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NBA Allowing Exclusive Access To Content Creators For All Star Weekend

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The National Basketball Association announced that more than 200 global digital creators will descend on Los Angeles for NBA All-Star 2026, representing the largest coordinated creator presence in league event history and underscoring the NBA’s continued push to meet fans where they increasingly consume content.

League officials said the participating creators collectively reach more than one billion followers worldwide and will integrate into live broadcasts, in-arena programming, on-court competitions and fan activations throughout All-Star weekend. Rather than serving solely as observers, many will assume active roles that blur the line between traditional media, entertainment and competition.

“The NBA has a long history of collaborating with talented creators who share our commitment to bringing the excitement of our games and events to fans around the world,” said Bob Carney, the NBA’s Senior Vice President of Social and Digital Content. He added that the league intends to position creators as participants across virtually every tentpole moment while expanding the event’s reach across platforms and demographics.

For the first time, NBA Crossover will introduce a dedicated Creator Court, a fan-facing hub designed to connect digital personalities with attendees in a physical setting. The space will launch with the PlayStation NBA Creator Cup on Thursday, featuring a 3-on-3 tournament that includes prominent basketball influencers and entertainers.

The competition will stream live on the NBA’s YouTube and Facebook channels as well as the NBA App, which the league is promoting as a central destination for behind-the-scenes access and exclusive creator-driven segments.

In addition, the Celebrity 3-Point Contest will take place at NBA Crossover on Friday, bringing together current players, media personalities and crossover entertainers in an interactive setting.

Leading basketball creator Jesser will serve as a 360-degree ambassador throughout the weekend, producing immersive content from the Intuit Dome, home of the Los Angeles Clippers and host venue for All-Star 2026. His schedule includes interactive arena challenges, livestream commentary during the Creator Cup and a merchandise pop-up for his Bucketsquad brand.

Creators will also embed directly into marquee events. Chris “Lethal Shooter” Matthews will coach in the NBA All-Star Celebrity Game, while personalities from Dude Perfect and other digital brands will compete. Fan voting through the NBA App will determine select creator roles during All-Star Saturday, which airs on NBC and Peacock, further intertwining audience participation with broadcast presentation.

Beyond structured competitions, the league has arranged rehearsal access, red carpet coverage and platform-specific integrations across X, Snapchat and Threads, effectively turning All-Star weekend into a multi-layered content ecosystem.

As the NBA continues to evolve its media strategy, the unprecedented creator footprint at All-Star 2026 signals a broader commitment to influencer-driven storytelling, positioning digital voices not as supplemental coverage but as central amplifiers of the league’s global showcase.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

NHL Reportedly Attempting To Accelerate Rights Renewal Discussions With ESPN, TNT Sports

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The NHL may not be up against an immediate media rights deadline, but Commissioner Gary Bettman appears unwilling to wait around while the NFL potentially reshapes the marketplace.

According to John Ourand of Puck, Bettman has approached both ESPN and TNT Sports about potentially accelerating discussions on the league’s next U.S. media rights agreements. However, the networks reportedly are not eager to move forward until they gain clarity on what the NFL will demand in its next round of negotiations.

With the NFL widely expected to reopen negotiations ahead of schedule this year, other properties are weighing whether striking deals sooner rather than later could preserve leverage before rights fees climb even higher.

The NHL’s current U.S. agreements with ESPN and TNT Sports run through the 2027-28 season. On paper, that timeline offers runway. In practice, uncertainty surrounding the NFL’s next ask creates pressure for leagues to secure commitments before network balance sheets tighten.

ESPN has aggressively fortified its lineup, committing billions to new rights and renewals across multiple properties since reacquiring NHL rights in 2021. TNT Sports has since rebuilt portions of its live portfolio after losing the NBA by adding the French Open, NASCAR and sublicensed College Football Playoff games.

Those spending patterns complicate the NHL’s positioning. If the NFL commands a significant increase as many expect, capital allocation decisions for secondary properties could shift quickly which could affect the NHL.

Internationally, the NHL signed a 12-year extension with Rogers Communications in Canada, though that agreement does not begin until the 2026-27 season. Still, the NHL’s urgency reflects broader industry dynamics. Media rights negotiations no longer occur in isolation. Each league’s strategy increasingly hinges on how others move, particularly when the NFL — the industry’s dominant force — prepares to reenter the marketplace.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Stephen A. Smith: Critics Want Me Canceled Over Bad Bunny Super Bowl LX Commentary

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Stephen A. Smith is once again confronting critics who have called for professional consequences following his commentary about Bad Bunny’s Super Bowl LX halftime performance. This time using his SiriusXM platform to draw a sharp distinction between his independently owned content and his role at ESPN.

During Tuesday’s episode of The Stephen A. Smith Show on SiriusXM, Smith addressed the growing online backlash tied to his remark that it “would have been nice” if some of Bad Bunny’s halftime songs had been performed in English. While the comment sparked heated reaction across social media, Smith argued that opponents have intentionally mischaracterized his position in an effort to jeopardize his standing at ESPN.

“Because I said that, they got me all over the place with pictures pairing me with right-wingers talking about ‘I was against Bad Bunny,’” Smith said. “I was not against Bad Bunny… I honor my contracts. I’m not going away. I say stuff on my political channel or my YouTube channel. Why are folks calling ESPN? I didn’t say it on their airwaves.”

