Home Blog Page 764

Jay Fotsch Leaves 94.7 KTTS Morning Show After 25 Years

0

After 25 years, Jay Fotsch is stepping down as host of the “Fotsch & Friends” morning show at Country 94.7 KTTS Springfield, MO. Fotsch made the announcement on Facebook, saying in part.

“After 25 incredible years of waking up with you on Power 96.5 and 94.7 KTTS, it’s time for me to sign off from the morning show mic. My last day on air will be Friday.”

Adding, “It’s hard to put into words what these years have meant to me. I’ve shared coffee with you during your morning drive, laughed with you through the good days, and leaned on you during the tough ones.”

Prior to KTTS, Fosch previously hosted mornings on cluster mate Top 40 Power 96.5 KSPW.

“From the bottom of my heart, thank you all for making my dream job a reality ….love yas!!!”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

2025 BNM Summit to Feature Scott Jennings in the Leadoff Spot

0

We are exactly three weeks away from uniting the news media industry in NYC at the 2025 BNM Summit. If you work in the news/talk radio format, advertising industry, or news television, especially if you work in the tri-state area, I hope you’ll make time to join us. A lot of hard work and headaches are endured to make this show a reality. I’ve said from the start, I’ll do the heavy lifting as long as folks care enough to attend and gain something from the experience. To show your support, purchase a ticket here.

This is our third year of hosting the BNM Summit. However, it is our first time doing it in the big apple. Everyone who attends this year receives a free pass to the Barrett Bash, our special 10-year anniversary show on Thursday, September 4th. The guest list for the Bash is stacked, and should grow even more in the next few weeks.

But what I’m especially fired up about today is the way we’re going to kick off Day #1 of the BNM Summit. It is my pleasure to welcome Scott Jennings to our lineup as our leadoff hitter. Scott will join me for a 1 on 1 conversation on Wednesday September 3rd at 9:10am. My thanks to Salem Radio Network for the assist.

If you’ve watched Scott on CNN, listened to him on Salem Radio Network or consumed any of the clips he’s featured in on social media, you’re well aware that he’s battle tested. He is outspoken, smart, confident in his positions, and doesn’t back down from opposing viewpoints. His star has quickly risen in the media industry because he simply commands your attention. Garrett Searight in fact wrote that CNN should make him the featured attraction of the network.

In addition to being a gifted commentator, Scott brings additional political experience. He has run four presidential campaigns, and served as a former Special Assistant to President George W. Bush. He has also co-founded his own PR firm, and worked earlier in his career for WHAS radio in Louisville. His mantra is to arm listeners with common sense, crush liberal narratives, and help shape the national conversation, and attendees at the BNM Summit will gain a sense of his style when we sit down to chat on September 3rd.

I’ll be announcing a few more speakers tomorrow and Friday, and our awards recipients next week. Once all announcements are done, the full schedule will be posted on BNMSummit.com. For planning purposes, day #1 runs 9a-5p with the after-party at Park Central Hotel from 6p-730p. Day 2 runs 10a-1230p with the Premiere Networks Awards ceremony closing the show. The Barrett Bash then takes place Thursday night from 5p-8p at 1604 Broadway. The Bash is invite-only so you must be on the list to attend.

I appreciate everyone who has purchased a ticket or sponsorship to support the show so far. We’ve got a fun and informative two-days planned, and look forward to spending time with you in the concrete jungle. Hope to see you at the Ailey Theater!


Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Local Advertising Forecasted to Drop More Than 2% According to BIA Advisory Services Projections

0

After media companies released their second-quarter financial results, a common thread appeared: many saw their advertising revenues either decrease or stay relatively flat. With those results in mind, BIA Advisory Services is now projecting local advertising to slip in 2025.

The company is adjusting its forecast for the year to $169 billion for the year. That figure represents a 2.4% decline compared to the previous year. It also reflects a 1.5% decrease from the previous forecasts that estimated $171.4 billion in local advertising in 2025.

When political advertising is excluded, the forecast rests at $168.2 billion, which would be a 3.2% year-over-year increase. That projection, however, is decreased from the previous $171 billion that was previously set.

“Following a solid performance in 2024, driven by significant political advertising and spending from key sectors such as Legal Services, Healthcare, and Quick Service Restaurants, we are now noticing a shift in the advertising landscape for 2025,” BIA Advisory Services Vice President of Forecasting and Data Analysis Senan Mele said. “Ad growth has slowed down slightly as businesses implement more cautious spending strategies and optimize their channel allocations. This change underscores the necessity for agility in responding to the rapidly evolving economic environment.”

