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Netflix Secures Its Best Monthly Share in December Thanks to NFL Games

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Thanks to its Christmas Day NFL broadcasts, Netflix took its biggest piece of the pie ever this past month. According to Nielsen, Netflix accounted for 8.5 percent of total TV viewing in December, tying its best share set in July 2023

Sign-ups for the month were also strong, although not the strongest in recent memory. According to Antenna, Netflix got around 656,000 signups in the three-day window (Dec. 24-26) around the NFL Christmas games, well above Netflix’s range of 50,000 to 70,000 signups since its password crackdown started around May 2023.

Netflix’s NFL doubleheader generated plenty of viewership for the platform. Between the two Christmas Day games, Netflix averaged 30 million global viewers, helping the platform to its most-watched Christmas Day ever.

Outside of Netflix, overall streaming viewership climbed 9 percent in December over November, with streaming securing a record 43.4 percent of total TV watch time. Thanks to its five NFL games, Prime Video saw a platform-best 4% of the share of TV viewing. On the linear side, broadcast and cable rode football (college and pros) to gains of 17 percent and 29 percent, respectively, over November.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

CNN Names Longtime Washington Post Exec Philip Rucker New SVP of Editorial Strategy & News

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Philip Rucker has spent the past 20 years at The Washington Post. However, he’s set to join CNN in a new executive role, the outlet has announced.

Rucker will serve as the Senior Vice President of Editorial Strategy & News at CNN and be stationed at the network’s Washington D.C. bureau. Previously, he worked as a National Editor at The Washington Post where he oversaw a staff of 150 journalists covering the White House, Congress, the Supreme Court, and other political-adjacent subjects.

During his long tenure with the newspaper, Philip Rucker also served as the Deputy National Editor, Senior Washington Correspondent, and White House Bureau Chief. Rucker led teams that won three Pulitzer Prizes during his time with the outlet.

“As CNN moves to cover President Donald Trump’s second administration, Rucker, who has deep expertise from years reporting on and overseeing coverage of President Trump, is perfectly positioned to aid in leading our best-in-class coverage,” a statement from the network announcing his addition stated.

Rucker’s first day with CNN will be on Monday, February 10th.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Dan Mason to Receive Lifetime Achievement Award From Broadcasters Foundation of America

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Longtime media industry executive Dan Mason will be recognized by the Broadcasters Foundation of America with its 2025 Edward F. McLaughlin Lifetime Achievement Award.

The award — given annually to an individual who has made invaluable contributions to the broadcast industry — will be given to Mason during the Broadcasters Foundation of America Golden Mic Award Gala and Fundraiser on Monday, March 10th at the Plaza Hotel in New York City.

“I am honored to receive this distinction from the Broadcasters Foundation,” stated Mason. “Broadcasting gave me a career that I love on the air and in the boardroom. There are many broadcasters across our country who feel the same way, but tragedy struck their lives, leaving them in need of help. That’s why I served on the Board of the Broadcasters Foundation and continue to support its charitable mission.”

Dan Mason served as the President of CBS Radio from 1995 to 2002 before ascending to the role of CEO from 2007 to 2015. He also served as the President of Group W Radio for Westinghouse before joining CBS Radio.

“Dan is a passionate broadcaster and media visionary whose accomplishments helped define today’s broadcasting business,” said Broadcasters Foundation chair Scott Herman. “I worked with Dan for many years, at Westinghouse and CBS, and his leadership elevated our efforts and led us to outstanding success.”

“Dan is the perfect candidate to receive the prestigious Edward F. McLaughlin Lifetime Achievement Award,” added Broadcasters Foundation President Tim McCarthy. “His commitment to advancing the broadcast business, especially into the digital space, is well-known, as is his dedication to the mission of the Broadcasters Foundation.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Barrett Media’s Top 20 Alternative Radio Shows of 2024

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Welcome to Day 2 of Barrett Media’s Top 20 of 2024 in Music Radio presented by Radio.Cloud. The Top 20 Alternative radio shows of 2024 are today’s focus. You can also see the Alternative format’s Top 20 program directors here. To keep up with all of the results, follow BM on XFacebook or LinkedIn or sign up for our newsletters here. We appreciate the support.

