Home Blog Page 379

Why Rap Music’s Billboard Chart Drop Signals a Bigger Industry Problem

0

Rap music took quite the PR hit this past week after the once dominant music genre found itself trending for all the wrong reasons. For the first time in over three decades, not a single rap song ranked in the top 40 songs of the Billboard Hot 100, breaking an unbelievable 35-year streak.

One would have to go all the way back to February 1990 when Biz Markie’s classic “Just a Friend” sat outside the top 40 before breaking through to the #29 chart position just a week later. That would begin a run of at least one rap song in the top 40 for the next 35 years, eight months and three weeks. Things are turning around this week though with Megan Thee Stallion’s Lover Girl debuting at #38.

To be fair, Billboard did institute new chart rules, which removed older “recurrent” songs from the Hot 100 in order for newer songs to make the cut. But whereas other music genres and singles seized the opportunity, rap did not. That signified a “mic drop” of a realization to radio programmers, the music industry and fans that rap is in a rough spot and it may take some time to recover.

Rap’s Fall

Rap and hip hop’s decline has been going on for years.

In their most recent press release, Billboard reported that “the lack of rap songs in the Hot 100’s top 40 is the latest sign of a recent dip in rap’s commercial dominance,” while also citing that the genres’ market share fell from 30% in 2020 to 24% in 2025.

Across social media, many fans said they weren’t shocked at rap’s fall off the top 40 charts.

“Bro, have you seen this year’s XXL (Magazine)? Genre is dead,” tweeted one fan.

“Rap really needs that next wave to hit soon,” tweeted another.

Radio programmers however, find themselves in a bit more of a precarious situation however – there simply aren’t many popular rappers out there, especially younger ones.

During rap’s height throughout the 2000s and 2010s, the genre had massive stars such as Jay Z, Eminem, Nas, 50 Cent, Lil Wayne – even Nelly, that were able to bring the genre to a mainstream level with catchy hooks and infectious beats.

Now? Not so much.

“I will say, I’m concerned. 2025, 2016, 2017, 2018, those years felt magical. My concern is that the magic is gone,” Spotify’s creative director and Head of Urban Carl Cherry accurately predicted.

Although Kendrick Lamar was able to perform at last year’s Super Bowl Halftime Show and is no doubt a star, his recent break in music has undoubtedly left a void to be filled that unfortunately for the rap industry, remains.

Other Genres Incorporating Rap For Their Own Benefit

There’s also the argument that rap music isn’t gone per se, but has just adapted thanks to other music genres utilizing it better than rappers did for themselves.

In recent years, country music has seen the rise of “country rap,” thanks to artists like Hardy, Jelly Roll and Kane Brown.

With the rock resurgence currently taking place, we’ve also seen the return of rap rock that I predict will only continue to grow in the coming months and years.

Limp Bizkit is back, after all.

“Rap music is still all over the top 40; it’s just not being made by rappers,” Stereogum’s Tom Breihan recently wrote.

Bad Bunny is currently one of the largest artists in the entire world (as he gears up for his own Super Bowl Halftime Show performance) and absolutely incorporates rap elements into his music.

What Rap Needs to Do

So, despite the headline and the hysteria, maybe the “essence” of rap music isn’t gone, but rather, it’s evolved with other genres taking the lead on it as the rap industry and rap music recalibrates.

With rap music’s longstanding cultural significance and importance, especially within cities, the genre will always be around.

However, you can be sure that radio programmers and the industry will be paying close attention to the coming months to see if rap can get out of its rut and start making hits again, instead of its’ current, often mocked “mumbling rap,” criticism.

For rap to return to relevance, the genre needs new strategies, fresh talent to pivot and perhaps a return of the more melodic and appealing side of the genre, as well as a determined effort to breakthrough and penetrate mainstream audiences with mass appeal.

That’s easier said than done, of course.

Otherwise, we will not see rap music significantly represented in the Billboard Top 40 for years to come.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Why Audacy All-News Stations Like 1010 WINS Are Seeing Post-Election Year Resurgence

0

2024 was a year for the history books in several different facets. That’s why the ratings improvement at Audacy all-news stations like 1010 WINS is all the more impressive.

