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The Hill Appoints Lindsey Granger as Co-Host of ‘Rising’ Morning Show

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The Hill has announced the addition of Lindsey Granger to the outlet’s Rising morning show, anchoring the program beside Robby Soave beginning today.

The program airs from 9-10 AM ET and will now be available on broadcast TV for the first time, as it has been added to the DCNEWSNOW channel on the Nexstar Media-owned station.

Granger joined NewsNation in 2024 after previously working at The View, and hosting the nationally syndicated talk show Daily Blast Live. She has also served as a correspondent and host for outlets like The List, People, and Time magazine. Granger also spent time working at MSNBC and NBC News.

“Joining NewsNation last year and now expanding my role to co-host Rising feels like finding the right home at the right time — a place where wide-ranging analysis isn’t just welcomed, it’s championed,” said Granger. “I’m proud to bring my voice as a journalist and political analyst to a team committed to nuance, fearless storytelling, and sparking conversations that resonate far beyond the beltway.

“Sharing work I’ve built from the ground up, including World of Travel, with a platform that values both journalistic depth and creative vision is an incredible honor,” she concluded.

“Lindsey has a unique voice that is needed in the current marketplace, and we are delighted to bring her on board,” added Bill Sammon, Senior Vice President of Washington, D.C. editorial content at The Hill. “Her passion for the country and experience debating a wide variety of topics will make her an asset to the show. We are also thrilled that Washingtonians will have the opportunity to watch Rising’s new duo on their local DCNEWSNOW station.”

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Scott Hanson Open to Idea of Hosting a College Football RedZone

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NFL RedZone host Scott Hanson isn’t ruling out a jump into the college football version of the whip-around format — if ESPN ever decides to make it happen. Hanson, who will lead RedZone into its first season on ESPN this fall, said on The Rich Eisen Show that the network’s leadership would only need to call if they were serious about expanding the concept to Saturdays.

“If Bob Iger, Jimmy Pitaro, [or] Burke Magnus want to hit me up… I love college every bit as much as I love pros,” Hanson said.

However, the veteran host noted that producing a college football version of RedZone comes with unique challenges compared to the NFL.

First, ESPN does not own the television rights to every conference, which would make it impossible to feature every major game in one place currently. While the network controls significant inventory, especially in the SEC and ACC, other conferences have exclusive deals elsewhere.

Second, Hanson pointed to the lack of synchronized start times in college football. “You get a good batch kicking off at noon Eastern, but they’re not all synchronized,” he explained. “They come at different times. The games go throughout the day.”

Beyond scheduling and rights issues, Hanson also believes the average sports fan’s familiarity with college football rosters isn’t as comprehensive as it is in the NFL.

“If your favorite team is the New York Giants, fine… you can probably still name the other 31 starting quarterbacks in the NFL,” Hanson said. “If your favorite team is the Alabama Crimson Tide, you probably know [them], but you can’t name me 30 other quarterbacks in college football. You might be able to name the rest of the SEC… but college is not quite as accessible to the frontal lobe of the American sports fan as it is in the NFL.”

The NFL’s version of RedZone has become a Sunday staple for football fans since its launch in 2009, showing every touchdown from every game without commercial breaks. ESPN’s acquisition of NFL RedZone will need regulatory approval but once complete will mark a new chapter for the broadcast and for Hanson, who has hosted the program since its inception.

While a college football RedZone remains a hypothetical, Hanson’s openness to the idea — combined with ESPN’s ongoing interest in unique live programming formats — could keep the concept in play.

ESPN Chairman Jimmy Pitaro told The Press Box podcast Monday that ESPN is already discussing ideas regarding the RedZone trademark and how to use it for other sports. Potential expansions could include college football, as well as professional leagues like the NBA and NHL, provided those organizations are interested in collaborating.