Smith emphasized that the commentary in question did not occur on ESPN programming, noting that he owns both his SiriusXM shows and his YouTube channel. According to Smith, critics deliberately invoke his ESPN affiliation to create pressure where none contractually exists.

“They [ESPN] have nothing to do with what I’m saying. I own this show. I own both my shows, and I own my own YouTube channel,” he said. “Why you constantly bringing up my day job? ‘Stephen A. of ESPN.’ Because you want to get me canceled. Why don’t you bring up about me on SiriusXM? Because you know there’s no way in hell Scott Greenstein or SiriusXM is going to cancel me.”

The controversy stems from broader cultural conversations surrounding representation and language on one of the largest entertainment stages in American television. Bad Bunny’s halftime show drew praise for celebrating Latin music and global influence, while also prompting debate among viewers who questioned whether the NFL’s championship game carries different audience expectations.

For Smith, however, the issue extends beyond the performance itself and into what he views as a troubling media climate.

“We live in a society where people are sitting up there looking at it, and it’s like, ‘Yo, if you disagree with somebody, that’s a reason to go scorched earth on them,’ as if they committed a crime,” Smith said. “That’s what these soft-ass, irrelevant, nonproductive people try to do.”

He concluded his remarks with a defiant tone, making clear that criticism will not alter his approach. As one of sports media’s most visible personalities, Smith continues to operate across multiple platforms, each with distinct ownership structures and editorial control.

“It’s not appropriate to say on SiriusXM, I’m gonna say it anyway, they [critics] can kiss my ass,” said Smith.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Barrett Media’s Top 20 Major Market News/Talk Radio Morning Shows of 2025

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Barrett Media’s Top 20 of 2025 for News/Talk Radio is presented by JJ Surma Voiceovers. Be sure to check out JJ’s work and learn how he can elevate your brand by clicking here.

Day two of our news/talk series recognizes the Top 20 Major Market morning shows of 2025. To learn of future results, visit our websitenewslettersXFacebookLinkedInTikTok, and Instagram. The full schedule of upcoming releases is listed down below the images. After the Top 20 series ends in March, I will record a video discussing the entire process. That video will be posted on the Barrett Media YouTube page. Be sure to subscribe so you’re notified once the video goes live.

As you review these results, please remember that they represent the collective feedback shared by our industry voters. Barrett Media does not vote in this process. Our role is to assemble the group, collect the votes, and present the information.

Important Information

#1 – These results are based on 2025’s performance. 2026 changes have no effect on the voting.

#2 – We ask our voters to supply photos and logos to avoid headaches. Some comply, but most don’t. It forces us to spend a lot of time digging for images to highlight everyone. For that reason, there are no photo changes unless it involves a mistake. Thanks in advance for understanding.

#3 – Our executive panel consists of forty (40) program directors and corporate executives from radio’s top broadcasting companies. They include Audacy, iHeart, Cumulus, Cox Media Group, Townsquare Media, Hubbard Radio, Bonneville, Radio One, Nexstar Media, Zimmer Communications, Connoisseur Media, Salem Radio Network, Premiere Networks, Fox News Radio, and a number of independently owned and operated outlets. Our voting group is large because we want feedback from all areas of the country. We also try to make sure the results don’t favor any one company.

#4 – The criteria for our voters included the ear test, originality, multi-platform impact, ratings success, clearance (national shows) and industry buzz. Keep in mind, our voters live in different cities, work for different companies, have different tastes, and value certain factors higher than others. This is not a perfect system but it’s one we feel good about using to showcase the industry’s best.

#5 – A total of 42 shows appeared on ballots submitted for voting consideration in the Major Market News/Talk Radio Morning Shows category.

And the Winner Is…

For the first time since this series began, we have a new number 1. The voters have selected Sid & Friends starring Sid Rosenberg of 77WABC in New York City as the Top Major Market News/Talk Radio Morning Show of 2025. Congrats to Sid and the entire 77WABC team on the well earned recognition.

I want to thank Dylan Barrett for creating the artwork, and each voter who participated in the process. Now without further delay, here are Barrett Media’s Top 20 Major Market News/Talk Radio Morning Shows of 2025.

Additional Notes:

  • Sid & Friends won a close contest, holding off WINS Morning Drive by twelve (12) points. Sid and former winner Bill Handel tied for the most first-place votes in the category with six (6).
  • Spots 21-25 belonged to Kayal & Company, Conservative Circus w/ James HarrisDan Proft, Morning News w/ Bret & Veronica, and Arizona’s Morning News.
  • The closest contest was for 20th place where we had our first tie of the series. Joe Piscopo of AM 970 The Answer and WCCO’s Vineeta Sawkar finished with the same vote total thus sharing the final spot.
  • Of the 42 shows to appear on submitted ballots, nine (9) received at least one 1st place vote.

BM Top 20 of 2025 Remaining Schedule:

  • Thursday February 12 = BM Top 20 Major/Mid Market N/T Radio Midday Shows of 2025
  • Friday February 13 = BM Top 20 Major/Mid Market N/T Radio Afternoon Shows of 2025
  • Monday February 16 = BM Top 20 Major/Mid Market N/T Radio Program Directors of 2024
  • Tuesday February 17 = BM Top 20 Major/Mid Market N/T Radio Stations of 2025
  • Wednesday February 18 = BM Top 20 Major/Mid Market News Media Digital Shows of 2025

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Barrett Media’s Top 20 Mid Market News/Talk Radio Morning Shows of 2025

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Barrett Media’s Top 20 of 2025 for News/Talk Radio is presented by JJ Surma Voiceovers. JJ is an avid supporter of the news/talk format. Be sure to check out his work and learn how he can elevate your brand by clicking here.