We have created Top 20’s for the Sports and News/Talk formats for years, but this is by far the largest project we’ve ever done. 173 program directors, corporate executives, and format consultants voted in this series. 250+ were invited to be a part of it. Though some brand leaders and company executives couldn’t make time to vote and some didn’t respond, I’m ecstatic with our turnout.

As you review these results, please remember that they represent the collective feedback shared by our industry voters. I do not vote in this process. My role is to assemble the group, collect their votes, and present the information.

Given the size of Music Radio formats, we are presenting the Top 20 shows and programmers from ALL markets. This includes Major Markets, Mid-Markets, and syndicated programs. The best of the best if you will. Some formats are combined due to similarities such as AC/Hot AC, Adult/Classic Hits, and Rock (Active/Modern Rock). There are also a few shows, hosts and/or programmers who appear on lists in multiple formats due to their stations featuring music and programming that crosses over.

Important Information

#1 – Music radio is a massive space, and stations don’t always provide or update information. That makes it hard at times to issue credit to deserving programmers or hosts. We’ve tried to be accurate with the spelling of names, shows, brands, cities, and positions, but we’re human, and mistakes happen. If you see an error, please email Jason@BarrettMedia.com so we can make a correction.

#2 – We’ve asked the voters to supply photos and logos to avoid headaches. Some comply, but most don’t. That’s consistent with voters in our sports and news/talk series too. That forces us to have to dig to find 320 images to complete the eight (8) format series. For that reason, there are no photo changes unless it involves a mistake. Thanks in advance for understanding.

#3 – This series specifically focuses on United States terrestrial music radio shows and programmers. Shows and brand leaders with Apple Music, Spotify, Amazon, SiriusXM, YouTube, podcasts and programming outside the United States are not included.

#4 – 52 Alternative radio shows appeared on ballots turned in by our voters. Executives were asked to rank their Top 10 in exact order using the following criteria: Quality of Shows (ear test), OriginalityAbility to Entertain-Inform-Connect Across Multiple Platforms, Ratings SuccessClearance (national shows) and Industry Buzz. Points are given for top 10 finishes with a 1st place vote equaling a high of 20 points, and 10th receiving a low of 2 points. Be advised, our voters live in different cities, work for different companies, have individual tastes, and value certain factors higher than others. This is not a perfect system but it’s one we feel good about using to showcase the industry’s best.

#4 – 27 broadcasting companies are represented in this series. Among them include iHeartMedia, Audacy, Cumulus Media, Townsquare Media, Beasley Media, Hubbard Radio, Bonneville, Meruelo Media, Radio One, Cox Media Group, Alpha Media, Connoisseur Media, Saga Communications, Hearst Communications, Rubber City Radio Group, Cromwell Media, Press Communications, Pamal Broadcasting, Lotus Communications, Shamrock Communications, Midwest Communications, Seven Mountains Media, Summit Media, Buck Owens, Local Media San Diego, Colorado Springs Radio Broadcasters, and Milwaukee Media Group. Another 18 consulting groups were involved as well. We involve people from different groups and cities to make sure balance is provided.

#5 – Though we have a total of 173 voters in this series, the number voting on each format is lower. This is by design. We wanted experts from each format to vote on what they know best. This means that 28 programmers, consultants, and executives voted on the Alternative category, not managers from other formats with less knowledge of Alternative radio’s best shows and leaders.

I want to thank Dylan Barrett for doing an excellent job with our graphics, and Stephanie Eads for helping with the voting process. I’d also like to thank every single voter who made time to participate. Now without further delay, here are the Top 20 Alternative Radio Shows of 2024.

Additional Notes:

  • The Woody Show earned the category victory with a 36-point win over The Rizzuto Show. Woody’s program also received a category best eight (8) first place votes.
  • Spots 21-25 were held by Andy HawkMarty LennartzMike JonesDonny Fandango, and Miles The DJ.
  • The closest battle was for 12th place. Booker and Striker edged Megan Holiday by 1 point.
  • Of the 52 shows to receive votes, 9 received at least one 1st place vote.