“I think the RedZone brand is pretty compelling, and there is significant opportunity,” Pitaro said. “We are starting to think about what opportunities there could be. Whether it’s college football…There are other sports that we’ve started to think about other leagues, like the NBA, the NHL, of course, that would have to be done in partnership with those leagues, and they would have to want this.”

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Verdict with Ted Cruz Hits 200th Affiliate with Addition of WRVA

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Verdict with Ted Cruz — the iHeartMedia podcast turned nationally syndicated radio show — is celebrating a milestone as it hit its 200th affiliate with WRVA in Richmond.

The show will air at 9 PM ET on Sundays at the Audacy Richmond news/talk station. Verdict is made available to stations through Premiere Networks and is able to be broadcast at any time throughout the weekend.

The show is hosted by Sen. Ted Cruz (R-TX) and Premiere Networks host Ben Ferguson.

“We’re proud to celebrate our 200th affiliate, WRVA!” said Ben Ferguson. “This milestone shows how Verdict continues to resonate with listeners and stations across the country—and we’re just getting started.”

The show launched into national syndication in April, with 100 stations broadcasting the program on its launch. Verdict with Ted Cruz was first launched in January 2020 as a podcast, before being acquired by iHeartMedia in 2022.

“It’s a great opportunity to communicate directly with the American people,” Senator Cruz told Barrett Media about the podcast and radio show earlier this year. “And not go through a middleman, not go through a mediator, and connect directly with Texans and with Americans, and explain what is happening in Washington. The podcast and now the brand new radio show does something you can’t get anywhere else. It takes you behind the scenes. It takes you behind the scenes in the United States Senate, it takes you behind the scenes of the White House, it takes you behind the scenes of the U.S. Supreme Court, and explains what’s happening and why it matters.”

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Cadillac Jack McCartney Departs Beasley Boston, VP Role

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Amid a recent wave of cost-cutting measures at Beasley Media Group, longtime programming executive “Cadillac Jack” McCartney has exited his dual posts as Director of Programming for the company’s Boston stations and Corporate Vice President of Strategy & Analytics.

McCartney had been at the helm of the Boston cluster since 2013. First under Greater Media and later Beasley following its acquisition. His oversight included WMJX-FM, WKLB-FM, WBOS-FM and WROR-FM

In late 2020, he was promoted to the corporate VP position. This expanded his scope to company-wide strategic planning, competitive positioning, and research analysis.

Before his time with Greater Media, McCartney logged nearly 20 years with Clear Channel (now iHeartMedia) in high-profile programming leadership roles. In Boston, he served as Operations Manager and Program Director for both Kiss 108 and Jam’n 94.5, ultimately running the entire Boston group for a decade.

Between 2007 and 2010, he also programmed Power 105.1 in New York. Before moving into the VP of Programming role for Clear Channel New York. There, he oversaw Z100, WLTW, WKTU, and WAXQ.

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Mike Missanelli Speaks Following Dismissal From 97.5 The Fanatic

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Former 97.5 The Fanatic radio host Mike Missanelli has broken his silence following his dismissal from the radio station after his program on Friday. The long-tenured voice of Philadelphia sports radio had returned to the airwaves of 97.5 The Fanatic in August of 2024, following a two-year departure from the brand.

On Monday, taking to his social media feed, Missanelli explained the details surrounding his removal from the station last week.

“For the folks who noticed I’m not on the air today…I was informed after last Friday’s show that I was being let go as part of the company’s ongoing budget cuts,” wrote Missanelli. “I had planned to retire (with a lil dignity) at the end of my contract next February.”

Previously, Missanelli had been with 97.5 The Fanatic for 15 years before his surprise exit in May of 2022. However, The Mike Missanelli Show made its return in 2024 in the midday time slot on weekdays from 10 a.m. to 2 p.m., with Missanelli joined by Bill Colarulo, a former attorney turned sports talk host.

In June, Colarulo was promoted to afternoon drive alongside co-host Ricky Bottalico.

As the dust settled, Missanelli reflected on what his next steps might be.