Day two of our news/talk series recognizes the Top 20 Mid Market morning shows of 2025. To learn of future results, visit our websitenewslettersXFacebookLinkedInTikTok, and Instagram. The full schedule of upcoming releases is listed down below the images. After the Top 20 series ends in March, I will record a video discussing the entire process. That video will be posted on the Barrett Media YouTube page. Be sure to subscribe so you’re notified once the video goes live.

As you review these results, please remember that they represent the collective feedback shared by our industry voters. Barrett Media does not vote in this process. Our role is to assemble the group, collect the votes, and present the information.

Important Information

#1 – These results are based on 2025’s performance. 2026 changes have no effect on the voting.

#2 – We ask our voters to supply photos and logos to avoid headaches. Some comply, but most don’t. It forces us to spend a lot of time digging for images to highlight everyone. For that reason, there are no photo changes unless it involves a mistake. Thanks in advance for understanding.

#3 – Our executive panel consists of forty (40) program directors and corporate executives from radio’s top broadcasting companies. They include Audacy, iHeart, Cumulus, Cox Media Group, Townsquare Media, Hubbard Radio, Bonneville, Radio One, Nexstar Media, Zimmer Communications, Connoisseur Media, Salem Radio Network, Premiere Networks, Fox News Radio, and a number of independently owned and operated outlets. Our voting group is large because we want feedback from all areas of the country. We also try to make sure the results don’t favor any one company.

#4 – The criteria for our voters included the ear test, originality, multi-platform impact, ratings success, clearance (national shows) and industry buzz. Keep in mind, our voters live in different cities, work for different companies, have different tastes, and value certain factors higher than others. This is not a perfect system but it’s one we feel good about using to showcase the industry’s best.

#5 – A total of 77 shows appeared on ballots submitted for voting consideration in the Mid Market News/Talk Radio Morning Shows category.

And the Winner Is…

Tony Katz and the Morning News on WIBC in Indianapolis. This is the second year running that Tony has claimed the top prize in the category. Congrats to Tony, David Wood, and the entire 93.1 WIBC team on the well deserved recognition.

I want to thank Dylan Barrett for creating the artwork, and each voter who participated in the process. Now without further delay, here are Barrett Media’s Top 20 Mid Market News/Talk Radio Morning Shows of 2025.

Additional Notes:

  • Tony Katz held a steady twenty six (26) point advantage over Pete Mundo to notch the category win. Katz also scored the most first-place votes among morning shows with five (5).
  • Spots 21-25 were occupied by A New Morning Show with Susan & Brian, Wisconsin’s Morning NewsUtah’s Morning News, Portland’s Morning News, and WWL’s First News with Tommy Tucker.
  • The closest battle was for 7th place. Total Information AM‘s one (1) point lead helped the St. Louis show hold off WBAL’s C4 and Bryan Nehman.
  • Of the 77 shows to appear on submitted ballots, eight (8) received at least one 1st place vote.

BM Top 20 of 2025 Remaining Schedule:

  • Thursday February 12 = BM Top 20 Major/Mid Market N/T Radio Midday Shows of 2025
  • Friday February 13 = BM Top 20 Major/Mid Market N/T Radio Afternoon Shows of 2025
  • Monday February 16 = BM Top 20 Major/Mid Market N/T Radio Program Directors of 2024
  • Tuesday February 17 = BM Top 20 Major/Mid Market N/T Radio Stations of 2025
  • Wednesday February 18 = BM Top 20 Major/Mid Market News Media Digital Shows of 2025

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Why Ramon Foster Always Saw A Post-NFL Career In Sports Media at 104.5 The Zone

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When Ramon Foster announced his retirement from the NFL in March 2020, he said it was an honor to be a “Steeler for life.” The 11-year professional stepped away from a game he grew to love while growing up in suburban Tennessee, uncertain of what would come next. Six months later, an opportunity emerged: a return home to host morning drive at 104.5 The Zone in Nashville.

“I got into the NFL broadcast boot camp during my fourth year in the league, and had a player show in Pittsburgh for over six years,” Foster says. “Most players, whether they want to admit it or not. You can’t just retire and sit on your earnings. You have to have a hobby, and mine was sports media.”

During his tenure with the Pittsburgh Steelers, Foster regularly worked with local media and earned a reputation as a trusted locker-room voice in both good times and bad. He appeared on weekly programs and received media awards for his availability and professionalism. Media work after retirement was never a question, only the timing and location.

That moment arrived when brand manager Paul Mason and 104.5 The Zone approached Foster about joining the station. Foster said he initially considered a sales role outside of sports media. However, some encouragement from his wife renewed his interest in broadcasting.

“It’s an honor to be in a situation like this at 104.5 The Zone,” Foster says. “I never wanted to be taken as just a former athlete doing this. I wanted to be a professional about this as well, get better at my craft and be in a position where I’m wanted.”

Connecting With the Audience

A self-described student of the game who placed heavy emphasis on film study, Foster quickly established credibility in Nashville. His radio work expanded into sideline duties for the Tennessee Titans radio network, which later led to a role as game analyst for the Tennessee Volunteers radio network alongside Mike Keith.