Barrett Media Top 20 of 2024 in Music Radio Upcoming Schedule:

  • Wednesday January 22 = BMM Top 20 Classic Rock Radio Shows and Program Directors
  • Thursday January 23 = BMM Top 20 Adult/Classic Hits Radio Shows and Program Directors
  • Friday January 24 = BMM Top 20 Country Radio Shows and Program Directors
  • Monday January 27 = BMM Top 20 Urban/Hip-Hop Radio Shows and Program Directors
  • Tuesday January 28 = BMM Top 20 AC/Hot AC Radio Shows and Program Directors
  • Wednesday January 29 = BMM Top 20 CHR/Top 40 Radio Shows and Program Directors

Barrett Media’s Top 20 Alternative Radio Program Directors of 2024

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Welcome to Day 2 of Barrett Media’s Top 20 of 2024 in Music Radio presented by Radio.Cloud. The Top 20 Alternative radio shows of 2024 are today’s focus. You can also see the Alternative format’s Top 20 program directors here. To keep up with all of the results, follow BM on XFacebook or LinkedIn or sign up for our newsletters here. We appreciate the support.

We have created Top 20’s for the Sports and News/Talk formats for years, but this is by far the largest project we’ve ever done. 173 program directors, corporate executives, and format consultants voted in this series. 250+ were invited to be a part of it. Though some brand leaders and company executives couldn’t make time to vote and some didn’t respond, I’m ecstatic with our turnout.

As you review these results, please remember that they represent the collective feedback shared by our industry voters. I do not vote in this process. My role is to assemble the group, collect their votes, and present the information. At the conclusion of the series, Jeff Lynn and I will record a video for the Barrett Media YouTube page sharing our takeaways from the series. Be sure to subscribe to the page so you’re notified of when the video goes live.

Given the size of Music Radio formats, we are presenting the Top 20 shows and programmers from ALL markets. This includes Major Markets, Mid-Markets, and syndicated programs. The best of the best if you will. Some formats are combined due to similarities such as AC/Hot AC, Adult/Classic Hits, and Rock (Active/Modern Rock). There are also a few shows, hosts and/or programmers who appear on lists in multiple formats due to their stations featuring music and programming that crosses over.

Important Information

#1 – Music radio is a massive space, and stations don’t always provide or update information. That makes it hard at times to issue credit to deserving programmers or hosts. We’ve tried to be accurate with the spelling of names, shows, brands, cities, and positions, but we’re human, and mistakes happen. If you see an error, please email Jason@BarrettMedia.com so we can make a correction.

#2 – We’ve asked the voters to supply photos and logos to avoid headaches. Some comply, but most don’t. That’s consistent with voters in our sports and news/talk series too. That forces us to have to dig to find 320 images to complete the eight (8) format series. For that reason, there are no photo changes unless it involves a mistake. Thanks in advance for understanding.

#3 – This series specifically focuses on United States terrestrial music radio shows and programmers. Shows and brand leaders with Apple Music, Spotify, Amazon, SiriusXM, YouTube, podcasts and programming outside the United States are not included.

#4 – 35 Alternative radio program directors appeared on ballots turned in by our voters. Executives were asked to rank their Top 10 in exact order using the following criteria: Quality of Shows (ear test), OriginalityAbility to Entertain-Inform-Connect Across Multiple Platforms, Ratings SuccessClearance (national shows) and Industry Buzz. Points are given for top 10 finishes with a 1st place vote equaling a high of 20 points, and 10th receiving a low of 2 points. Be advised, our voters live in different cities, work for different companies, have individual tastes, and value certain factors higher than others. This is not a perfect system but it’s one we feel good about using to showcase the industry’s best.