In total, the company’s all-news brands have seen an 11% increase in listenership compared to 2024, with KCBS in San Francisco rising 17% and 1010 WINS improving by 22%.

And while one could attribute the success to the measurement change by Nielsen implemented at the start of the year, Audacy Senior Vice President of Research & Insights Ray Borelli says it’s deeper than that.

“We thought maybe it was just being driven by that,” Borelli said of the change to a three-minute qualifier. “But then we saw that the growth in the all-news format was outpacing most other formats in growth. That was one thing. And then we also wanted to make sure that it wasn’t, in particular, the fact that WCBS had signed off and 1010 WINS was just taking away (those previous listeners).

“WBCS signed off in August of ’24, so we waited until September to really take a look at this,” Borelli added.

“I thought that was the driver, but it’s not consistent across all our markets,” Borelli later shared of the data surrounding the three-minute qualifier … what it seems, to us, is that it’s more news-driven.”

He continued by noting that it’s his belief that the effects of cord-cutting by previous cable subscribers has been a benefit to the all-news genre.

“44% of the US population does not subscribe to any paid TV, including a streaming cable system. That declines your access to a local news station and local your local broadcast affiliate news falls off. We don’t have court cutting, so we’re still there. Our utility maintains or increases as penetration falls for them.”

A rapid decline in trust of news shared on social media has also helped stations like 1010 WINS grow in the ratings. For instance, 74% of respondents in a recent survey said they trust news they see on social media. That figure rises to 84% for local news radio, making it the most trusted news source.

“You used to go to used to go to Twitter when something used to break. And I think people are like, ‘Well, is this real or not? I need to go to a trusted source,'” Borelli said. “We’re seeing — and this is based on research — that our own news stations are seen as the most credible, the most trusted, and the least biased source of local news when compared to their local news on television and any sort of social media they access.

“What I know is that cable subs are down, trust in social media is down, and all news radio is up. We’re starting to put eyes on that now, to kind of really see that’s what that’s all about.”

It also isn’t like 2025 has been short on breaking news items. Wildfires in California, ICE raids in San Francisco and Chicago, the National Guard being deployed to large cities, and the assassination of Charlie Kirk have all been major events that have transpired this year.

But the fact that the ratings are up in a year following a presidential election year speaks volumes to the trust levels audiences have in all-news radio, Borelli believes.

“That’s where you’re going to go when you need the facts,” Borelli said of the format. “These are stations that have been around for 50, 60 years. We have a public license and a fiduciary responsibility to report the news. People don’t see it as biased at all, because we just report the facts. There’s no crossfire-type conversation happening on these stations. I think it all kind of ties very closely together.

“It’s been a strong news cycle, and you’re only going to go to a trusted source when it’s a big news cycle, and I think we’re advantaged by that.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

CBS Sports Viewership for Kansas City Chiefs vs Buffalo Bills Best Since 2007

0

CBS Sports continued its record-setting pace Sunday, delivering the network’s largest Week 9 NFL audience since the league returned to CBS in 1998, highlighted by the Chiefs-Bills matchup that drew nearly 31 million viewers.

The 4:25 p.m. ET kickoff between the Kansas City Chiefs and Buffalo Bills became the most-watched “NFL on CBS” Week 9 game since 2007, when the 8-0 New England Patriots faced the 7-0 Indianapolis Colts.

According to Nielsen Big Data + Panel, the game attracted 30.838 million viewers, representing a 25% increase over last year’s comparable week, which featured the Philadelphia Eagles at Dallas Cowboys on November 10.

Buffalo’s victory also became the most-watched program of the week on any network, peaking at 35.199 million viewers. Sunday’s NFL doubleheader averaged 24.424 million viewers, marking CBS Sports’ strongest Week 9 viewership since the league returned to the network more than two decades ago.