Inside the total local advertising spend, BIA Advisory Services shared that $855 million is projected to be spent by digital media in 2025. Digital is expected to account for 53.7% of total advertising spending, amounting to $90.4 billion.

Connected TV and Over-the-Top TV is expected to see its share of the pie increase to 29.3% of all local advertising during the year. Meanwhile, mobile advertising is expected to grow by 9.4%.

“The impressive growth of CTV and OTT services from 2024 to 2025 is largely attributed to ad-supported platforms now capturing 73.6% of TV viewing,” said BIA’s Managing Director Rick Ducey. “This transition from traditional broadcasting to streaming reinforces the business case for TV broadcasters to implement CTV/OTT strategies, enabling them to reclaim audiences and enhance their targetable ad inventory.

“However, despite increasing viewership and advertising spending, streaming providers face significant challenges in achieving profitability in a fragmented market,” concluded Ducey.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

What Sports Radio Stations Can Do to Capture New Fans This NFL Season

0

The first week of the NFL preseason is in the books. Training camp broadcasts are, for the most part, wrapped up. Now, local sports radio content is turning to second- or third-string guys fighting for a special teams slot, and to high draft picks either living up to expectations or underperforming—fueling fan frustration about why they were taken so high.

The collective shift has begun. Across the country, sports radio stations are pivoting from baseball or whatever else filling airtime to football. Play the hits, as they say.

But here’s the challenge: For a medium whose core audience isn’t getting younger, what’s fresh? What’s the new layer of content or fresh face of analysis that will grow audience share and revenue streams this football season for your local sports radio brand? Or will this season play out as predictably as the programming shift we see every August?

Let’s be honest—if you’re only now figuring out what new wrinkles you’re adding to your football coverage, you’re already way behind. The best-run stations begin plotting the next season right after the Super Bowl, using that window to review the prior year’s wins and set big goals while the biggest television event in America is still fresh in clients’ minds.

A new season always brings hope, aspirations, and challenges. For sports radio stations, budgets are shrinking, expectations are climbing, and resources are tighter than ever. So how do you deliver more with less?

Welcome to sports radio in 2025.

Your Competition Could Be Your Best Partner

So, what are some ideas that can capture the audience with little to no overhead?

Borrow From the big leagues. If you’re not paying attention to what ESPN and Fox Sports are doing, you’re missing the boat. Both are leaning into licensed content—bringing in creators and podcasters with established audiences and giving them a broadcast platform. It’s a win-win: creators get new exposure, and networks fill content gaps without building talent from scratch.

For local stations, inventory is your biggest weapon. Offering a few 30-second units to a creator can bring in a new advertiser and fresh content. Going outside of your current client list and attaching a new client could have lasting impact post-football season. Add the creator to your “football roster,” and you’re not just filling airtime—you’re bringing in a built-in audience and giving sales another bullet in the chamber.

Tap your local media partners. Partnerships with local TV and print outlets can be just as valuable. Sports time on local TV has been slashed, and newspaper sports departments have shifted almost entirely to digital and social. News does not get broken in the local paper anymore—it’s all about social engagement. Just look at your local staff of sports reporters and see how often a story breaks with a link to an article first.

If you’re already bringing these reporters on as guests, why not build something bigger? A weekly roundtable show, for example, could be sold as a package, with a cut of the revenue going to the participating talent.

Local TV and print, like radio, live in the attention economy. They want new audiences just as badly as you do, and each partner comes with its own loyal following. That’s sales ammo without adding to your payroll.

Digital Creativity Earns the Dub

Get social or get left behind. If you’re not digitally savvy with images and video, it’s time to learn. Social reach depends playing in the trends. If you can insert your station into the conversation, you’ll grow your audience.

Have a Getty account? Great. If not, there are other options. Yes, visuals cost money, but if your sales team can pitch them on impressions and engagement, you’ll make it back.

If you’re at a game, don’t just take notes and enjoy the halftime eats. Get social with game images, which are updated immediately. End-of-quarter graphics asking for reaction on the trending topic work great. End-of-game works even better.

Haven’t filmed a quick 45-second game wrap on your phone yet? Try it—the best in the business already do. Haven’t tested a live digital watch-along during the second half of a local NFL game? You’re missing a chance to connect with fans who want a companion experience.

Don’t fear AI. Artificial intelligence isn’t going anywhere, so use it to your advantage. AI tools can turn around dynamic promos in minutes, no voice talent required. Custom graphics that fit the mood of an amazing win or tough loss can catch eyes in the social feed. Sometimes creativity is about speed and timing, not artistry.

Be Bold, Be Different

The point is: predictable is death by a thousand cuts.