#4 – 27 broadcasting companies are represented in this series. Among them include iHeartMedia, Audacy, Cumulus Media, Townsquare Media, Beasley Media, Hubbard Radio, Bonneville, Meruelo Media, Radio One, Cox Media Group, Alpha Media, Connoisseur Media, Saga Communications, Hearst Communications, Rubber City Radio Group, Cromwell Media, Press Communications, Pamal Broadcasting, Lotus Communications, Shamrock Communications, Midwest Communications, Seven Mountains Media, Summit Media, Buck Owens, Local Media San Diego, Colorado Springs Radio Broadcasters, and Milwaukee Media Group. Another 18 consulting groups were involved as well. We involve people from different groups and cities to make sure balance is provided.

#5 – Though we have a total of 173 voters in this series, the number voting on each format is lower. This is by design. We wanted experts from each format to vote on what they know best. This means that 28 programmers, consultants, and executives voted on the Alternative category, not managers from other formats with less knowledge of Alternative radio’s best shows and leaders.

I want to thank Dylan Barrett for doing an excellent job with our graphics, and Stephanie Eads for helping with the voting process. I’d also like to thank every single voter who made time to participate. Now without further delay, here are the Top 20 Alternative Radio Shows of 2024.

Additional Notes:

  • Tommy Mattern held a commanding 81 point lead over Lisa Worden to claim 1st place. Mattern also received a category best twelve (12) first place votes.
  • Spots 21-25 were held by Jeremy PritchardAbby KriznerChris CrowleySophia John, and Jonah Griss-Bush.
  • The closest battles saw Elliott Wood and Lynn Barstow edge Nerf and David Moore by 2 points.
  • Of the 35 program directors to receive votes, 8 received at least one 1st place vote.

Barrett Media Top 20 of 2024 in Music Radio Upcoming Schedule:

  • Wednesday January 22 = BMM Top 20 Classic Rock Radio Shows and Program Directors
  • Thursday January 23 = BMM Top 20 Adult/Classic Hits Radio Shows and Program Directors
  • Friday January 24 = BMM Top 20 Country Radio Shows and Program Directors
  • Monday January 27 = BMM Top 20 Urban/Hip-Hop Radio Shows and Program Directors
  • Tuesday January 28 = BMM Top 20 AC/Hot AC Radio Shows and Program Directors
  • Wednesday January 29 = BMM Top 20 CHR/Top 40 Radio Shows and Program Directors

Is Market Mobility Still a Thing in Sports Radio?

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I started in radio in 1997. I hadn’t quite turned 16 years old, but I already knew it was what I wanted to do forever. One of the older jocks told me that if that was the case, then there were two things I needed to know. First, the job will never make me rich, so I better truly love it and second, it’s rare that anyone goes to a market and gets to stay there forever, so I needed to be prepared to move around the country, especially if I wanted to do sports.

It’s been thirty years since I had that conversation and while most held true, one big part did not. What happened to market mobility, particularly in sports radio? 

That mobility was supposed to be the meritocracy. I always liked the idea that if you proved yourself in a top 100 market, you would get an opportunity in a top fifty market. Prove yourself there, and it was onto a top twenty market and so on.

Market mobility, when it existed, was the sign of a company and boss that took an interest in what came out of their listeners’ speakers. They understood that investing in great talent was the surest way to make their product better.

Nowadays, I’m not sure I believe that’s still the case. I’m sure those companies want to improve their products, but given the state of the industry, it seems that “who’s around?” gets asked before “who’s best?”

My wife made it clear a few years ago that she does not want to leave North Carolina, so I’m off the hamster wheel these days. I’m not constantly checking the Barrett job board to see who needs a PD or host anymore. 

There was a time, though, when I was having lots of conversations and making it to second, third, and final rounds of interview processes only to be told that the station decided to prioritize local ties or institutional knowledge. At least twice, I walked away confident that the desire not to pay for someone’s move is the only reason I came up short.

Experiences like that always left me wondering what the place in this business is for those of us that grew up in small places that wanted something different out of life. If market mobility is becoming less and less of a thing, where does that leave those of us that are from places where there is little or no local sports radio?

A local identity is important for a radio station. I never faulted anyone that made it their priority, but I always thought that settling for less because someone less creative or less qualified knows how to pronounce the name of that road that is named for the Polish family that used to have a restaurant on it was shortsighted.