In December, Foster signed a multiyear contract extension with The Zone, solidifying his role on the Nashville morning commute. Early on, his status as a former Steelers player did not resonate with all local listeners. Foster said those early reactions ultimately helped shape his relationship with the audience.

“They knew I was a Tennessee Volunteer, but I played for the Steelers. The Steelers rivalry with the Titans/Oilers, that’s hate related. I didn’t know that,” Foster said. “The first month or so I was getting messages about me being a former Steelers. I was stunned. I didn’t know it was that heated. But a lot of people have changed their tunes since. Because I call it like I see it, and they appreciate that.”

Foster continues to maintain ties to the Steelers, hosting a daily podcast for DK Pittsburgh for more than four years and adding preseason television work for the team last season. While he still considers Pittsburgh home, he said he understands his role in Nashville and respects the local culture.

Learning the Art

He compares the demands of morning radio to daily athletic training, citing the preparation, repetition and mental focus required to produce a show five days a week.

“Whether you’re a basketball player or football player, you train every single day,” Foster said. “That’s what radio does for me. The ability to drive into the studio and do shop prep like you’re watching film. Turn the mic on and play the game by doing the show.”

While continuing to produce quality programming on 104.5 The Zone, Foster says he often fields questions from athletes looking to enter media because of his prior experience in podcasting. When asked for advice, he keeps the messaging simple.

“Be consistent. Don’t go try and be the next character, like a Stephen A. Smith or Dan Orlovsky. Be yourself,” he says. “Sports is supposed to be a release. You can be the sit down monologue guy and give people great information, but there is a moment in time where the entertainment has to be part of it too. That’s how I do it.”

Reps are currency with Foster, and he’s rich with experience because of it. Over the past three years, Foster has worked alongside co-host Will Boling, adapting his role much like an offensive lineman adjusts within a system.

“Offensive linemen are chameleons with the situations we’re put into. We’re not looking for a lot of praise, and working with Will has not been any complication at all,” Foster says. “For me being an outsider and Will growing up as a Titans fan, it was an immediate connection with him. I can’t overstate the grind that he puts into his role. It was easy, there’s no egos involved at all. I tell him all the time I like this job because I like rocking with him.”

Adapting To Change

Like a chameleon who shifts for the unexpected, Foster and Boling did the same early last year. When news came that the show would be losing their teammate Kayla Anderson after nearly three years with the program, the show had to evolve through the decision. Foster is no stranger to roster cuts in the NFL, which aided in hearing the news of the loss of Anderson.

“She was awesome with us. I enjoyed our time with her. She brought a different dynamic to the show in the morning,” Foster said. “I wish her the best of luck with her new opportunity. The people here in Nashville loved her. That decision came from up top, and they decided what to do with her. She was good for us, and I’m sure she’s going to be good for her new role as well.”

Foster also took on a new role last year becoming the new football analyst of the Tennessee Volunteers radio network under a multi-year deal. He felt the experience of year one also gave him a window of the expectations of balancing both roles with the Vols radio network and 104.5 The Zone.

Returning to his alma mater in the radio booth for the first time proved to be a challenge, but one Foster welcomed.

“Mike Keith doesn’t give out compliments really at all, but he said I did good for the first year. It was an adjustment for sure though,” Foster said. “I was told by our producer Larry Stone to tell the people what I see, and explain it as if the listener doesn’t know ball. Give it to them as raw as you can, and it’s been fun. A great experience for me.”

As he prepares for the 2026 season, Foster said he has grown comfortable balancing both roles and embracing the grind of travel.

“I loved it. Every single part of it. I just got a new truck in September and I put 5,000 miles on it in the first month driving to call games,” Foster said. “I didn’t mind going from Nashville to Knoxville every single weekend and other locations in the SEC. To be honest, the professional lifestyle is just what I’m accustomed to since college in 2004. The falls are football, and I like the grind of it.”

Less than six years after retiring from the NFL, Foster has built an extensive media resume, including morning drive radio, NFL and SEC broadcast roles, and years of podcasting experience. For now, Foster said his focus remains on family and growth in Tennessee.

Despite interest from other outlets before re-signing with 104.5 The Zone in December, he believes staying put is the right move.

“I tweeted in 2013 or 2014 that I wanted to be the biggest in Nashville. That is where my headspace is right now,” Foster said. “My goal right now is to be the biggest in the state. From Memphis to Knoxville, that’s where I’m at. If somebody comes later, I’ll listen. But we’ll see what’s to come as far as my family is concerned.”

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

The Nancy Guthrie Disappearance and the Perils of Getting Ahead of the Facts

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It’s been the highest-profile missing person story in recent memory. The FBI has been investigating around the clock to find 84-year-old Nancy Guthrie, mother of beloved Today show host Savannah Guthrie. And the public is absolutely riveted.

The media are equally fixated. They are treading lightly in covering the tragedy for fear of further endangering Savannah’s elderly mother, and in part out of affection for one of their own.

When the authorities released hugely significant videos yesterday from Nancy’s Nest camera, it gave the first real look at the person who broke into her home. And investigators now have clues, including pictures of a gun, his gloves, a backpack, a unique sweater and a look at his gait. But, he is still very hard to identify. 

The coverage has been packed with emotion, especially on NBC, but elsewhere there have been, with a notable exception or two, speculation that has fueled the anger of authorities in Arizona.

