For many journalists, 9/11 remains more than an important story from their careers. Instead, their memories reflect a moment when television provided Americans with their primary window into an unfolding national tragedy.
"Any New York list -- you want to put most recognizable? I belong there. You want to put most famous? I belong there. Biggest jerk? I'll be fair and honest, I belong there. Put me on that list, too. I don't care. But to omit me from any list dealing with New York? That's nonsense."
The conservative digital media landscape is more crowded than ever, with new voices, new platforms, and new shows competing for the same eyeballs every single day. Radio, by contrast, is a far less saturated environment for nationally syndicated content.
Instead of making decisions about what'll benefit the quarterly earnings, Salem's leadership gets to make decisions about what's best for the content, the company, and the people it serves. That's a meaningful shift.
"We're going to spend a lot of time making sure the marketplace is ready for that data when it debuts and that publishers are aware of it as well and ready to be shown within that tool. That's what we're focused on right now."
Let's be honest: the money being poured into AI infrastructure is staggering. You'd have to be naive to assume that ad dollars won't follow the eyeballs.
The two biggest stories dominating conservative media — the Candace Owens saga and The Daily Wire's turbulence — both run directly through Boreing's biography.
For many journalists, 9/11 remains more than an important story from their careers. Instead, their memories reflect a moment when television provided Americans with their primary window into an unfolding national tragedy.