The obvious problem is that insisting on local ties or institutional knowledge limits the pond a station can fish in. I am sure everyone at Audacy will tell you that listeners would have rejected any new voice on WEEI that did not sound like it came from New England, but I would point out that Fred Toucher and Mike Felger aren’t Boston natives. Even if they had a history in the market before getting into sports radio, they did have to start from 0 at some point with the locals and they succeeded because they are among the best at what they do.

Boston isn’t alone. Chicago, New York, Philadelphia and other markets won’t hire a host that doesn’t sound like his or her listeners. The stations may be limiting their talent pools, but they are major markets. 

I’ve had this conversation before with stations in Memphis, St. Louis, and New Orleans. Not only are those not major markets, they are places that are actually getting smaller. When that’s the reality of the market, it doesn’t really seem like you can limit your search.

Americans have never been more likely to move away from their hometown. Sure, plenty stay in the city or county of their birth their entire lives, but interstates, airplanes, and various other transportation innovations of the last century have made moving away less scary, and a lot of people are apt to take advantage.

In fact, there are plenty of markets where it’s not easy to find a native. The Raleigh/Durham/Chapel Hill market, where I live, is one of them. In a place like this, I’m not sure it matters that someone knows the Lenovo Center was the RBC Center. There’s a large portion of the audience that wasn’t here then.

More than anything, I think this idea that local ties trump all does not take into account our current times. The world has never been smaller. People in their thirties cannot remember life without the Internet. It’s been eighteen years since Apple made smartphones ubiquitous. Getting information – any information – is easy. Why do so many companies and hiring managers act like it isn’t? 

If a company or station finds its ideal candidate, it isn’t hard to fill-in the gaps in their knowledge. All it takes is time and direction.

A local identity is what makes sports talk work. That’s true for all audio, so I get why a station wants its talent to feel connected to the market. Audiences prioritize themselves though. They just want to be entertained. And I think they would be forgiving of someone not sounding like them if the content is reliably strong. 

You probably can’t get away with that in your lineup from top to bottom. But if you have locals up and down the lineup, why not take a chance with a talented outsider? It’s a small step a lot of stations need to take to revitalize their sound.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Where Will The Next ‘Event Record’ Come From?

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“The world’s most famous and popular language is music.” – “Gangnam Style” artist – PSY

What happened to the Event Record?

In the wake of the tragic California wildfires, reality star Heidi Montag lost the home she shared with her husband, Spencer Platt. Following the event, the couple took to social media to ask for donations by buying Heidi’s music.

Following the plea, several of Heidi’s decades-old records charted in the Top 15 in digital sales, including her 2010 hit, “Superficial.” As of this writing, two of her songs, “Superficial” and “I’ll Do It,” both 15 years old, remain in the Top 10.

Does this (and the marginal records) qualify as an Event worthy of airplay and content? It depends on who you ask. While sharp programmers will pick up on the vibe of a record, more often than not, it’s your audience who picks up the vibe.

So – what IS an – Event Record? 

A song that drifts into the Social Conscious through an occurrence either purposefully or by happenstance. At times, Event Records fade quickly without long-term play.  Others remain a part of our musical DNA.

Generally – Event Records fall into three categories:

New Release

In the digital age, it’s hard to comprehend.

There was a time when a HUGE record was on the eve of distribution – with much expectation – that radio would race to air it first.

In radio’s 1980s—our ‘golden years’—record reps were so anxious that a station would receive a song ‘early’—or before the competition—that they would resort to extreme delivery measures.

In the late 1980s, Phoenix, a brutal three-way Top 40 battle brewed between market leaders KZZP, upstart KOY-FM, and Rhythmic KKFR.

When Tone-Loc’s follow-up to “Wild Thing” was due for delivery, the Island Record rep hid the 12” Acetate of “Funky Cold Medina” in the bushes outside the stations. He then called the respective Music Directors simultaneously with the information so everyone had a fair shot at being ‘first.’