Avoid predictability at all costs. In sports radio, audiences can get football talk anywhere. Why should they choose your station? Give them reasons to that are new, fresh, and exciting.

Think of your coverage like a cheeseburger. Sure, everyone loves one—but they can get it anywhere. What toppings, sides, or combinations can you offer that no one else can? What’s your extra layer that makes people raise an eyebrow and give you a shot—on air and online?

If you can evolve your product just a little every year by providing your sales team with weapons to head to market, you’ll keep winning. That’s how championship teams are built during football season.

Game on.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox

How ‘Yahoo Sports Daily’ Aims To Dominate Digital With Jason Fitz, Caroline Fenton

0

The demand for live sports content has never been higher. As streaming networks battle traditional media for broadcast rights and partnerships, the age of the content creator is now fully upon us. With ESPN and FOX Sports leading the charge by developing daily television programs to complement their rights deals, other players have jumped into the fray to capture sports fans in any way possible. Yahoo Sports is the latest company to enter the daily sports content race with Yahoo Sports Daily, hosted by Jason Fitz and Caroline Fenton.

“From the day I signed with Yahoo a couple years ago, there were rumors they were planning a daily show. I made it clear then that if it ever happened, I loved being on air daily,” Fitz said, referring to how Yahoo Sports Daily has been in the works for some time.

The show launched Monday, streaming live on Yahoo Sports platforms and their YouTube channel. Yahoo Sports Daily is a fast-paced sports headline show built around the day’s top stories, featuring guest appearances and plenty of personality. The opportunity sounded like a dream for both Fitz and Fenton given their sports radio backgrounds and success in both national and local markets.

“There’s so much value in the authenticity and rawness you get with live programming. Being the first to react to something is fun — I love it,” Fenton noted. “Getting that live opportunity was something I absolutely jumped at, and the fact I got to do it with Fitz was the best cherry on top.”

Finding a Formula To Break Through

Both Fitz and Fenton have worked for Yahoo for at least the past year, with Fitz now in his third year at the company. The two, longtime friends, admitted there was built-in chemistry from the program’s start. As a digital-first alternative in a crowded morning drive slot, the goal of being unique and cutting through serves as a challenge against well-established properties in both television and radio.

“It’s easy to look around at what Barstool [Sports] and ESPN are doing. Seeing what my former coworkers are doing, it’s easy to get worked up about that,” Fitz remarked. “But I had to look back to the core of what made me good in the music business. I can’t worry about what song someone else is releasing. I can only worry about my song, and I want it to be number one. So I’m going to do everything I can for my song.”

With Yahoo Sports Daily only a couple of days old following its debut Monday, there’s still plenty to be revealed about what the show will present.

“Where we are right now is not where we’ll be four to six months or a year from now,” Fenton explained. “We have some exciting plans in the works.”

The Power of Search as an Advantage

One advantage Yahoo Sports Daily offers both Fitz and Fenton is the power of search. Yahoo owns one of the largest and most used search engines on the planet, allowing real-time information and up-to-the-second trending data to be made available to the program. This enables the production team and hosts to make topic selections in seconds, based on first-party data.

“We have the advantage of not guessing,” Fitz said. “When we’re debating topics, instead of questioning what our audience wants, our production team can go to content bosses and ask, ‘What are people paying attention to right now? What’s getting traction?’ That level of communication is something I’ve never seen anywhere else.”

Another aspect of Yahoo Sports Daily airing live is its role as complementary programming — creating synergy with the rest of the Yahoo Sports online staff across content creation and social.

“If a Yahoo writer or someone at the news desk reaches out and says, ‘We’re looking for a minute and a half on Luka Dončić’s weight loss,’ we’ll add that topic to our rundown and supplement the writer’s story with a clip of us discussing it,” Fenton explained.

Both hosts noted the luxury of resources Yahoo Sports has provided since the program’s inception. One asset they especially appreciated was time. The week before launch was devoted to rehearsals and meetings to shape how the program would operate and identify their target audience.

“Having that week to rehearse and get a vibe for the show — timing, producers, understanding what makes us tick — was so valuable. I really appreciate all the higher-ups giving us that time,” Fenton said.

Though Fenton and Fitz had known each other for many years, being able to work on the program together ahead of time played to their favor for the launch.

“I can’t remember the last first-show launch that felt this well-prepared and seamless,” Fitz added. “I’m really proud of what everybody did and how it felt. If this is day one, I can’t wait to see where we are on day one thousand.”

Lessons of the Past Aiding in the Present

Produced in California, Fitz and Fenton are based in different locales. Their experiences at ESPN Radio and SiriusXM respectively have paid dividends in understanding timing and how a program flows when no one is in the same room simultaneously — a key challenge during morning drive, where the show creates the narrative in real time rather than shaping it gradually throughout the day.