Nancy Guthrie disappeared on January 31st from her home in Tucson. Investigators found blood at the scene and security cameras that were disabled, leading to the conclusion that she was forcibly removed. The FBI and local police launched a full-scale manhunt. 

And then came the high-stakes twist – ransom notes demanding $6 million in cryptocurrency were sent to local TV stations and TMZ – disturbingly, with no proof that Nancy was still alive. 

After the second note, a tearful Savannah and her siblings pleaded for mercy with desperation in her voice. “We received your message and we understand…This is very valuable to us, and we will pay. We beg you now to return our mother to us…”  

Adding to the palpable sense of urgency is that Nancy has a pacemaker and needs daily medication to survive.

Right before a second ransom deadline on Monday, Savannah posted another heart-wrenching video about the second week of her mother’s disappearance saying she believed her mom was still out there. “We are at an hour of desperation and we need your help.”

Savannah has said she will pay the ransom, without naming a figure. Who wouldn’t, if it would save your mom? But the deadline passed without further contact by the kidnappers, or any sign of proof of life. 

I don’t know who could have watched those videos, and not felt extreme angst and endless empathy for the family. As a daughter of parents in their 80s who I love very much, I don’t know how I could ever keep my composure during such an awful nightmare, let alone record a video.

The unimaginable heartbreak for her family echoed across the media landscape, beginning with her Today colleagues, who were visibly distressed. 

Co-host Craig Melvin – who has been friends with Savannah for decades – talked about the “unfathomable pain” the family was feeling and encouraged everyone to pray. “This is a deeply personal story for us.”

Former co-host Hoda Kotb returned to Today to support her longtime friend. “This whole thing is breaking my heart, and I’m happy to be sitting here with you. There’s this helpless feeling. We’re all so close with her and we all want to help her.” She took over as co-host a few days later, saying she is “part of the family” and that “we show up for each other.”

And on NBC Nightly News, anchor Tom Llamas made a rare emotional appeal to viewers. “Savannah has shared that it was her mother who taught her the power of prayer…Savannah and her family need your prayers tonight. They also need your help.”

CBS Morning’s Gayle King choked up: “Your heart can’t help but break for her.”

Morning Joe host Joe Scarborough said, “She’s a dear friend of all of ours… it’s just crushing news.”

CNN and Fox News anchors haven’t turned personal in quite the same way, focusing instead on facts and the seriousness of the disappearance.

But NewsNation’s Ashleigh Banfield – who departed her primetime show last month and is now in charge of an online true-crime vertical – brazenly speculated that a family member is responsible. 

Citing a law enforcement source, Banfield announced a family member “may be a suspect.” The claim ricocheted across social media and the damage was done. A picture of Savannah’s brother-in-law was plastered everywhere. 

As a journalist who has covered several grisly missing person cases when I worked in local TV news, reporting what a single source said was verboten, especially if there was a ransom involved. No reporter ever wanted to be the one who caused the case to go cold, or worse, brought harm to the victim – even though reporters want to be the first to break news.

Journalists, pundits, and the Pima County sheriff in Arizona cited Banfield’s headline-grabbing theory on cable news as a disturbing example of how commentary can feed the rumor mill.

“It’s reckless to report that someone is a suspect…you could do damage to the case,” said Sheriff Chris Nanos, insisting they have no suspects. He added, “I plead with you to be careful of what it is we put out there.” 

Calvin Chrustie, a 30-year kidnapping negotiation expert, along with many other former feds who sounded off on cable, concurred. “Pure speculation online is actually making it more difficult for families and for police to secure the safe return of a hostage.”

Even President Trump has jumped on the case, saying he has been “closely following” it and is “receiving frequent updates.”  Early on he sent in the FBI, called Savannah, and said authorities will have some answers “fairly soon.” As the new footage emerged, he and his team watched it. When a case of this significance reaches the upper echelons of the administration, the media coverage is increasingly intense.

Social media threads, especially on Reddit, have sharply criticized the tsunami of coverage the story is getting, especially when there isn’t new information. There’s been a steady drumbeat of attacks that Savannah’s bold-faced name is blowing the coverage of Nancy Guthrie out of proportion.

One person on a Reddit journalism thread said, “Is the newsworthiness of this story just that it’s a celebrity’s mother?…How many other families are going through something similar without any media coverage?”

There is truth to this comment. In the late ‘90s, working at WJLA-TV in Washington, I covered the disappearance of a young Asian woman who was abducted and presumed murdered. I was told not to cover it again until her body washed up on the shore of the Potomac weeks later. No endless pleas for her return ever made air.

When I was interviewed for a recent Hulu documentary called, Murder Has Two Faces, I made the point that lesser-known homicide cases are often overshadowed in the media by bigger names who receive massive attention – even if the cases are eerily similar.

Reddit users also posted about the relentless Nancy coverage pushing out other important stories. “Like a constant loop…I feel bad for Savannah & her family, but the constant coverage on her missing mom eliminates real world stuff like the Market…C’mon CNN, report the news.” 

Another: “I am going to be honest. I think this constant 24/7 coverage is kind of shameful. Cable news is milking it, like they do every single big story like this.”

But there is no criticism that I could find from mainstream journalists. The stories focused on repeating law enforcement briefings, airing the family’s pleas, reporting on ransom notes with caution, and confirming that no suspect had been officially identified. 

And that’s a good thing. While nonstop coverage can create the illusion of progress, responsible coverage – measured, factual, and restrained – keeps the spotlight where it belongs without pushing a human tragedy onto a media treadmill. 