“I want to thank the many people who listened to me over the years, and the great colleagues with whom I worked,” wrote Missanelli. “It was a blast. What’s next? Podcast world? Who knows. God speed. Go birds.”

Furthermore, Missanelli was just one of many programming cuts made over the weekend by Beasley Media Group. Other departures included Jack McCartney, who was removed as Director of Programming for Beasley’s Boston cluster and corporate VP/Strategy & Analytics. Additionally, Magic 98.3 Program Director/midday host Debbie Mazella and Rock 105.5 PD/midday host Terrie Carr also exited the company.

Financially, Beasley Media Group reported a 12.3% year-over-year revenue decline in the second quarter of 2025, with net revenue falling to $53.0 million from $60.4 million. On a same-station basis, revenue decreased 11.1%, largely driven by continued softness in the traditional audio ad market. Nevertheless, the drop was partially offset by growth in high-margin digital sales, which increased 1.3% to $13.2 million and now account for 25% of total revenue.

Looking ahead, CEO Caroline Beasley said the results reflect “continued progress in reshaping our business for long-term profitability,” pointing to growth in digital offerings and cost reductions.

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ESPN Unveils Opening Week, Christmas Day NBA Schedule

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ESPN and ABC are once again making a splash to open the NBA season, announcing a packed Opening Week and a tradition-rich Christmas Day lineup for the 2025-26 campaign. The networks’ coverage will feature marquee matchups loaded with star power, starting Wednesday, Oct. 22, and continuing with the league’s most-watched regular season day on Thursday, Dec. 25.

Now entering its 24th straight season as an NBA broadcast partner, ESPN remains the exclusive home for the league’s biggest moments — including the NBA Finals on ABC.

The season tips off Wednesday, Oct. 22, at 7 p.m. with Donovan Mitchell and the Cleveland Cavaliers visiting Jalen Brunson and the New York Knicks in a battle of Eastern Conference contenders at Madison Square Garden. At 9:30 p.m., the focus shifts to Dallas, where No. 1 overall pick Cooper Flagg makes his debut for the Mavericks against Victor Wembanyama and the San Antonio Spurs.

Opening Week continues Thursday, Oct. 23, at 7:30 p.m. with a Finals rematch between reigning champion Oklahoma City Thunder — led by MVP Shai Gilgeous-Alexander — and the Indiana Pacers, paced by Pascal Siakam. The late game at 10 p.m. features another star-laden clash as Stephen Curry and the Golden State Warriors host three-time MVP Nikola Jokić and the Denver Nuggets.

ESPN and ABC will again air all five Christmas Day games delivering wall-to-wall coverage of what has become the NBA’s most celebrated regular season date.

The action starts at noon from Madison Square Garden with the Cavaliers and Knicks meeting again in a holiday rematch. At 2:30 p.m., Wembanyama and the Spurs travel to Oklahoma City to face Gilgeous-Alexander and the Thunder.

The 5 p.m. window sees Flagg and the Mavericks visiting Curry and the Warriors, followed by an 8 p.m. primetime showcase in Los Angeles. The Lakers, featuring LeBron James and Luka Dončić, take on the Houston Rockets and newly acquired superstar Kevin Durant in a matchup dripping with intrigue.

The night ends at 10:30 p.m. in Denver, where Anthony Edwards and the Minnesota Timberwolves — fresh off a Western Conference Finals run — face Jokić and the Nuggets.

The complete 2025-26 NBA on ESPN regular season schedule will be released Thursday.

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NBA on NBC Announces Debut Slate Of Games

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The NBA is making its long-awaited return to NBC, and the network is bringing some of the league’s biggest names along for the ride. NBC Sports and the NBA announced that the 2025-26 season will tip off Oct. 21 with a star-studded doubleheader airing on both NBC and Peacock.

