For a week, play-by-play broadcaster Josh Maurer struggled to control his nerves. He hardly ate or slept. His body only wanted to focus on the job, which he kept reminding himself was basically the same thing he had done hundreds, if not thousands, of times before. All he had to do was call the games.
The difference? Maurer wasn’t in the minors anymore. He was with the Boston Red Sox, an opportunity he had been building toward ever since he was a kid listening to sportscaster Harry Kalas do play-by-play for the Philadelphia Phillies every night. And for minor league broadcasters such as himself, it’s the kind of opportunity that doesn’t often come along.
Not many hear their voices, but they’re out there. Calling games in places such as Lancaster, San Jose, Durham and Pawtucket, all in service of the big dream. While players in the minors strive to be the face of a major league franchise, broadcasters in the minors strive to be the voice.
For them, though, a bit more patience is required.
At any given moment, Major League Baseball’s 30 clubs have at least 750 roster spots to fill. Between the 60 full-time play-by-play jobs and other assorted radio and TV gigs, there are a fraction as many broadcasting jobs in the majors. The play-by-play positions are the pies in the sky for minor league broadcasters, and it’s basically impossible to rise quickly or cut corners in pursuit of one of those.
“It’s one of those careers where unless you have a big early push or unless you know somebody,” says Maurer, who calls games for the Triple-A Pawtucket Red Sox, “you’re really just going to have to work your way from the bottom up and go as far as you can.”
A young would-be announcer can aspire to make a living with a bat and glove rather than a microphone. But as is the case with most of us, the luck of the natural-athleticism draw tends to have other plans. For many, the microphone is the best way to stay connected to the sport.
Broadcasters in the minors are subject to many of the same things that test the commitment of players. The conditions are rough. The road trips are long. The pay sucks.
And minor league broadcasters can’t exactly minimize the hours they’re exposed to these things.
Announcers aren’t exempt from the assorted pains in the neck that come with the territory in the minors. For example, you never know when the team bus will break down. When things like that happen, it’s difficult to ignore the “grind” that is day-to-day life in minor league baseball. It’s only natural at such moments for doubts to creep in. And people—including significant others—do ask whether they would be happier in another line of work.
But for the baseball junkie, there are reasons to keep coming back to the mic. Among those are the games, which always get the juices flowing.
Beyond the thrill of calling the game, there’s also satisfaction to be gleaned from being around players as they try to play their way to the majors. If nothing else, it presents a chance to collect unique baseball stories.
These are the perks of the job, and they’re enough to keep a minor league announcer behind the mic—and, in the meantime, doing what’s possible to move up the ladder.
But that doesn’t mean moving around is easy. Things are pretty far removed from when a young Vin Scully could catch the attention of Red Barber and go from there. Like all ambitious professionals, minor league broadcasters must build their network.
“In other industries, if you meet a president of a company or a vice president, they can hook you in with another company or another similar job,” says Will Flemming. “There’s a finite number of Major League Baseball jobs. And once people have them, they don’t give them up.”
No kidding. A scroll through the broadcasting section on MLB’s official website reveals fewer than 10 primary radio or TV play-by-play men have gotten gigs within the last five years. (Yes, all men: Suzyn Waldman and Jessica Mendoza notably have color commentary jobs, but play-by-play in the majors is exclusively a boys club.)
Scully is the most extreme example with 66 seasons behind the mic for the Brooklyn and Los Angeles Dodgers, but the overwhelming majority of baseball’s play-by-play voices have been at it for a decade or longer.
By way of comparison, want to know how many players made their major league debuts in 2015 alone? According to Baseball-Reference.com, 227.
With this being the case, it doesn’t hurt for a minor league broadcaster to get a big break. Minor league players wait on pins and needles for their call to The Show. Broadcasters do too.
And when the call finally comes, the thrill is largely the same.
To read the full article visit Bleacher Report where this was originally published
Jason Barrett is the President and Founder of Barrett Media since the company was created in September 2015. Prior to its arrival, JB served as a sports radio programmer, launching brands such as 95.7 The Game in San Francisco, and 101 ESPN in St. Louis. He also spent time programming SportsTalk 950 in Philadelphia, 590 The Fan KFNS in St. Louis, and ESPN 1340/1390 in Poughkeepsie, NY. Jason also worked on-air and behind the scenes in local radio at 101.5 WPDH, WTBQ 1110AM, and WPYX 106.5. He also spent two years on the national stage, producing radio shows for ESPN Radio in Bristol, CT. Among them included the Dan Patrick Show, and GameNight.
You can find JB on Twitter @SportsRadioPD. He’s also reachable by email at Jason@BarrettMedia.com.