“The best part of my ESPN life was that it was a master class in how to prepare for this business,” Fitz said. “When you’re in mornings, you’re first to react. You’re shaping the conversation for the rest of the day, which is incredibly powerful and important. It also means you have to be on top of more and ready to think on your feet.”

The first show Monday was a perfect example of the hurdles of working mornings, as 20 minutes before their debut episode of Yahoo Sports Daily, a massive breaking news story dropped. The UFC officially signed a seven-year media rights deal with Paramount, CBS — leading to an immediate shift on an already important day.

“You have to be okay with scrapping a fully planned segment because of breaking news,” Fenton said. “We hopped on a meeting early, stayed in communication, figured out where it fit into the rundown. Our producers went out and got the appropriate b-roll and supported us with the information we needed. The early camaraderie and chemistry with the entire production team has been really valuable and something I haven’t built so quickly in other roles.”

Both Fitz and Fenton have adjusted well to their roles with Yahoo Sports. With the addition of Yahoo Sports Daily to their company responsibilities, they look forward to the challenge of cutting through the noise and being part of the daily sports discussion narrative — providing a sports bar feel and building community through Yahoo Sports’ digital lens.

“You have to ask yourself what makes us different. There are so many options out there,” Fitz explained. “The long-term goal is for people to realize they can get the same information anywhere else, but it’ll be packaged a little differently. It’s going to be fun and make my day feel a little better. It’ll be the thing that brightens my spirit a bit. This opportunity is to lift sports stories in a way that’s fun.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Why Urban AI Bands and Virtual Stars Don’t Work

0

By reading some of my previous articles, one might think I am an AI proponent. I am a proponent of us controlling AI, not AI controlling us. If I were a betting man, and I’m not, I would bet that AI is here to stay. I don’t think it’s going anywhere, and it will continue to expand its capabilities. But buyers beware.

I think some of those capabilities will continue to rub people the wrong way. Already, people are feeling some type of way about the AI videos on social media. And now I see that there are AI social influencers. I can’t imagine what those who have ill intentions can’t think up to promote with AI influencers. While that is a pretty thick line, AI-generated music is a hard no for me.

The Velvet Sundown Backlash

The post on AI influencers reminded me that recently, there was another social post going around about a story of a rock band (Velvet Sundown) that was AI-generated.

Everything from music and lyrics to branding based on several successful rock bands was created by AI. The blowback began one month after the album reached the top spot on the Spotify charts with 1 million streams, when it was announced that the group was an AI creation.

I think the name of the group and album title, “Floating on Echos,” should have given it away, but some called foul over some of the images of the group, which featured some of the noticeable tells that are found in AI-generated pictures.

AI Music Feels Hollow

As I listened to songs on the album, they felt hollow to me. Most genres of music outside of Urban music may not have soul at its base. But it sounds like they have a soul at their core.

I am a Classic Rock music fan, just as you will find Stevie Wonder, Ashford & Simpson, Blue Magic and the Commodores in my playlists, you will also find the Eagles, Hall & Oats, Dan Fogelberg and Fleetwood Mac. However, I can’t imagine an AI-generated album using the likes of Earth, Wind & Fire, Maze and LTD in songs and album covers. I have to think I would spot it right away.

Timbaland’s AI Pop Artist Experiment

In doing some research, I read about Timbaland’s new AI venture where he is creating an AI-generated Pop artist (TaTa) with vocal and music elements partially generated with AI. I have mixed feelings on this. On one hand, I believe he and others should have at it. As a proponent of us controlling AI, I believe Timbaland will do an amazing job, and AI is not going away.

Timbaland © Kirby Lee-Imagn Images

Where the concept loses me is that if it hasn’t already happened, I think it’s a short walk until this is done in R&B. What may stave off potential brand-altering events is that AI creations are a young person’s game.

The Streaming vs. Radio Divide

While younger listeners may be more open to AI-generated content in audio and video form, those listeners have migrated from radio. Timbaland’s AI company is worthy of watching, and while these projects will find support through streaming, he is used to having radio as an outlet. Programmers may be doing damage to their brand even by experimenting with this concept.

I always welcome your thoughts. Feel free to email me or contact me through LinkedIn. Check out our podcast at meanolelionmedia.com

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

How Dana Cortez Blends Authenticity with Breaking Radio Barriers

0

Imagine tuning into a radio show that feels like a heartfelt conversation with close friends. That’s “The Dana Cortez Show.” It’s not about celebrity gossip or flashy headlines. Instead, it’s about life. The messy, beautiful, complicated stuff: love, marriage, kids, the daily struggles and triumphs.