Examples of – Event Records:

Michael Jackson – “Thriller”

The lead single—” The Girl Is Mine” (a duet with Paul McCartney)—was released two months ahead of the album. The anticipation was so great that when the album dropped in late November, ratings-hungry programmers aired several cuts upon its arrival.

At almost 80 million copies sold, “Thriller” is the best-selling album ever. “Thriller” spawned a record-setting seven charting singles over 18 months.

A Michael Jackson record release was such a huge event that 1995’s “You Are Not Alone” became the first song to debut at #1 on the Billboard Hot 100.

Michael Jackson was – an Event.

Garth Brooks – “Ropin’ The Wind”

After the monumental success of “No Fences,” Ropin’ The Wind became the first Country album to top BOTH The Billboard Hot 100 and The Top Country Charts in over a decade.

Country programmers knew that in the 1990s, a Garth Brooks album release meant ratings success. The pressure to get a Garth Brooks album on the radio was so great that an album was released every year from 1989 through 1993.

Although regarded as a monumental swing-and-miss, Garth Brooks’s 1999 Chris Gaines project remained a huge Event for Country radio, eventually fading into obscurity.

Garth Brooks was – an Event

Adele – “Hello”

Adele was white-hot a decade back. Her single – “Hello,” – was so anticipated she teased all of us with THIS :30 taunt on Prime TV.

“Hello” by Adele rapidly became the fastest song to reach one million downloads in a week and the fastest to one billion views on YouTube. Adel would go on to break streaming records, as her 2021 “Easy on Me” set Spotify’s single-day streaming record.

Adele was – an Event.

Film – TV Show

Ghost – 1990

The Righteous Brothers took the “Unchained Melody” remake to #4 in 1965. It then became a film fabric touchstone in the Demi Moore—Patrick Swayze pottery scene in 1990’s “Ghost.” It would re-chart and peak at #13 on the Billboard Hot 100.

Wayne’s World – 1992

Queen’s “Bohemian Rhapsody” is an anomaly – a song without a chorus. The original 1975 release was the lead single from “Night At The Opera” – peaking at #9. The most expensive single ever produced ran up the charts after being featured in the memorable head-banging scene in Wayne’s World. It reached #2 on the Billboard Hot 100 17 years after its first release and remains a large part of film fame.

Stranger Things – 2022

Initially released in May 1985, Kate’ Bush’s “Running Up That Hill” stalled at #30 in the U.S. However, the track experienced a meteoric revival – reaching #3 on the Billboard Hot 100 and topping charts worldwide nearly four decades later after the Upside Down chase scene in “Stranger Things.”

Keep an eye on big movie releases for Event Records.

Marvel revived 1974’s “Hooked on a Feeling” from Swedish group Blue Swede in “Guardians Of The Galaxy,” and Led Zeppelin’s 1970’s “The Immigrant Song” gained a new audience in “Thor—Ragnarok.”

Social Media Driven

PSY – Gangnam Style – 2012

PYS’s tune became an Event Record solely on social media. On December 21st, 2012, the music video became the first video on YouTube to reach 1 billion views.

Katy Perry – Super Bowl Halftime Show – 2015

This performance remains the most-watched halftime show of all time, with over 118.5 million viewers. After, her steaming sales grew by over 200%, and streams on Spotify, Apple Music, and YouTube were in the millions. The ‘Left Shark’ meme became one of the most viewed of all time.

Fleetwood Mac – Dreams – Skateboard Video – 2020

When skateboarding, Nathan Apodaca took to TikTok sipping Ocean Spray Cranberry Juice; it meant great things for him personally and for Fleetwood Mac. “Dreams” saw a 374% increase in streams, and the song re-charted all the way to #21 – 40 years after its initial release.

The flame DOES fade on once-event artists. 

In 1982, a Duran Duran single release would be a record and airplay earthquake. Last fall, they released a cover of ELO’s “Evil Women.” While the song was creeping up the charts, the world collectively yawned.

Keep your ear to the ground for the NEXT event record. 

Feature it one – or several – days and create content dialogue around the Event Record.

TIP: When streaming or binging shows, keep Shazam close. You’ll never know what song nugget might make its way into your listener’s psyche.