The action begins in Oklahoma City, where reigning NBA MVP Shai Gilgeous-Alexander and the defending champion Thunder will raise their banner and receive championship rings before hosting Kevin Durant and the Houston Rockets. The 7:30 p.m. matchup marks Durant’s debut with Houston. Mike Tirico will handle play-by-play, joined by analysts Reggie Miller and Jamal Crawford, with Zora Stephenson reporting from Paycom Center. Coverage begins at 6:30 p.m. with an on-site studio show hosted by Maria Taylor, alongside Carmelo Anthony and Vince Carter.

The night’s second game will see Stephen Curry, Jimmy Butler, and the Golden State Warriors head to Los Angeles to face LeBron James, Luka Dončić, and the Lakers. Tip-off is set for 10 p.m. Noah Eagle will call the game with analyst Grant Hill and reporter Ashley ShahAhmadi, while Ahmed Fareed and Tracy McGrady lead the on-site studio coverage.

NBC’s opening night coverage will not only mark the NBA’s return to the network for the first time in more than two decades but also the league’s debut on Peacock. All games broadcast by NBC will be available to stream nationwide on Peacock throughout the season.

The announcement also included details for the premiere of Peacock NBA Monday on Oct. 27. The new weekly doubleheader will debut with Donovan Mitchell and the Cleveland Cavaliers visiting Cade Cunningham and the Detroit Pistons at 7 p.m., followed by Anthony Edwards and the Minnesota Timberwolves hosting Nikola Jokić and the Denver Nuggets at 9:30 p.m.

In a historic move, NBC Sports will present the NBA’s first-ever quadrupleheader on Martin Luther King Jr. Day, Jan. 19, 2026. The day will feature a packed slate of stars, including Giannis Antetokounmpo, Trae Young, Gilgeous-Alexander, Mitchell, Cooper Flagg, Jalen Brunson, Jaylen Brown, and Cunningham.

The schedule includes:

1 p.m. ET: Milwaukee Bucks at Atlanta Hawks (Peacock exclusive)

2:30 p.m. ET: Oklahoma City Thunder at Cleveland Cavaliers (NBC/Peacock)

5 p.m. ET: Dallas Mavericks at New York Knicks (NBC/Peacock)

8 p.m. ET: Boston Celtics at Detroit Pistons (NBC/Peacock)

Following NBA Tip-Off on Tuesday, Oct. 21, Coast 2 Coast Tuesday will begin on Oct. 28 and present doubleheaders on Tuesday nights throughout the regular season on NBC and Peacock. On most Tuesdays, an 8 p.m. ET game will be presented to NBC stations in the Eastern and Central time zones, and an 8 p.m. PT game to NBC stations in the Pacific and Mountain time zones. Both games will stream live nationwide on Peacock. A 30-minute studio program will lead into coverage each week on Peacock.

After Sunday Night Football and NFL playoff coverage concludes in 2026, NBC Sports will launch Sunday Night Basketball across NBC and Peacock on Feb. 1, 2026. This year, Sunday Night Basketball will pause on Feb. 8 and Feb. 15, 2026, due to NBC Sports’ coverage of Super Bowl LX, the NBA All-Star Game, and the 2026 Milan Cortina Olympics. It will resume on Feb. 22 and run through April 5. Sunday nights will occasionally feature doubleheaders. A one-hour, on-site studio program will lead into game coverage each week on NBC and Peacock.

NBC Sports will release its full NBA schedule for the 2025-26 season on Thursday.

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Did the UFC Sacrifice Exposure for a Bigger Check From Paramount, CBS?

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The UFC pay-per-view era is officially over. The pay-per-view model itself seemingly is over. With the UFC coming to a new rights agreement with Paramount+ and CBS, the UFC has found a new exclusive home for all their events in the United States. The seven-year deal, worth a reported $1.1 billion annually, is the type of dollar amount the UFC demands, but the company it chose is somewhat puzzling.

CBS Sports is well known for its coverage of the NFL, The Masters, NCAA Football, among others. The UFC has never touched a CBS Sports media property; they’ve done deals with FOX Sports and ABC/ESPN previously. Dana White’s promotion is navigating into uncharted waters with a high price tag attached.