Or as Cortez describes it, “It’s a show about life, marriage, love, everyday problems, relationships and highs and lows. That’s the only way to describe it, really.”

Based in Houston, the show is heard across the country. Cortez takes pride in her ability to open up about her personal experiences. From the challenges of marriage to parenting to her husband’s quirks, it creates an authentic connection.

Real Talk: Life Behind the Mic

Cortez works alongside her husband, DJ Automatic, and longtime friend Anthony A. They bring their lives to work.

“We’re very forthcoming and honest about everything in our lives, the good, the bad, and everything in between. We want to be as authentic as we can.”

She doesn’t shy away from the quirks and imperfections that make their relationship relatable.

“It’s okay that people know he can’t drive without me. I don’t know how he’s made it in the world without me in that car because he doesn’t know how to drive. It’s horrible. It’s okay that people know he can’t make his clothes into the hamper. For some reason, they just sit next to the hamper. They never actually make it inside.”

But beyond the quirks, there’s genuine friendship and love.

“He’s my best friend. I support his DJ career, and even when he’s gone for a week to DJ with the NBA in China, I won’t even mind.”

Their openness about the highs and lows invites listeners into a space where imperfection is embraced.

“There are days we definitely love each other, but might not like each other. And that’s okay.”

Authenticity and Storytelling: The Heart of the Show

I mentioned the word authenticity, but for Cortez, it’s more than a buzzword.

“The word is being used often. You want to be authentic, but are you willing to share those things that might be embarrassing? Are you willing to share those moments where maybe things didn’t go right?”

The show also brings vulnerability. Growing up with humble beginnings, she initially struggled to share her successes.

“I used to have a hard time sharing my success because I thought, does this sound like bragging? Is this terrible? Does this sound like I’m out of touch?”

However, the show taught her that sharing all aspects of life, including wins and losses, helps listeners feel connected, supported, and part of a community.

“We have people who have been listening for 20 years and gone through this with us, and new listeners now in Houston, too. People want to share their wins. They want you to win. It’s like friendship, they’re my friends. I have a lot of real friends, and my listeners are my friends.”

Breaking Barriers: A Latina Voice in Morning Radio

In an industry where female leads in nationally syndicated morning shows are rare, especially among Latina women, Cortez’s presence is groundbreaking. She was initially reluctant to take on the morning show role.

“I was forced onto the mic as a morning lead by John Candelaria. I didn’t want to do it because every woman I looked up to in the industry was doing middays. I didn’t really understand why.”

“Had I known how big a deal it was, I might not have done it. But he had the vision, and I lacked it. Now I fight hard for talented people to get the shot. Not just because they’re women, but because there’s not enough opportunity.”

Dana feels the pressure of constantly having to prove herself, not just as a radio host, but as a woman and a Latina.

“I know I’m doing this job because I’m good. The fact we have to have these conversations about DEI angers me because I’ve worked my ass off to get here. Nobody gives you anything. If you’re not making a company money, you’re out.”

She points to the media landscape’s underrepresentation of Latinos.

“We consume about 30% of audio and video content but make up only one and a half percent of those seen and heard.”

When a Latina woman like Cortez steps up and simply talks about everyday life — being a mom, a wife, smart and funny it challenges stereotypes.

“I am your audience.”

Interviewing with Heart: Beyond the Headlines

Cortez’s knack for connecting doesn’t stop with her on-air family. Her celebrity interviews go beyond the usual canned questions.

“I want to talk to people I admire about their lives. When I spoke with Nicki Minaj, we were supposed to chat for five minutes, but ended up talking for nearly an hour about motherhood. She wanted to talk to me. I wanted to know about being a mom.”

Likewise, Cortez covered the Canelo Alvarez boxing fight not by reciting stats but by focusing on fatherhood.

“I saw a video of his son crying in the ring, and Canelo told him, ‘Real men cry, too.’ That’s what I talked about with him.”

Her interviews with Beyoncé, John Leguizamo, Jack Harlow, and others always circle back to what Dana cares most about.

“Family, loved ones, husbands, wives, children. That’s where I go naturally.”

Local Roots in a Syndicated World

The show is broadcast live and local in Houston, and that led to a recent pivot when the area experienced unprecedented flooding and loss of life.

“We were 100% on the floods in Kerrville. I approached it as a mother. Sending your child to camp and not being able to pick them up. Being angry at those who failed parents and kids. Generations have gone to that camp. It’s over 100 years old. Local officials failed to get warnings out in time, and people were angry.”

A Heart for Kids and Community Causes

Cortez and the show champion causes close to her heart, especially those supporting children and education.