There was a Big Event yesterday in Washington, D.C. 

I wonder what THAT event did to digital streams for Carrie Underwood, Lee Greenwood, and Kid Rock.

Check THAT – HERE.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Aircheck: Chuck Geiger, 610 KFRC San Francisco 1983

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Chuck Geiger at “Stereo 610” KFRC, San Francisco. Wearing the famous Koss Headphones.

Geiger is obviously hamming it up for the California Airchecks camera.

Notice how he sells the money giveaway promotion, creating a picture of all the stacks and stacks of money.

Definitely not a liner card reader.

Enjoy.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

3 Ways News/Talk Radio Programmers Can Create Masterful Promos

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Promos and liners drive your radio station’s theme. There are several services that even the most fastidious programmer will utilize. I get it, you are doing more than one job. There are a bunch of priorities that fill your time. I find it important to make time to write as much as possible for your radio station.

Quentin Tarantino writes the scripts for his movies. Having your radio station’s narration coming from the mind of one person is best. Very few of us have an imaging director on staff anymore. I took a writing course called the ‘ABC’s of Copywriting.’

Here are some of the themes of that training that I try to follow:

Use an Attention-Grabbing Opener

What is the theme of the promo and what is an audio clickbait first line? Here is a terrible way to open a promo: “News Radio 103 has the best weather coverage.” That line lays there like a corpse and has 0.0% chance of getting your listeners’ attention.

Use something like with some sound fx, “Tornados, Hail, Strong Winds… It’s spring in Topeka and News Radio 103 is here to keep you safe.” Make it about the threat and how the radio station will be there for the audience. It is always about the listeners. I encourage you not to get too sensational with any natural disaster-style promo. There is a line between credibility and being over the top.

Let’s say that your station is hosting a politics and pints event. Open with something like: “Your opinion is center stage with some suds and (host names), it’s Newsradio 103’s Politics and Pints.”

You could open a promo like this, “Has (Host’s Name or Show’s Name) cracked up?” Play the sound bit from the show… End Donut… “Your thoughts and Prayers are needed for (Host’s Name) Weekday afternoons at 3 following Clay and Buck on Newsradio 103.

A Strong Call to Action

Obviously, every promo or liner should be designed to inspire more listening to the station. What is the call to action? What is the promo or liner trying to communicate? If there is one weakness that I hear on most news/talk stations, it is the call to action. What is that liner or promo accomplishing? What is the purpose of that individual promo or liner? Is there a solid call to action?

Are your promos or liners reflecting the life and concern of your audience? When I was in Joplin, there was a rash of car break-ins. The police said that people were keeping their windows cracked open and tweakers were breaking into cars looking for cash. I did a promo about Methy Marvin and his quest for another hit of meth. I have built liners around the biggest news stories of the day.

Being topical is huge. If your liners just say, “It’s Dan Bongino on News Radio 103.” You are missing a huge opportunity. Especially during a network show. You must be selling forward to the next daypart or building your brand with these precious seconds on your station. You only have 8 seconds, make it count. These liners should not sit there like your mom’s macaroni and cheese in your stomach.

A side note: Unless it is unavoidable, I don’t use my dry liners over the network show’s bumper music. Some syndicated shows have terrible or off-demo bumper music. Don’t allow these shows to destroy your station’s brand. Every show that your station carries is a part of your brand. Your station should sound seamless. I get it, this is tough if your station is primarily syndicated shows. Your brand is what identifies every show, newscast, traffic report, and weather report to your station. Syndicated shows can be all over the place on their focus.

I heard a national show want to speak with Grandma’s only a while back. Ok, sparky, most news/talk radio stations need to focus on their target demographic. Most of these stations’ listenership is about 65% male. This is like the rock station stopping down to play songs by Michael Bolton, Seal, and Celine Dion in a row to please the ladies of the audience.

Music Matters

Every station that I have programmed has an individual personality. This is because every community is a little different. Some stations need to sound bigger than life, and some need to sound sarcastic. I have never tried to give my personality to the station, because I want to reflect the station’s personality and the listeners’ lifestyle.