You must wonder—was the focus the exposure or the amount on the check that was cut?

As a casual viewer of the UFC’s product, I do enjoy the feel of a fight night. The UFC has been putting on big fight nights now for more than two decades, dating back to when White took over the UFC in 2001. The sport has grown in popularity and made some of its fighters household names in the world of sports.

What Matters Most?

What struck me was a line in White’s comments about the signing of the deal.

“The exposure provided by the Paramount and CBS networks under this new structure is a huge win for our athletes and anyone who watches and loves this sport,” said White in a statement Monday.

The UFC is ending its current agreement with ESPN, known for being the Worldwide Leader in sports. The UFC was featured on ESPN programming like First Take, Get Up, and SportsCenter as part of its deal with ESPN. The UFC was active socially in partnership with ESPN’s massive digital team on fight nights and was promoted constantly on ESPN’s bottom line for every UFC event and program.

Last time I checked, as much as I love CBS Sports Network and Paramount+, they don’t have anywhere near the reach and influence in sports that the four letters of ESPN have.

It’s not a knock on the quality of product CBS provides—it’s just the facts of the matter.

What Changed for the UFC?

When the UFC signed their agreement with ESPN back in 2018, Dana White said the agreement with ESPN was another “monumental day” for the UFC. He called ESPN the “pinnacle in sports broadcasting” and recognized around the world. There was the rebranding of UFC on ESPN Fight Night with expanded coverage on ESPN’s linear networks. UFC events were seen on ABC television, just like they were on FOX Sports before.

All things considered, if ESPN is the pinnacle of sports broadcasting, then why move to Paramount+ and CBS?

In a world where everything goes to the highest bidder, the UFC may be no different. White stated in June that the UFC likely would have multiple media rights agreements with their next deal.

That still could be the case, given there was no mention of the UFC’s Contender Series. Rumors for months had the UFC in discussions with Amazon, Netflix, ESPN, and Warner Bros. Discovery. ESPN Chairman Jimmy Pitaro told The Press Box podcast that ESPN had regular discussions with the UFC about continuing their deal.

Out of nowhere though—Paramount+ and CBS.

Who Benefits the Most?

Does the deal make sense for Paramount+ and CBS? Of course it does. It’s a signature home for a growing sport (still) that caters to a much younger demographic than any of the four major sports.

What doesn’t make sense is how this makes sense for the UFC.

Regardless of the amount of money they’re making per year from Paramount+ and CBS, how does this help the UFC in exposure?

Paramount+ just closed out the second quarter with 77.7 million subscribers after losing 1.3 million since March.

Netflix ended 2024 with 301.6 million subscribers.

Amazon Prime has over 200 million. We’ll see what ESPN does with their new direct-to-consumer product in a couple of weeks.

Did the UFC make the right choice?

Are sports fans flocking to Paramount+ now for the Champions League or Big Ten basketball? What’s the SportsCenter element that CBS Sports provides to help gain added exposure for the UFC? Where are the cross-promotional opportunities for UFC fighters on CBS Sports or Paramount+ programming to plug their upcoming fights for viewership?

The UFC does have a growing audience because of the product and the platform ESPN provided since 2018, but will that exposure fall by the wayside if ESPN begins to ignore the UFC or not provide the amount of coverage it once had?

ESPN is trying to make something happen with Major League Baseball ahead of the conclusion of their media rights deal, which expires at the end of this season. Will they do the same with the UFC before their deal with Paramount+ begins?

The UFC cashed in due in part to their current partner in ESPN. The goal for Dana White was to build the UFC to where it was in the same conversation with the NFL, NBA, MLB, and NHL—to sit at the table of the four major sports. White succeeded in that.

With this agreement, the exposure fight for the UFC is officially over as they cash in with a new signature home.