“I’m very kids-focused,” she says. “St. Jude, DePelchin Children’s Center, CASA. We want to be the show that kids and teachers know cares about them.”

She has a deep connection with children in challenging circumstances.

“I was a Title One kid. Automatic was a Title One kid. I didn’t have a lot, but I always had books, and that changed my life.”

“Reading every day changed my trajectory. I don’t have a formal education, but those books took me places I could only imagine.”

Investing in Radio’s Future

As we concluded, Cortez made a passionate plea to the radio industry.

“Talk to the people in your building. You probably have a superstar right under your nose. Bring young people in to train on the board. I know there are very few promo techs, but they want to work. They’re not just setting up tents and sweating because they like it; they want a break.”

“If you don’t pay attention, you’re killing the industry. We will be the Oldsmobile of the audio space.”

Stream “The Dana Cortez Show” here.

The show is syndicated by Skyview Networks.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

How Cable News Reacted to Donald Trump Calling in the National Guard in Washington D.C.

0

Donald Trump has declared war on Washington. All cable news nets covered it, and much of the coverage — shocking, I know — broke along partisan lines, which is sadly predictable.

In a dramatic, sweeping, and lengthy press conference, Trump vowed to crack down on crime in D.C., calling it “liberation day.” He forcefully declared the city is plagued by “crime, bloodshed, bedlam and squalor, and worse.” He used that rhetoric to justify his audacious move. 

The president said he’ll deploy the National Guard, place the local police under federal control, and bring in the military “if necessary.” He added that officers will be authorized to do “whatever the hell they want.” 

“Washington, D.C. should be one of the safest places in the world.” He promised that “crime is ending today.” And he criticized Democrats, saying the “radical Left is out of control.”  

Donald Trump entered the briefing room flanked by Cabinet members,  Fox News host turned U.S. Attorney Jeanine Pirro, and others who are involved in his plan. 

He marveled at the number of journalists in the room. “I’ve never seen this room so packed. I’m sure it’s a violation of every fire code.” Something about him has always been obsessed with crowd size. 

From my time in the briefing room covering President Obama, I agree, it was absolutely packed. What journalist wants to miss questioning the president about the unprecedented seizure of local control? Especially when he talks about expanding the move to other cities such as Chicago. 

Trump acknowledged that while many in the press are liberals, they have to like the plan because it will keep them safe. In D.C., “No one will be sad about policing.” 

Trump doesn’t usually try to convince the press to agree with him. But he was right in that one journalist took his side. In the press conference, a reporter told him he had been robbed at gunpoint and the perpetrator “got away with it.”

Fox News and CNN carried the entire hour-plus press conference. Not so at MSNBC, which pulled away after 20 minutes to bring in panelists who thought the concept “seems like a half-baked idea,” and said, “If you have a hammer, then everything looks like a nail.” Another panelist added, based on Trump saying that homeless camps will be disbanded, “people who are homeless are not all criminals,” and many are veterans.  

Their words — chyrons — under the video during the press conference questioned why Donald Trump was doing this when D.C. has seen falling crime rates in the last two years, saying he has cherry-picked crime numbers. A graphic on MSNBC showed that DC’s murder rate in 2024 was fifth in the nation at 27%, behind St. Louis, Baltimore, New Orleans, and Detroit. 

While on Fox News, the plan was hailed as “brilliant” by Lisa Boothe, and some cited attacks on members of Congress and congressional staff. They agreed with Judge Jeanine that laws are too weak on minors because some are 12-and 13-year-olds committing violent crimes. Pirro has vowed to change the law to be able to charge children under the age of 18. And the administration vowed to change “no cash bail,” which allows some people to be released from jail without having to pay money.

The hype around the announcement had been building on TV when Trump released a graphic picture of a beaten and bloodied former DOGE employee, known as Big Balls (Edward Coristine), who was so badly injured in a carjacking that the image was heartbreaking to look at. A 15-year-old boy and a 15-year-old girl have been charged. 

D.C. Mayor Muriel Bowser was not surprised by this move and called putting police under federal control “unsettling and unprecedented.” And local TV led with the news, complete with criticism for big-footing D.C. police. 

Experts told the local stations that there are different kinds of data, and this is “comparing apples to spaceships.” An “I-Team” member on the local NBC station said while crime has dropped in every ward of the city, the District of Columbia still has a long way to go. What’s more, based on a new report, he asked if we can believe the crime statistics from the D.C. police.

MSNBC anchor Katy Tur asked a guest about the murder rate and Trump’s statistics to “give the numbers he gave and the numbers that are accurate.” The guest responded that violent crime in DC is down 26% compared to 2024, a 30-year low. 

