radio industry consider the days of a good old-fashioned radio war long gone. Rarely do talents from competing radio stations throw verbal shots across the bow. This past weekend may have ignited a new battle in the City of Brotherly Love. After LeBron James signed with the Philadelphia 76ers, an outpouring of emotion filled the airwaves of 97.5 The Fanatic.

Hosts celebrated the moment on air and across social media. The station, which also serves as the flagship radio home of the franchise, temporarily rebranded as 97.5 LeBron. In a moment that shifted the culture surrounding Philadelphia basketball, one talent from the station’s chief competitor took a different route. That’s when the first shots were fired.

“When LeBron James signs with the Sixers, Spike Eskin [94WIP afternoon drive host] comes on the air and says he’s counting down the days till LeBron James leaves Philadelphia. Maybe some of its schtick, but I couldn’t have been happier,” said Fanatic midday host Jon Marks.

The art of a radio war begins with moments. Despite weeks of saying that he would not want LeBron James in Philadelphia, Eskin’s comments in the moments following James signing hit a different tone. In today’s attention economy, anything and everything can be critiqued. Knowing when to pick your spots as a competitor is the first step.

“We [Philadelphia sports fans] have a reputation, and some of it’s deserved. But the way Spike handled his first comments about LeBron signing in Philadelphia, that’s not the reputation I want,” explained Marks. “Opening the show at two o’clock and saying it’s the worst day of your life, that’s going to give Philadelphia sports fans a running stereotype. WIP embraces that, and this is what you get.”

Welcome To The Battlefield

Marks rejoined 97.5 The Fanatic last year following a seven-year run at crosstown rival 94WIP. He was hired by Eskin, who at the time served as WIP’s brand manager. When Marks announced his departure from WIP in December 2023, he cited personal reasons for leaving.

However, as successful as WIP’s content philosophy has been in producing ratings success, Marks said he eventually grew tired of it. Since leaving the station, he believes its programming has leaned even further into what he calls “disingenuous” sports talk, amplified by a social media strategy focused on engagement.

“There couldn’t have been a singular move that moves the needle more than LeBron James signing with the 76ers,” notes Marks. “When it comes to criticizing things, I’ll do it, but I’m not going to force it. It feels that there’s a lot of forcing going on with WIP for clicks, rage bait, and engagement. We’re not going to do that at the Fanatic.”

After clips of Eskin’s comments spread across social media, content creators amplified the discussion. The first direct response came from Marks’ midday co-host, Sean Brace, who took aim at Eskin’s reaction to James joining the 76ers.

“We’re diehard Philadelphia sports fans. They are not,” said Brace via social media. “They [WIP] suck. Screw them, dude. That is a negative vibe that they are putting out. It will be amplified, and it bothers the hell out of me.”

After the reaction his comments generated online, Eskin responded to accusations that he was simply chasing engagement.

“It’s not for clicks. Don’t give a s**t about clicks. The only people who are doing things for clicks, I want to be clear, are the people who are talking about what I said to get likes and clicks,” said Eskin via X. “If you want to look at the people who are doing it for clicks. It’s the people talking about me, not me.”

A Different Approach

While sports media can debate the value of social media engagement, there’s little debate that it has changed the rules of competition between stations and personalities. Brace and Eskin exchanging responses only fueled the story for another day.

On Monday, following Eskin’s response to the criticism, Marks said he believes the exchange marked the beginning of the station’s resurgence. He hopes it signals the return of a brand that once consistently challenged WIP head-to-head. In recent years, WIP has enjoyed a commanding lead over The Fanatic. Marks believes that gap can be narrowed over time by embracing a different philosophy.

“We’re getting back to where we were before. We have a bunch of younger guys that feel united in what we can do as a station,” said Marks. “You can directly point to Spike taking over the station and saying ‘this is going to be our format.’ The problem [for WIP] is it’s nine years later… In this case with LeBron, there’s a lot of people that are growing tired of the WIP approach. That’s not going to be us.”

As The Fanatic continues promoting its “Make the Switch” campaign in response to WIP, Marks admits he doesn’t spend much time listening to the competition. He fully expects WIP’s strategy to be to ignore the commentary rather than respond by punching down.

“If I was WIP, I would, for the most part, ignore it. That might change depending on things. This wasn’t a concerted effort on any of us, but at this point why the hell not,” said Marks. “Why not be honest about it [our competition]. We can use them as a way to drive what we’re trying to do. Ultimately, we must be better than what they’re doing.”

While many personalities criticize their competitors through vague references and coded language on the air, Marks and The Fanatic have chosen a much more direct approach.

“A lot of program directors say to avoid using the call letters of your competition. Why not? We always talk in code like people don’t know what we’re talking about,” explained Marks. “Scott Masteller has never held me back from saying WIP or referencing my time working there. Even mentioning Spike’s name on the air. Really, so what? People appreciate the authenticity we’re showing on the Fanatic and just being normal.”

The Battle Is Entertainment

Sports radio has always been at its best when competition matters. Ratings books, personalities and programming philosophies become more compelling when there are real stakes involved.

“Radio wars have been part of Philadelphia sports radio’s culture. I think they’re fun. Sports radio has never been closer to the WWE than ever before,” said Marks. “I’m not looking to pick fights. However, when I hear or see something that puts me over the line, enough is enough. When I hit a boiling point with their nonsense is when I choose to chirp about it.”

The city may have gained LeBron James this weekend, but Philadelphia sports radio may have gained something almost as compelling: a rivalry worthy of its history.

If this weekend’s back-and-forth between 94WIP and 97.5 The Fanatic marks the beginning of a renewed fight for Philadelphia’s sports radio audience, everyone stands to benefit. Competition has always pushed stations to produce better programming, stronger personalities and more compelling content.

Philadelphia may once again remind the sports radio industry what a true rivalry looks like.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.