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Why An ESPN College Football RedZone Is Destined To Fail

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Last week, news of ESPN taking control of the NFL’s media assets in exchange for the league acquiring a 10% stake in the network had everyone in our industry buzzing. People had questions, concerns, and ideas.

I’ll leave the questions and concerns to people smarter than me. I have my own, but I am man enough to admit that I don’t know enough about the inner workings of the deal to say whether they are valid. What I can do is tell you the single dumbest idea I have heard in terms of what is possible now that ESPN owns NFL Media.

For the love of God, RedZone doesn’t need to be expanded into other sports. The excitement for bringing the model to college football Saturdays is the most “tell me you don’t know ball” thing I’ve ever heard.

College football and the NFL are both versions of American tackle football, but they are not the same sport. They run in two very different ways. Those differences are prohibitive to a college football version of RedZone being as necessary and exciting to its fans as the original version is to NFL fans.

College Football Is a Mess on Purpose

The NFL is a union. Thirty-two teams may compete on the field, but when it comes to business interests, they work in unison. College football is a confederacy. The conferences are rarely united. They are independent entities looking out for themselves that happen to compete for the same championship.

Paul Finebaum has talked about this a lot. He’s very aware of how hard it is to fix some of the sport’s biggest problems when none of the four power conference commissioners want to cede anything to their counterparts. “That’s really what makes college football so unique, but also it causes so many issues,” he told me last year.

NFL RedZone works because, despite various media deals, the league is in control. It has access to every game going on at the moment. A college football RedZone on ESPN’s streaming app would be subject to rights restrictions.

It couldn’t show Big Ten games because that league has deals with FOX, CBS, and NBC, not ESPN. When Notre Dame is playing at home, college football RedZone couldn’t cut to the game because it belongs to NBC. If something crazy is happening in a game involving Army, college football RedZone could cut to it. However, only if they are playing another American Conference team on the road. Otherwise, the game belongs to CBS Sports Network.

So think about this. NFL RedZone works because it has everything. Those Sunday afternoon windows have a lot going on, and there is nothing standing in the network’s or viewer’s way of seeing it all.

Every single week, college football RedZone would be missing Ohio State and Michigan. Most weeks, it would be missing Notre Dame. Those are three of the biggest brands in the country. If the Cowboys or Steelers aren’t on RedZone, it’s because they are playing on a different day. There’s never a situation where an incredibly popular team is playing and NFL RedZone just can’t show it.

And don’t hold your breath for the Big Ten to work out a special deal for their games to be included. Given the conference’s standoff with the College Football Playoff, I can’t see Commissioner Tony Petitti being eager to make any ESPN-friendly deals anytime soon.

The NFL Is the Perfect Model for RedZone

Plenty of sports enjoy the same level of fandom that the NFL does, but the NFL has its audience trained in a way that RedZone fits into perfectly.

There are two windows for kickoffs on Sunday afternoons and only two channels showing games in those windows. That means RedZone is the only way for plenty of people to see all of the action. Conversely, try finding a college football game on any given Saturday that you cannot watch.

While the popularity of sports gambling has been on the rise, fantasy football has not gone away. Every August, millions set times to draft their team. On Thursdays, they all rush to set their lineups. RedZone is the perfect product to keep up with everything a fantasy owner needs to know.

Despite many attempts to get it off the ground, fantasy college football has never been all that popular. It certainly isn’t big enough to dictate people’s lifestyles and viewing habits.

The NFL also has connectivity going for it. Just 32 teams is a pretty narrow scope. Sure, two teams that do not play in the regular season may have very little reason to pay attention to each other, but with everyone working toward the same goal, there is a similarity to the Marvel Cinematic Universe — pay attention, because it’s all going to connect.

College football is more like Star Wars, where what is going on in the Outer Rim may never be on the radars of the people on Coruscant. Plenty of SEC fans would look at whip-around coverage as a nuisance because they aren’t interested in what is going on in the Mountain West, no matter how exciting the game college football RedZone is cutting to may be.