But no one cares about abstract statistics if they are getting carjacked. 

The president cares about optics, but there may not be a lot that federal troops can do.

When I covered local news in Washington, I had to brace myself for all the local murders and crimes I covered in that if-it-bleeds-it-leads atmosphere. Separating your emotions from these tragic crimes isn’t easy, but it’s part of the job. Some of the images I saw were unforgettable, and haunted me when I was off-duty. And I support getting tough on crime. 

By the way, Washington is the number five city for violent crime, even with the reduction. How is that acceptable? How is that something to brag about? It’s a pathetic situation.

Is this a good use of the National Guard’s time? A made-up, non-emergency requirement that requires them to be in charge of the local cops? It could be one more indication of creating a diversion from the Epstein files and economic factors that are impacting the average American. 

Donald Trump cares about optics, and this shows him in charge, shifting the conversation to law and order in a way that “ignites his base,” as one TV pundit said. 

Substacker Tara Palmeri said, “he has to create a circus, a war … a threat that is just perceived.” Anti-Trump conservative Andrew Sullivan described him as a “mad king.”

But Trump did something smart. He spoke directly to the reporters, saying they and their families want to feel safe. So even some who don’t like the president are welcoming more federal firepower if it helps stop this excruciating wave of carjackings and violence.

Look, this is a nonstop show of Trump finding new ways to expand executive power in ways we haven’t seen before. It would be fair to call it a power grab.

But now Donald Trump owns it. And if he doesn’t find a way to quickly reduce violent crime, he’ll have nobody else to blame.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Why Don’t More Options Exist For Liberal Talk Radio?

1

When I’m talking with people in the industry, I often conclude conversations with this question: “Anything else on your mind?” Do you wanna know what the response I get to that question — other than “nope!” — is? “Why isn’t there liberal talk radio, the same way that there’s conservative talk radio?”

It’s a fair question, and one that has been asked plenty of times.

Conservative talk radio is a dominant force, shaping political conversation for millions of Americans daily. It has household names, market-leading stations, and hosts with loyal audiences that stick through multiple ad breaks. Yet when it comes to liberal talk radio, the only example most people can cite is Air America — and that was nearly 20 years ago. Even then, Air America wasn’t exactly a juggernaut, but it also wasn’t doomed from the jump for the reasons that are often assumed.

The narrative you usually hear is that liberal talk radio “just doesn’t work” because audiences on the left don’t consume spoken-word political content the same way audiences on the right do. The thinking goes that liberal-leaning listeners prefer NPR, podcasts, or digital-first news outlets, so there’s no way to build a profitable commercial talk network for that audience.

While there may be some truth to that, the explanation feels a little too convenient, and it lets the radio industry off the hook. If you go back and look at Air America, it’s not as if the programming was completely out of touch. Sure, it had some misses — every new network does — but it also had smart, engaging hosts like Al Franken, Rachel Maddow, Randi Rhodes, Marc Maron, Sam Seder, and Jerry Springer, who were capable of carrying a daily show and had successes in other avenues outside of Air America.

The bigger issue wasn’t the content, in my estimation. It was the business side. Air America cycled through ownership groups, leadership teams, and strategies at a pace that would make even the most volatile startup blush. The turnover at the top made it impossible to establish a long-term vision or give promising shows time to grow. The network launched in 2004 and was gone by 2010, with bankruptcy filings and lawsuits filling much of the space in between. When your company is more focused on surviving financially than building an audience, the programming suffers no matter how good it is.

Conservative talk radio didn’t explode overnight. Rush Limbaugh went national in 1988, but it took years for the format to mature, for local stations to fully embrace it, and for an ecosystem of syndicators, advertisers, and affiliates to solidify. Air America — it certainly appears — was trying to force that process in just a few years, with unstable financial backing and constantly changing leadership. The programming was competing in a heavyweight division while the network was still lacing up its gloves.

It’s worth pointing out that conservative talk didn’t succeed simply because of its ideology. It worked because it had personalities who could entertain first and inform second. Limbaugh was a master storyteller and showman. Sean Hannity has a knack for keeping his audience engaged hour after hour and is one of the finest orators of the day.

Even the hosts who have smaller national footprints are adept at creating appointment listening. Liberal talk radio, in its Air America form, sometimes got bogged down in being right instead of being entertaining. That’s not a problem exclusive to one political leaning — sports radio stations that spend too much time arguing the “correct” take on a game instead of making the audience laugh or think creatively run into the same issue.