Earlier in the day, the Colts-Steelers matchup at 1:00 p.m. ET recorded 18.556 million viewers, setting the network’s most-watched Week 9 regional game window since 1998. The combination of the doubleheader and the prime-time matchup contributed to CBS Sports achieving its best NFL viewership season-to-date since 1998, averaging 19.419 million viewers, up 6% from the same point last year.

The Week 9 surge follows CBS Sports’ broader strategy of pairing marquee matchups with consistent production quality, including on-air analysis from seasoned commentators and integration of interactive features across digital platforms.

The Chiefs-Bills game, in particular, benefited from both teams’ high rankings in the AFC and a late-season playoff narrative that has captured national attention over the past years.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Pat McAfee on ESPN, YouTube TV Carriage Dispute: “You Guys Need To Figure This S**T Out Type of Situation”

0

Pat McAfee, the former NFL punter turned sports media personality, is urging a swift resolution to the ongoing carriage dispute between The Walt Disney Company (who owns ESPN, the network McAfee’s show airs on) and YouTube TV. He’s calling the situation frustrating for fans and unnecessary for the networks involved.

“This ESPN YouTube TV thing is, like a real ‘you guys need to figure this s**t out type situation’ for sports fans,” McAfee said. “We [The Pat McAfee Show] were all kind of in agreement that that was going to get done before Monday Night Football.”

The dispute, which has left many fans unable to access ESPN content through YouTube TV. It has become a flashpoint for McAfee, who frequently comments on sports media business matters with candid, often blunt, observations.

McAfee also criticized the networks, including ESPN, for using on-air personalities to push viewers toward websites in attempts to influence the outcome of the carriage negotiations.

“We’re all done with it. Okay? Also, if you’re on TV, stop telling people to go to a website to save a multi-billion dollar deal,” McAfee said. “Nobody cares. There will be nothing that we say, or any website that will be visited that’ll get this thing done. Sports need each other. Need each other.”

He went on to note that such tactics, often framed as corporate strategy, only frustrate fans further.

“A lot of people saying ‘greedy corporations,’ yeah, need each other, especially with where sports are right now and we’re in the middle of it. Stop asking me to go to a website. Yeah, I don’t want to do that. So stop that. Doesn’t work at all. Reality of the world. All you’re doing is pissing everybody off even more. So, let’s just not do that,” exclaimed McAfee.

McAfee’s plea for cooperation extended beyond the networks’ marketing strategies, highlighting the broader role of sports as a cultural unifier.

“Let’s put our swords down. Let’s go and shake some hands over there. We need to be able to access this s**t easily. Sports are a unifier, man. Come on. We don’t want to hear about business bulls**t,” he said. “Now, granted. There is a lot of money being spent on a lot of things by both sides. Like a lot of money. Well, we got to survive. We got to survive.”

The dispute, which centers on carriage fees and contract terms. Leaves millions of YouTube TV subscribers without access to some of the most-watched sports and entertainment programming. It also underscores the growing tension between traditional content owners and digital distributors as streaming economics continue to reshape the media landscape.

Among the networks now dark on YouTube TV are ABC, ESPN, FX, Freeform, Disney Channel, National Geographic, and the ACC and SEC Networks. Spanish-language feeds including ESPN Deportes, Baby TV Español, and Nat Geo Mundo were also removed.

To offset the blackout. YouTube TV is offering subscribers a $20 credit if Disney channels remain unavailable “for an extended period of time.” Though it did not specify how long that period might last.

This marks the third time in two months YouTube TV has found itself at an impasse with a major media company. The service narrowly avoided blackouts in separate disputes with both Fox and NBCUniversal earlier this year. With each case ultimately ending in a last-minute deal.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Bill Simmons Reveals New Podcast Featuring Max Kellerman, Rich Paul on The Ringer

0

The Ringer is set to expand its podcast portfolio with a new sports and culture show featuring former ESPN commentator Max Kellerman and sports agent Rich Paul, founder Bill Simmons announced Monday. The show is slated to launch later this month as a three-times-a-week video podcast.