Here’s one thing I want to stress about one voice writing for the station. I believe that the station needs consistent narration. I am a nerd and love to watch documentaries. Imagine watching a documentary and the writing style keeps changing. Your station’s imaging voice is the narrator of your brand.

Over time, I have used a variety of different imaging voices on my stations. Generally, I pick these voices based on the personality of the station. There are certain imaging voices that just don’t fit on one station, but I want the voice that didn’t fit on my next station. It is a feel. Your radio station should not sound impersonal or mechanical. Every news/talk station is a living, breathing, entity. You must demonstrate that fact every hour of each day.

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The Interview: Bob Sirott on WGN Radio

Bob Sirott is a Chicago media stalwart. Working in radio at stations like WLS-AM 890 and WGN Radio, in addition to his time in local television has made him a household name.

With that time in the local media spotlight in the Windy City, there are few in the talk radio industry that are as experienced as an interviewer as Bob Sirott.

Now, before we dive into the ins and outs of a recent interview heard on his WGN Radio morning show, I’d like to take a second to point out something I should have noted before.

While speaking with a well-respected, major-market programmer last week, they gave me some constructive criticism. And they were right. There is a difference between a news interview and a talk show interview. And I haven’t always pointed out that distinction. The line of questioning in a news interview should be more rigid, structured, and disciplined than a talk show interview. To be clear, Bob Sirott does a talk show at WGN Radio, and we’ll judge those shows accordingly going forward.

Late last week, Bob Sirott welcomed Marianne Murciano, the founder of Savvy-Planet, to his show to discuss the benefits of “Dry January.”

I picked this interview for two reasons. One, I wanted to hear the conversation, because the subject matter piqued my interest. And secondly, perhaps most importantly, because Marianne Murciano is Bob Sirott’s wife and I wanted to hear what a husband interviewing a wife sounded like — both the good and the bad, because I can envision how it would go for me, let alone working on a heritage AM radio brand in the country’s third-largest market.

The interview was a short one, covering just over six minutes. Which I think is a perfect length for a morning talk show discussion. ‘Get ’em in, get ’em out,’ as they say.

For the uninitiated, “Dry January” is going the first month of the new year without any alcohol. So, Sirott welcomed his “guest” to talk about the benefits of cutting alcohol cold-turkey to start the year.

He began the interview by giving his wife the floor. After she introduced why the topic may be a more interesting one than the average listener would consider, Murciano then noted that the first reason why Dry January is a good idea is that cutting out alcohol leads to better REM sleep and increased energy. Sirott jumped in and asked why — since he doesn’t drink — he doesn’t sleep better and has more energy, then. It was a funny quip that led to a great response from Murciano “You do a morning show.”

The top 10 list of reasons why Dry January is a good idea continued, with Sirott and Murciano trading pleasantries. Which, is to be expected during a husband and wife discussion.

The WGN Radio host didn’t just roll over and let his wife have the segment. He asked a good question that illuminated the topic for listeners when given the chance. Murciano noted that studies show people who do not regularly consume alcohol often are more willing to try new foods. Sirott jokingly followed up by asking a question that alluded to wondering whether or not those same people were more adventurous in … other … avenues. It was playful, fun, and a wink-wink, nod-nod to those listening.

Overall, before I dove into this, I didn’t know it wasn’t an interview. When you see a guest is going to appear on a show, you don’t necessarily expect them to simply join the show as a quasi-co-host for a few minutes. But that’s how Sirott incorporated the segment. He turned the guest — in this case, his wife — into another member of the show. Just because I didn’t expect that to be the outcome doesn’t mean it was bad. And I always say “Different isn’t bad. It’s just different.”

This interview — which, again, wasn’t an interview — showcases how you can incorporate guests into your show. Sometimes, as the major market programmer told me last week, an interview can be a discussion. And what’s most important is getting the information out there. That’s what Bob Sirott did in this discussion. He let his guest be the star. It’s a testament to his thought process and why he’s had such lasting longevity in the space.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.