But I keep coming back to this: if the right hosts were paired with the right ownership and leadership, there’s no inherent reason why liberal talk radio couldn’t work. It’s not a “the audience doesn’t exist” problem — we have years of polling data showing millions of Americans identify as liberal or progressive. Furthermore, we have plenty of data showing that programs like Pod Save America, The Rachel Maddow Show, The Young Turks, and The MeidasTouch Podcast find success in the spoken word format.

It’s a business problem. Conservative talk flourished because it had strong distribution, savvy marketing, and patient investment behind it. Vertical integration, as the suits say. There’s no reason those same ingredients couldn’t be applied to a commercially viable liberal talk network.

We’re living in a media world where personalities matter more than platforms. Look at how many political commentators — on both sides — have built huge followings on YouTube and with podcasts. That tells me the audience is there; the question is whether traditional radio is willing to make the kind of calculated investment needed to capture it.

Liberal talk radio wouldn’t need to be a carbon copy of conservative talk radio — in fact, it probably shouldn’t be. It would need to play to the strengths of its hosts, understand the interests and habits of its audience, and embrace multiple platforms so that it isn’t relying solely on over-the-air affiliates to drive success.

If you were to launch a liberal talk network today, you’d want a lineup of hosts who are entertaining first, politically sharp second. You’d want leadership that understands both the content and the business side, with the patience to let shows grow instead of making rash changes after a bad ratings book. You’d want ownership with the resources to withstand early losses and the vision to build a brand that’s bigger than any one host. And you’d want to market it as something worth listening to, not just because it’s liberal, but because it’s fun, engaging, and makes you want to tune in every day.

Air America might have been an attempt at national liberal talk radio, but it doesn’t have to be the last. Its failure shouldn’t be taken as proof that the concept is impossible. It should be taken as a lesson in what happens when promising programming is paired with unstable ownership and poor leadership. The right people in charge could make it work — and there’s no reason they shouldn’t try.

Because here’s the reality: audiences want to be entertained, informed, and engaged. And with approval ratings for Democrats at record lows, I think it’s clear to say that those on that side of the political aisle aren’t always able to make their points entertaining and engaging. Some hosts — especially in the podcast and cable news shows — absolutely have that ability. But a near-constant critique I hear about left-leaning media is that the hosts come off as whiny and condescending. Which doesn’t usually equal great radio, does it?

If conservative talk radio has shown us anything, it’s that when you have compelling hosts, a clear vision, and strong business leadership, you can build a profitable and influential format. Liberal talk radio doesn’t have to be some mythical creature like the Loch Ness Monster. It’s a potential opportunity waiting for the right team to bring it to life.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Brent Musburger Returns To Celebrate 50th Anniversary of ‘The NFL Today’ September 21 on CBS

0

CBS Sports is taking fans back to where it all began. In honor of the 50th anniversary of the modern version of The NFL Today — the 1975 edition hosted by Brent Musburger, Irv Cross, and Phyllis George — the network will stage a weeklong celebration during Week 3 of the 2025 NFL season.

The festivities will culminate with a special vintage broadcast of The NFL Today at noon ET on Sunday, Sept. 21. Host James Brown will be joined by analysts Bill Cowher, Nate Burleson, and Matt Ryan, as well as a familiar face from the show’s storied past. Musburger, who steered the program from 1975 to 1990, will return to the CBS Sports studio for the occasion.

In a nod to the groundbreaking look and feel of the original show, CBS will unveil a virtual re-creation of the 1975 set. The broadcast will blend retro graphics and theme music with modern technology, giving viewers both a nostalgic trip and the in-depth analysis they expect from today’s NFL Today. The show will still deliver its weekly mix of highlights, news, and analysis, while also looking back at the program’s five decades of NFL studio coverage.

The celebration won’t be confined to the pregame slot. Throughout the day on Sept. 21, The NFL on CBS will integrate throwback themes into its game coverage, including archival flashback clips and musical cues from the past. Several NFL teams will also join the fun by donning throwback uniforms. The New England Patriots, Jacksonville Jaguars, and Tampa Bay Buccaneers are among those scheduled to take the field in retro attire.

CBS Sports will also expand the celebration beyond the television screen. In the days leading up to the Week 3 slate, throwback content will roll out across CBS Sports HQ, CBSSports.com, and the network’s social media channels on Instagram, X, TikTok, and YouTube. Fans can expect archival features, classic highlight packages, and behind-the-scenes looks at how The NFL Today evolved into the template for modern sports pregame programming.

When The NFL Today debuted on Sept. 21, 1975, it became the first live NFL studio show to take viewers across the country, previewing and highlighting every game on the schedule. Its fast-paced format, innovative production, and personable hosts changed the way fans consumed the league — a model that networks across sports still follow today.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.