Simmons described the project as a “conversation show” that blends sports analysis, culture commentary, and special guest appearances. The Ringer founder said he has long wanted to collaborate with Kellerma. That the timing finally worked out after Kellerman’s departure from ESPN and his subsequent Netflix boxing project.

“I’ve wanted to work with Max for a long, long time,” Simmons said on his own podcast. “When his ESPN stuff went the way that it did, and he was basically on the sidelines there for almost a year and a half, I was waiting for him to potentially become available. When it finally happened, we started talking.”

The concept of the show grew out of Kellerman’s longstanding friendship with Paul. Who Simmons said initially surprised him as a potential co-host due to his busy schedule managing Clutch Sports and other business ventures.

“I met with them and we went out to lunch and talked for two hours,” Simmons said. “Just watching the way they interacted, I became convinced these guys should have a show.”

According to Simmons, the chemistry between Kellerman and Paul will be a key driver for the podcast’s success. “When people have chemistry, that’s usually what makes a podcast work,” he said. “Over and over again, we’ve seen it back at Grantland, at The Ringer, all these different places. This is one that I really think is going to be a cool podcast.”

Simmons emphasized that the program will offer thoughtful perspectives. Seeking to “flip the sports talk thing on its head a little bit and bring some real thought perspective on sports, business, people, all these different things.”

Simmons also expressed confidence in the hosts’ ability to balance the podcast with their other professional commitments.

“Rich has a lot of commitments, but there’s a perspective he brings. Especially with Max, that I think is really unique for a podcast,” Simmons said.

The announcement marks the latest expansion of The Ringer’s growing audio and video offerings. Following a series of new shows and high-profile host additions. Simmons framed the upcoming program as part of a broader strategy to combine informed sports commentary with cultural insight, delivered in a style that has become a hallmark of The Ringer’s productions.

Last month, Netflix and Spotify have announced a new partnership to bring some of the digital audio company’s biggest podcasts to the video streaming platform next year.

Many of the podcasts included in the deal are from The Ringer, which was launched by Bill Simmons in 2016 and purchased by Spotify in 2020 for $250 million. The network’s roster features more than 50 programs, with Kellerman and Paul’s as the latest beginning later this month.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

102.7 VGS, 107.9 Coyote Country to Swap Frequencies in Las Vegas

0

Beasley Media Group has announced it was swapping frequencies for 102.7 VGS and 107.9 Coyote Country in Las Vegas.

The company announced that the change will take place at Midnight on Thursday, November 13th.

Coyote Country will move to the 102.7 FM position, a 99,000-watt Class C signal. Meanwhile, KVGS will return to 107.9 and its 100,000-watt Class C signal.

“We’re excited to return these legendary stations to their original frequencies,” said Beasley Media Group Las Vegas Regional Vice President AJ Lurie. “This change enhances our ability to deliver the best possible listening experience to our audiences and provides greater opportunities for our advertisers.”

The two brands originally swapped to their current positions in 2022.

Neither station will change formats, as the new 102.7 Coyote Country will continue in the new country genre, while the new 107.9 VGS will continue the Hot AC format.

“Both KCYE and KVGS have deep roots in this market,” said Beasley Media Group Chief Content Officer Justin Chase. “This frequency realignment allows us to build on their legacies and strengthen our overall presence in the Las Vegas community.”

In the most recent ratings available, KVGS was a 2.1 share in the 6+ demographic, while Coyote Country featured a 2.0 share in the same data set.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Reggie Miller Wants To Interview Michael Jordan on NBC’s Coverage Of The NBA

0

NBA on NBC analyst Reggie Miller says he would jump at the chance to interview Michael Jordan as part of NBC Sports’ ongoing NBA coverage — and he hopes it happens in the most authentic way possible.

Appearing on The Dan Patrick Show, the Hall of Famer said his dream setup wouldn’t be a scripted television segment but rather a raw, unfiltered conversation between two longtime competitors.

“Funny you say that,” Miller told Patrick. “I would love to do it, and this is the premise — we just both walk in a room and sit down. Cameras rolling. Let’s just both walk in, sit down, look at each other, and just go. Whatever comes out, comes out.”