We’ve Already Tried This

Does anyone remember ESPN Goal Line? It was the network’s college football answer to RedZone. It operated for close to ten years, and I am going to be honest — I don’t remember a thing about it. I can’t tell you who hosted it. I don’t think I ever watched it. I don’t even think I could tell you how to watch it.

The product had all of the same limitations a new version of college football RedZone would. That means it’s going to have very limited appeal.

I heard Joe Pompliano on The Town with Matthew Belloni suggest that maybe an all-SEC version of RedZone would solve this issue. ESPN owns every bit of SEC media presence. The conference has a vocal, dedicated fan base. Surely there’s an audience there.

It’s an interesting idea, but it ignores another lesson learned from Goal Line. Plenty of us watch a ton of college football, but there are a lot more people who just want to watch their team. It’s the Marvel vs. Star Wars thing. You don’t need to know what’s happening between NC State and Georgia Tech if all you care about is Oregon and its rivals.

Now that ESPN owns the RedZone brand, ideas to expand into other sports are natural, but they ignore the realities of why RedZone works. The NFL is a compact universe, and a product that provides whip-around coverage for a very small part of the year is a necessity for people trying to keep up with everything.

There is no other sport like that. College football fans don’t need to know everything. Other sports’ seasons are just too long. RedZone is a unique product that succeeds in a unique space.

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Why Steve Mason Credits Evolution For the Longevity of ‘Mason & Ireland’ on ESPN LA

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A lifetime is full of choices. Where you choose to live and work. Who you choose to love. Choices have benefits and consequences, but in the end, it’s the choice of the individual. For Steve Mason and John Ireland, their latest choice at ESPN Los Angeles was one they’ve made a number of times before.

Recently, Mason & Ireland were rewarded with new multi-year contract extensions to remain hosts of their program, which bears their names, on ESPN Los Angeles. The duo has worked alongside each other for the last three decades and, once again, have further solidified another run of time entertaining audiences in the ‘City of Angels.’

“I am so unbelievably grateful for ESPN and for Good Karma Brands,” said Mason. “It was an easy decision to re-sign and come back to work here.”

Steve Mason has experienced a wonderful career both in radio and in television. Before joining ESPN Los Angeles, Mason was known for his work on The Late, Late Radio Show with Tom Snyder & Steve Mason. He’s served as a broadcaster for seven Olympic Games and for his red-carpet coverage from the Academy Awards.

Moreover, Mason is the die-hard sports fan in all of us. Expressing his bold opinions and infectious enthusiasm every afternoon alongside Ireland. The pairing has drawn massive acclaim over two decades on the radio station, which ultimately led to an easy negotiation for the recent extensions.

“ESPN came to us early and they were unbelievably motivated to get something done,” explained Mason of the contract negotiations. “I truthfully can’t imagine working somewhere other than ESPN and Good Karma.”

Mason Sharing Pride for Who He Represents

Growing up in the Midwest, Mason says he never could have charted his journey of how he landed in Los Angeles. He doesn’t know fully how he arrived at the destination he now calls home, but he understands there is a lot of luck that comes with success. Referencing his father, who took pride in working for Eastman Kodak, Mason shares the same pride in being associated with ESPN.

“I’m with ESPN means something to me. It’s a great company that I have been a fan of since long before I ever worked for them,” said Mason. “I couldn’t figure out how to do it again, but I know I landed in the right place. I love this town. I love the lifestyle. I can’t imagine not only ever working anywhere else, but I can’t imagine living anywhere but LA.”

Additionally, Mason referenced the cultural vibe that sports plays in the Los Angeles market—a city built on a melting pot of culture whose people are passionately attached to their teams. He believes, however, that passion is often forgotten and overlooked by many in the sports radio industry based on locale.

“L.A. has gotten an unfair rep when it comes to being a sports town. This is a great sports town,” explained Mason. “The temperament is different in L.A. I still think they are strong takes and there are disagreements that really stir the drink here.”