That said, most of us want a win for Savannah and her family. And we’ll keep watching until we know the truth. 

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Why Micro Dramas Might Be the Next Radio Content Move Hiding in Plain Sight

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Radio has always been great at moments. At times, though, we try to stretch moments into formats (Grunge, EDM, Reggaeton, Throwbacks) and overlook the reality that we now live in a world trained by TikTok, Reels, and Shorts. Enter micro dramas.

Short-form, episodic mini-stories. One to three minutes. Scripted. Serialized. Designed to hook. Think soap operas on social feeds. And while micro dramas are primarily thought of as video, this is a content space radio is uniquely qualified to own.

What Are Micro Dramas?

Micro dramas are dramas or comedies designed to be consumed in small bites but thought of like full shows. They share a few defining traits:

  • Under three minutes
  • Cliffhangers baked in
  • Recurring characters
  • Designed to make you come back

(Sound like radio yet?)

Where Micro Dramas Live Right Now

Video-first micro dramas are exploding on social media. Entire companies are built around them on dedicated apps like ReelShort, DramaBox, ShortTV, and others. Audiences binge two-minute episodes the way they once binged network TV and often pay per episode (in steps a new revenue stream, pun intended).

On the audio side, fiction podcasts have begun releasing micro-episodes inside Spotify and Apple, packaged as daily offerings. Thanks to Silicon Valley, the audience behavior is already trained, and now radio can step in. Find a parade and get in front of it. Just don’t stop short, because that’ll be a parade disaster.

Why You, as a Broadcaster, Are Uniquely Qualified

Radio already understands voice acting, sound design, pacing, teasing, anticipation, and using music for emotion. Morning shows tease the next break for a reason. Stations reset the hour for a reason. Soap operas lived on radio long before television ever stole the format.

Historically, radio has been slow to embrace technology. Many in radio are afraid of evolved technology. Be honest. You’d still be using Selector 12.53J if corporate would let you.

Production Reality Check: High Craft, Low Cost

This is usually where executives brace for impact. Scripts. Actors. Sound design.
“Phil, this sounds expensive.”

Until you realize the ingredients are already in your kitchen:

  • Three to five voice actors
  • One audio producer
  • A small writing team
  • Some music beds
  • Smart, repeatable sound cues
  • A distribution and promotional platform (AKA your current staff and station)

Episodes are short. Production is simple. You’re not scoring a movie. Think recurring settings. This is closer to imaging than podcasting and closer to a play than a promo.

A full season of 22-minute audio micro episodes can be produced for far less than one failed direct mail campaign or one forgettable cash contest. The economics work because scripts are short, music and FX are reusable, licensing fees are lower than streaming music, and celebrity talent—while nice—isn’t required.

Where Stations Can Deploy Micro Dramas

On-air is only the beginning. The real opportunity is when micro dramas become content and brand extensions:

  • On-air exposure that creates multi-platform appointment listening
  • Station app exclusives like early access, bonus scenes, and character POV episodes
  • Push notifications that feel like premieres, not ads for podcasts you don’t follow
  • Sponsorships integrated into plot instead of interrupting it
  • Social content that fills feeds with entertainment you own, not another repost from a show you don’t

Micro dramas give stations something better than filler content. They give you original IP. Tell your CEO that, they’ll love it. Especially if they didn’t get a massive Netflix deal recently.

Micro Dramas Build Brand Passion, Not Just Reach

Micro dramas do what playlists and contests can’t. They create inside jokes. They create tribes. (™ Seth Godin). They create characters listeners talk about like real people.

Stations can cross the line from being a consumption appliance and return to being in show business, baby (partial ™ Bobby Bones).

Ironically, radio started with audio programs like The Lone Ranger. Audio micro dramas can be the storytelling that makes people show up tomorrow because they want to, not because it happens to be on.

Hi-yo.

Why This Is the Natural Next Step for Radio

Broadcasters already reset content daily, live in features and benchmarks, and train audiences to come back tomorrow. The business understands short attention spans, multi-platform behavior, and the desire for story without long-term commitment.

This doesn’t replace music or talent.
It gives you another way to present them.

A Sketch: A Micro Drama for Z100

Title: Always On
Genre: Pop culture thriller/relationship drama
Location: New York City
Tone: Fast, sharp, self-aware
Episode Length: 90–120 seconds
Season: 25 episodes

Premise:
A group of young creatives, influencers, and insiders orbiting New York’s music and media scene slowly realize someone is manipulating their lives through anonymous tips, leaked DMs, and inside information to bring them down.

Who, and why?

“The city is loud. Their secrets are louder.”

Core Characters:

  • The producer who hears songs before anyone else (Josh Martinez)
  • The influencer whose rise doesn’t add up (Crystal Rosas)
  • The intern who knows too much (Shelly Rome)
  • The voice nobody can identify (obviously not Elvis Duran)

Structure:
Each episode ends with a reveal, betrayal, or question that reframes everything before it. The only way to get answers is to listen to Z100.

See what I did there? I just created REQUIRED listening.

App Layers

  • Bonus episodes
  • Listener theories unlocked inside the app
  • Polls that appear to influence outcomes
  • Replace “text and register to win” with watch  to win
  • Pull comments from inside the app and credit posters as characters
  • Prove the audience is part of the creation

Sponsorship Layers: How Brands Live Inside the Story

This is where micro dramas outperform traditional radio sponsorships. Brands don’t interrupt content. They belong in it.