NBC Sports signed Jordan to serve as a “special contributor” to the network’s NBA coverage this season, with weekly short features called, MJ: Insights to Excellence, airing during the network’s broadcasts. The network used host Mike Tirico to conduct the interview, which have covered topics such as competition, load management and leadership.

Miller said he fully understands his place within the network’s hierarchy but still hopes for a chance to talk one-on-one with Jordan someday.

“I want to do it,” Miller said. “I’m low man on the totem pole over there at NBC. Right now, we’re rolling out these features with the great Mike Tirico, who’s done a fabulous job interviewing MJ. But yes, I would love to have an open dialogue with MJ because there’s certain things I would love to talk about.”

Miller’s connection with Jordan runs deep. Their on-court battles during the 1990s defined much of the Eastern Conference’s competitive spirit. While their rivalry was fierce, Miller made it clear that his feelings toward Jordan come from a place of mutual admiration and respect.

“People act like I don’t like MJ. I love MJ,” Miller said. “But when you go against a brother for as many years as I did, you built up a certain disdain — a certain tolerance. And there was always mutual respect. I just want him to know how much I do respect him. But let’s just walk in a room together and talk.”

If NBC gives Miller his wish, basketball fans could be treated to one of the most anticipated player-to-player conversations in years — two legends sharing the same room, no script needed.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Lee Davis Retiring as Senior Vice President of Sports Monetization at Audacy

0

After more than three decades shaping some of the nation’s top media properties, veteran executive Lee Davis has announced his retirement from his position as Senior Vice President of Sports Monetization at Audacy.

Davis shared the news in a reflective post on LinkedIn, marking the close of a career that spanned radio, television, and digital media. “I started my career getting Howard Stern coffee,” Davis wrote. “Now he’s still on the air, and going strong — and here I am — retiring.”

A 35-year media veteran, Davis has held leadership roles across some of the industry’s most recognizable brands. He began his career at WFAN in New York City, where he rose to Vice President and General Manager. During his tenure, WFAN became the number one billing radio station in the United States, solidifying its place as the nation’s premier sports station.

Bob Philips, Audacy’s Chief Revenue Officer said Davis was a valued colleague and leader whose experience, dedication, and steady guidance made a lasting impact.

“His contributions and presence will be greatly missed,” said Phillips. “Please join me in congratulating Lee on his retirement and in thanking him for his many years of service and leadership at Audacy. We wish him the very best in this next chapter.”

Davis later served as Executive Vice President of Sales for Univision Communications’ Local Media Division, overseeing the company’s Radio, TV, and Digital assets. Under his leadership, Univision experienced significant local media growth, as Davis guided the company’s efforts to expand its advertising footprint and drive cross-platform collaboration.

He also spent time as Executive Vice President at MediaCrossing, a programmatic digital media agency, where he helped the company navigate the rapid evolution of data-driven advertising. Most recently, at Audacy, Davis led national and local sales initiatives across sports, news, and entertainment properties, contributing to the company’s multi-platform growth strategy.

Throughout his post, Davis expressed deep gratitude for the people who shaped his journey, singling out mentors such as Joel Hollander, Jose Valle, and Robert Philips. He also credited former CEOs Mel Karmazin and Randy Falco with teaching him invaluable lessons in leadership, joking that he earned “a master’s degree in business — not from a university, but by working for two CEOs who challenged and inspired me.”

“Growing up in NYC and going on to lead WFAN, the greatest sports station in the world, is something that still feels like a dream come true,” Davis reflected. He thanked on-air talent, sales professionals, and behind-the-scenes staff who contributed to his success, saying their collaboration “shaped my journey in ways too many to count.”

While stepping away from corporate life, Davis emphasized that this is “not an ending.” He plans to focus on mentoring, charitable work, travel, and spending more time with his wife Lillian, whom he called “my biggest supporter, advisor, and partner through every step,” along with his children, their families, and close friends.