‘Mason & Ireland’: Adapt or Die

Indeed, the market houses landmark franchises in all four major sports and beyond—where legends have become household names and the demand for greatness remains at an all-time high. Meeting the expectations of the Los Angeles sports fan is what Mason & Ireland pride their program on, knowing that a successful formula never stays the same, with change as the only constant.

“Our show is completely different today than it was 30, 10, or even 5 years ago. I strongly believe in that expression adapt or die,” notes Mason. “We have continued to be relevant because we’ve been willing to change. We’re willing to try new things, and I’ve always said you’re either getting better or you’re getting worse. We’re pushing forward creatively with this show, and I think evolution is ongoing.”

@espnlosangeles

We asked Mason, Ireland and Mychal to build their perfect MLB player! Kwan’s contact? Witt’s speed? Reggie’s swag? How would you build your perfect MLB player NOT including players from your favorite team?

♬ original sound – ESPN Los Angeles

As part of their ongoing evolution, Mason & Ireland have strategized around taking telephone calls from listeners for a single segment of the program. Interestingly, the show also does not feature many guests—something some may find intriguing, considering their history with the radio station and Ireland’s work as the play-by-play voice of the Los Angeles Lakers.

Instead, the program leans heavily on opinion, belief, and cultivating a more honest and transparent relationship with the audience. The hosts are not afraid to be critical of the local franchises when warranted.

“We [Mason, Ireland] don’t do a lot of face-to-face prep for the show. We both prep individually and then surprise each other during the show,” explained Mason. “We don’t plan out everything. We leave room for some creative content that just develops on the fly.”

Furthermore, Mason credits the show’s strong production team of Laura Romo and Brian Cohen for guiding and enhancing Mason & Ireland. He values their contributions in keeping the show fresh daily and calls them partners in any success the program achieves. Even with the run of success under the ESPN umbrella, there has never been a moment when the program was considered for the national lineup.

“I used to do national stuff for Fox Sports Radio. I’ll be honest with you, I prefer local stuff,” said Mason. “I don’t think there’s ever been any conversation about it. I just feel like I’m closer to people when I’m doing radio in a town. This is L.A. This is my town.”

Being Dominant on Digital, Staying a Fan

Another element that helps Mason & Ireland stand out is their strong digital presence across ESPN Los Angeles social media platforms. A sports radio station with a social following of over a million combined followers provides more reach to connect with listeners and draw them to the program on a day-to-day basis.

“We’ve got a social media team that I would argue stacks up against any social media team in the country,” complimented Mason. “People are consuming content differently than they used to. We have lots of people who watch the show on YouTube and Twitch. They look for those Instagram posts. The more times you can touch a listener, the more loyalty they develop for you. All those connection points on social media are important.”

Given that different audiences consume the program in different ways, Mason believes the fear of losing appointment listening shouldn’t be a concern. Instead, he sees the shift to short-form digital media as an extension of the program, not a threat to its integrity.

One consistent aspect that Mason has always preferred is attending games as a fan. He still holds season tickets and prefers seats in the stands over seats in the press box. This experience allows him to see the game through the lens of the fan, ultimately enhancing his on-air approach for Mason & Ireland.

“When you go to a game as a fan, it’s a different experience compared when you go to a game on a press pass. I like being right in the middle of it,” said Mason. “I don’t think I get that from the press box. I get a very visceral take on it by being at the game and experiencing it as a fan.”

Looking ahead, Mason is excited and looking forward to being fully involved with the 2028 Summer Olympics and 2026 World Cup, as both events call Los Angeles home. He continues to be grateful every day for the opportunity to continue doing what he chooses to do. Now, with a new extension from ESPN and Good Karma Brands, the future continues to look promising for Mason & Ireland on ESPN Los Angeles.

“I just love what I do every day. I have fun every day,” said Mason. “I joke on the air that you’ll have to pull this microphone from my cold, dead hands. I really can’t imagine that I would retire. I just like what I do so much.”

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