1. Character-Aligned Sponsorships
A brand aligns with a character. The producer drinks a certain coffee. The influencer uses a specific rideshare. The intern works late, powered by an energy drink. The client becomes a story constant, not a read. In the app, character bios include subtle integrations.

2. Plot Device Sponsorships
The product moves the story. A phone upgrade reveals a voicemail. A smart home device records something it shouldn’t. A fashion drop becomes the setting for confrontation. The product is narrative, not promotional.

3. App-Exclusive Brand Episodes
Sponsors fund short, app-only episodes exploring side stories or alternate POVs. Scarcity plus access beats frequency every time.

4. Social Video Extensions
Short vertical clips with tense dialogue or cliffhangers posted natively. Minimal branding. Contextual presence. Think early Beats headphones music video integration.

The Key Shift CMOs Care About

This isn’t about squeezing ads between songs. It’s about giving brands context people remember.

Ask anyone about WSQK 94.5 The Squak and they know exactly what it was because it lived inside the Stranger Things universe. It wasn’t about the station. It was storytelling that included the station. That distinction is the opportunity.

The Final Point

Radio doesn’t have a relevance problem. It has a PR problem. It has a format-courage problem.

Micro dramas don’t ask stations to abandon who they are. They modernize delivery, create new reasons to remember stations, and open fan discovery paths that didn’t exist before.

The future of radio isn’t longer TSL or celebrating new cume from a three-minute AQH or the rumored new one-minute AQH.

The stations that figure this out won’t just be heard.

They’ll be followed.
They’ll be here for years to come.

At least that’s my Phil-Osophy in a business that loves some good drama.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

MLB Local Television Crisis Risks Eroding Fan Loyalty and Competitive Balance

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It wouldn’t be a baseball season with some sort of change in the wind. This year, it’s less about replay debates and robot umpires. Instead, a good majority of MLB fans have no clue on exactly how they’re going to watch their home team this season.

What Major League Baseball is experiencing right now with local media rights is not a short-term disruption. It is a structural problem that is eroding fan loyalty, destabilizing revenue projections, and quietly reshaping competitive balance across the league in ways that should concern everyone involved.

With nine MLB teams still searching for a permanent local broadcast home just six weeks before games are played, the league is once again asking fans to adapt on the fly. For the consumer, that means new apps, unfamiliar platforms, and potentially new costs layered on top of an already fragmented sports viewing experience. The simplicity of just wanting to watch your local team just got more difficult.

The economics of the regional sports network issues with baseball doesn’t only extend to the fans. For the teams, it means uncertainty at a time when certainty is essential for both budgeting and brand stability. And for MLB as a business, it represents another step toward an uneven and increasingly fragile local media ecosystem.

The teams at the center of this latest disruption are not operating in a vacuum. Their instability stems from the ongoing fallout involving Main Street Sports Group, whose missed payments have already forced clubs to rethink how they fund payrolls and project future revenue.

While league-controlled distribution through Major League Baseball Media offers a temporary solution, it does not replace the predictability and scale that traditional regional sports network deals once provided.

For fans, the damage is immediate and personal. Local broadcasts are the heartbeat of baseball fandom. They are how generations connect with a team over 162 games, through long summers and quiet nights. When that access becomes unstable and ever changing, loyalty suffers. Each new distributor asks fans to relearn habits, download another app, or pay another monthly fee.

Even the most devoted supporters have limits, and casual fans are far more likely to disengage entirely.

This erosion of trust is not theoretical. Baseball already fights a perception problem with younger audiences who see the sport as inaccessible and overly complicated. Local blackout rules, shifting platforms, and last-minute broadcast changes only reinforce that narrative.

When fans do not know where to find their team, they eventually stop looking. There are too many other items in people’s lives where constantly searching out where to watch your local team becomes less important. That lost attention is almost impossible to reclaim.

From a revenue standpoint, the uncertainty is just as damaging. Local MLB media rights have long served as the financial backbone for many franchises, particularly those without massive national followings. When teams lose guaranteed rights fees, or are forced into short-term or league-managed solutions, revenue projections become conservative by necessity.

Conservative projections lead to conservative spending, and conservative spending shows up on the field.

Payrolls across several affected teams have already felt the impact of missed payments from Main Street Sports Group. Without guaranteed RSN millions for their TV deals, impacted teams are seeing a serious dent in their bottom line. An RSN executive told Sports Business Journal last year that media rights dollars account for roughly a quarter of annual club revenue.

That’s not anything to swing and whiff at.

While ownership groups rarely say it publicly, media instability changes how front offices approach roster construction. Long-term contracts become riskier. Aggressive free-agent spending becomes harder to justify. Development timelines stretch, and competitive windows narrow.

This is where the problem extends beyond individual franchises and becomes a league-wide issue. Teams that own or control their own regional sports networks, or that operate in massive media markets, remain insulated from much of this chaos. Their revenue streams are diversified. Their payroll flexibility remains intact. Meanwhile, smaller and mid-market teams face tougher choices that directly affect competitiveness.

That’s not good for the business of baseball when only 60% of the league can truly compete with no cap nor floor on salaries.

The result is an uneven playing field that continues to widen. Baseball has long wrestled with competitive balance, but the local media crisis adds another layer of inequity. When some teams are forced to slash payroll projections due to broadcast uncertainty while others continue to spend freely, the quality of the on-field product suffers.