“Grateful for the past. Excited for the future,” Davis concluded. “I’ll be cheering for all of you along the way.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

‘The Woody Show’ Makes Its Return to 105.7 the Point in St. Louis

0

Hubbard Radio St. Louis is bringing a familiar voice back to 105.7 The Point. Beginning tomorrow, The Woody Show will join the station’s weekday lineup, airing from 2 p.m. to 6 p.m.

Hosted by Woody alongside co-hosts Gina Grad, Greg Gory, Menace, and Sebas, the show’s arrival marks a homecoming for Woody, who previously spent years on-air at The Point earlier in his career. During that time, he co-hosted mornings with current Rizzuto Show lead Scott Rizzuto.

With the addition, Hubbard continues to refine The Point’s lineup around its strength in personality-driven alternative rock. Operations Manager Tommy Mattern said the move reflects both a nod to the station’s history and a commitment to evolving with its listeners.

“We’re thrilled to welcome The Woody Show to 105.7 The Point,” Mattern said. “Woody’s connection to St. Louis runs deep, and his show perfectly reflects the energy, humor, and edge that Point listeners love.”

The change also aligns with The Point’s strategy of maintaining a strong local identity while integrating nationally recognized talent. The station’s schedule now features The Rizzuto Show in mornings, Donny Fandango in middays, and The Woody Show in afternoons — a lineup built on big personalities and audience familiarity.

John Kijowski, Market President for Hubbard Radio St. Louis. He said the programming moves are designed to keep The Point’s audience deeply engaged throughout the day.

“Our commitment to great talent is what drives The Point’s success,” Kijowski said. “From The Rizzuto Show dominating mornings, to Donny Fandango connecting with listeners through mid-days, and now with The Woody Show joining afternoons, 105.7 The Point continues to deliver the most compelling personalities in alternative rock radio.”

For Woody, returning to the station represents more than just a new time slot. It’s a personal and professional full circle.

“I appreciate the opportunity to once again be a part of a legendary station like The Point,” Woody said. “St. Louis is a very special place for me. It’s where I met my wife, where my kids were born, and where I grew my career. There’s a saying that you can always go home — and trust me, it’s true. I’ve certainly put it to the test.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Newsmax Election Night Coverage to Feature Greg Kelly, Tom Basile, and Members of Congress

0

Newsmax is set to provide plenty of coverage of election night, and the network will feature current and former politicians as part of its plans.

On the network’s election desk will be anchors Tom Basile and Katrina Szish. Meanwhile, contributors like Ray Kelly, Mark Meadows, Steve Hilton, and Tom Bevan will join the coverage.

Additionally, current and former politicians like Gov. Bob McDonnell (R-VA), Sen. Markwayne Mullin (R-OK), and Rep. Jeff Van Drew (R-NJ) will provide analysis throughout the evening.

At 10 PM ET, special coverage of election night will continue, as Greg Kelly and Lidia Curanaj will anchor the coverage. They’ll be joined by Rob Astorino and Rick Santorum. Rep. Mike Lawler (R-NY) will join the coverage, as will former New York City Mayor Rudy Giuliani (R), and former Lt. Gov. Betsey McCaughey (R-NY) will also be on the panel. Dick Morris, Kari Lake, and Larry Elder will also contribute to the late portion of the network’s coverage.

Newsmax will have reporters on-site at the headquarters of the three main figures in the New York City mayoral race, with John Tobacco being at the campaign HQ for Curtis Sliwa, Sarah Williamson will be with the campaign of Zohran Mamdani, and Jon Glasgow will be with the Andrew Cuomo contingent.

Elsewhere, Christina Thompson will be in Bridgewater, New Jersey, with the campaign for Jack Ciatterelli, while Andrew Craft will be at the watch party for Mikie Sherrill in East Brunswick, New Jersey, as that state’s gubernatorial election results come in.

In Virginia, Alana Austin will report from the watch party of Republican Winsome Earle Sears, while Logan Rtaick will be at a similar event for Abigail Spanberger, with that state’s governor’s race to be determined this evening.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.