Fans notice when games feel less competitive. Then their wallets begin doing the talking for them.

This is bad business by any measure. Competitive balance is not just a philosophical ideal; it is a revenue driver. Parity fuels interest, sells tickets, and sustains national media value. When the local media system undermines parity, it undercuts the league’s long-term growth.

There is also a branding cost. Constant network changes fracture a team’s identity. Broadcast teams get displaced. Marketing partnerships reset. Local advertisers hesitate to commit when distribution remains unclear.

Over time, the sense of continuity that binds a franchise to its community weakens.

MLB deserves credit for stepping in to ensure games remain available, at least online. But stopgap solutions are not a strategy. League-controlled distribution can stabilize access, yet it often shifts financial risk back to the teams and the league itself. That risk ultimately flows downstream to payroll decisions and fan experience.

The timing makes matters worse. Asking fans to adapt to new platforms weeks before spring training games begin sends the wrong message. Baseball thrives on routine. Spring training, opening day, and early-season storylines are moments when engagement should be building, not strained by confusion over where to watch.

If MLB wants to protect fan loyalty, it must prioritize simplicity and consistency. That means fewer platforms, clearer messaging, and pricing models that do not punish the most dedicated viewers. It also means acknowledging that local media rights can no longer be treated as a purely team-by-team issue.

The system is too interconnected, and the failures too widespread.

Long term, the league may need to rethink how local rights are structured entirely. A more centralized model could provide stability and fairness, even if it requires difficult negotiations with ownership groups that currently benefit from the status quo.

Doing nothing, or relying on temporary fixes, only prolongs the damage.

Baseball is built on trust. Fans trust that their team will be there every night, on the same channel, with familiar voices guiding them through the season. Right now, that trust is fraying. Each unresolved broadcast deal and each missed rights payment sends another signal that the system is not working as intended.

For a league that relies so heavily on daily connection, that is a risk baseball cannot afford to keep taking.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Do National News/Talk Radio Hosts Now Need a TV Companion for Career Success?

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There’s a quiet question about News/Talk radio I’ve been pondering, and it’s getting harder to dodge.

Success used to be defined by reach, ratings, and recognition on the radio dial. Today, the scoreboard feels a lot more crowded, and the lines between platforms keep blurring.

Barrett Media’s Top 20 national news/talk radio shows of 2025, released this week, put that reality front and center. The top half of the list reads like a TV guide as much as a radio ranking. That isn’t an insult. It’s an observation worth unpacking.

At number one sits Clay Travis, who’s a regular presence on Fox News, who hosts his radio show alongside Buck Sexton. Sean Hannity follows at number, and he anchors a Fox News primetime show. Literally, no one in the history of cable news has appeared more than Sean Hannity. Glenn Beck checks in at number three, bringing with him a long TV résumé that includes Fox News, Headline News, and now his own Blaze Media streaming platform.

Megyn Kelly was at number four, after years as one of Fox News’ biggest stars. Dave Ramsey was number five, and he spent years on Fox Business Network. Mark Levin ranked sixth and hosts a Fox News program. Brian Kilmeade comes in at number seven with a daily Fox News gig. Scott Jennings rounds out the top eight and appears regularly on CNN.

That’s not a coincidence. It’s a pattern. You could argue it’s a clear one, at that.

So here’s the uncomfortable question. Are these hosts widely viewed as the best in the business because they’re elite broadcasters who happen to have TV exposure? Or are they dominant radio brands because television gave them name recognition, credibility, and scale that radio alone rarely provides anymore?

The honest answer is probably both. Talent matters, obviously, and nobody climbs to the top of national radio by accident. These are sharp hosts who understand what it takes to get to the top. They know how to create appointment listening, even in an on-demand world.

Still, it’s fair to ask whether radio alone could’ve built these brands in 2025. Decades ago, the answer would’ve been an easy yes. Rush Limbaugh didn’t need a nightly TV show to become a cultural force. Neither did Howard Stern in his prime. Radio once created stars that television chased, not the other way around.

That balance has flipped. Television, streaming, podcasts, and social media now act as accelerants. They widen the funnel, reinforce authority, and turn a host into a “known quantity” before a listener ever finds the station or the app.

Can you just be a “news/talk radio host” today and still win big? I want to believe the answer is yes. Talented radio-first voices are doing strong work across the country. Many connect deeply with loyal audiences who don’t care where else the host appears.

But scale is the sticking point. Influence in today’s media ecosystem is about being unavoidable. It’s about showing up in clips, headlines, panels, podcasts, and feeds. Radio still builds trust, but TV and digital amplify it faster and farther.

That doesn’t mean radio is broken. I think it just means that the job has changed. The most successful hosts aren’t thinking in terms of platforms anymore. The idea of being “just” a radio host is a foreign concept today. Whether that’s a good or bad thing is another topic for another day.

The best hosts are now thinking in terms of presence. Radio is the foundation, not the entire house.

This might say less about individual talent and more about the era we’re in. Attention is fragmented. Loyalty is harder to earn. Audiences expect their favorite voices everywhere, all the time.

Radio-only success still exists, but the ceiling is lower than it used to be. The evidence is sitting right there in the rankings. To dominate nationally in 2025, it helps to sound great on the radio. It helps even more if viewers recognize your face when they turn on the TV.

That’s not a knock on radio. It’s a reminder that today’s biggest voices don’t live on one dial anymore.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.