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Cowboys-Giants Thanksgiving Day Game on FOX Averages 38.8 Million Viewers

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Coinciding with longstanding tradition, the Dallas Cowboys hosted the annual Thanksgiving Day game from AT&T Stadium as the franchise welcomed the rival New York Giants for an NFC East matchup. Even though both teams have struggled to collect victories through the first two-thirds of the year, FOX Sports averaged its largest audience of the NFL season on its live game broadcast of the action. Data from Nielsen Media Research and Adobe Analytics demonstrates that an average of 38.8 million viewers watched the contest, the fourth most-watched NFL Thanksgiving Day game and fifth most-watched NFL regular-season game on record.

Entering the bout, both teams were without their quarterbacks who started in their opening week matchups. Cowboys quarterback Dak Prescott was out of action due to a season-ending hamstring injury, while the Giants released quarterback Daniel Jones shortly after the team benched him. Nonetheless, the Cowboys-Giants broadcast peaked with approximately 41.3 million viewers tuning in during the 6 to 6:15 p.m. quarter-hour as the Cowboys secured a 27-20 victory. The lead NFL on FOX broadcast team, composed of play-by-play announcer Kevin Burkhardt, analyst Tom Brady and sideline reporters Erin Andrews and Tom Rinaldi, called the action and will broadcast Super Bowl LIX to conclude the NFL Playoffs in February.

Although the showdown was the most-watched game of the regular season thus far, it represents a decline from the previous year when the Cowboys’ game against the Washington Commanders averaged 41.4 million viewers on CBS. The Cowboys and Giants last met on Thanksgiving Day in 2022 where the game averaged 42.06 million viewers, marking the most-watched NFL game on the holiday in recorded history.

This year’s contest is up 15% from the NFL on FOX Thanksgiving broadcast last season, which was an NFC North tilt between the Chicago Bears and Green Bay Packers from Lambeau Field. The 29-22 victory for the Packers averaged 33.7 million viewers and was indicative of the most-watched early NFL game on Thanksgiving Day in history.

NFL games broadcast on Thanksgiving Day this season amassed a viewership record, averaging a collective 34.2 million viewers between the three matchups with a total unduplicated audience of 141 million. The metric marked a second consecutive year in which the league and its broadcast partners surpassed previous record-setting benchmarks. Prior to the Giants-Cowboys matchup, the Week 11 game between the Kansas City Chiefs and Buffalo Bills attained the highest average viewership with 31.2 million tuning in on CBS.

As a whole, NFL broadcasts have averaged 17.5 million viewers per game, the highest total through Week 12 since 2015. Moreover, NFL games have secured 47 spots within the top 50 most-watched shows on television since the beginning of the 2024 season, excluding international games on NFL Network and broadcasts on Peacock and ESPN+.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Kap and J.Hood, Mitch Rosen, Danny Zederman, Brandon Spano, Kevin Cassidy, Keith Williams and John Goforth To Speak at the 2025 BSM Summit

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The 2025 BSM Summit presented by Point to Point Marketing comes to Chicago for the first time as a live event on May 8-9, 2025. All prior shows before a live audience have taken place in New York City and Los Angeles. Chicago though is where we actually tested the concept of a two-day Summit back in 2018. I’m excited to return to the Windy City for the first time since then, and deliver a great show for attendees.

Tickets are regularly priced at $299.99 but for the month of December they are discounted to $249.99. Get yours now by clicking here. I keep prices reasonable even though other conferences charge over $300 and as high as $800-$1200. The goal of this event is to bring sports media folks together to share ideas and information, examine issues, build relationships, and celebrate success. It’s harder to do that if people can’t afford to come. I’m fine earning less if it means having the right people in the room exploring important issues.

With Chicago serving as our host city, I wanted our first speakers announcement to highlight local executives and talent. These men represent Audacy, Good Karma Brands, Hubbard Radio, and ALLCITY, all groups with a strong footprint in Chi-town. Having their knowledge and passion on display at the show is a benefit to all in attendance.

Our First Group of Chicago Speakers

Starting with on-air talent, I’m pleased to have David Kaplan and Jonathan Hood from ESPN Chicago taking part in the show. Kap was part of our test show in 2018, and his on-air partnership with Jonathan began in August 2020. They have enjoyed a strong 4-year run together waking up Chicago sports fans. Both David and Jonathan bring different styles, passions, experiences, and insights to the room. I’m glad they’re able to be a part of our show.

Next are the Market Managers. I’m thrilled to welcome Audacy Chicago SVP Kevin Cassidy, and Good Karms Brands Chicago SVP Keith Williams to our stage. This is the first appearance Kevin and Keith are making at the Summit. Both are responsible for leading the market’s top local sports radio brands, 670 The Score, and ESPN Chicago. Their operations take different approaches to measuring and capturing success. I’m looking forward to having them add their perspectives at the show.

Moving to the programming department, it’s always a pleasure to have VP and Brand Manager of 670 The Score and VP of the BetQL Network Mitch Rosen, and Good Karma Brands Director of Content Danny Zederman at the Summit. Both Mitch and Danny take an active role guiding their Chicago sports radio brands while influencing other parts of their company’s sports properties. They’ve been part of the Summit before, and always provide valuable takeaways for folks in attendance. I’m looking forward to having them back, this time in their backyard.

Podcasting is another key area of focus. To help us examine the space at a deeper level, I’ve called on ALLCITY Network CEO Brandon Spano, and Hubbard Radio VP/GM of Podcasts John Goforth. Both passionately believe in the digital space, and understand the importance of revenue generation and brand building. Given how rapidly things change in sports media, it’ll be valuable for folks in the room to hear how these guys view and approach business. It’s great having them involved.

Additional Details

We have 5+ months until the 2025 BSM Summit takes place. More announcements will be made leading up to the show. I’ve received over 100 requests to speak at the conference, and I appreciate the interest, but we can’t accommodate everyone. I’ll be diving deeper into the booking process over the next few months to assure the agenda is strong. Inquires can still be made via email at Jason@BarrettMedia.com.

Additionally, sponsorship opportunities for the show are now available. Email Stephanie Eads at Stephanie@BarrettMedia.com, and she can let you know which opportunities exist. Along with our full gamut of sessions, we’ll also have a Kickoff Party, After Party, and Awards ceremony. More details on those events will be shared prior to the show.

Lastly, our hotel partner for this year’s Summit is The Westin Michigan Avenue. The hotel is a few blocks away from our conference location. Rooms are discounted to $249.99 per night, and can be reserved by going here. We have a select number of rooms available, and it’s recommended that you avoid waiting until the last minute to book your reservation.

More to come soon. I’m looking forward to seeing you in Chicago!

News Media’s Annual Holiday Dip, And What’s Different (And The Same) This Time

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Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

It’s been almost a month since the election, and I don’t have to tell you how much news has been generated in that time. Unlike the typical election year, there’s a lot of news to cover and talk about, what with the Klown Kar Kabinet selections (Not-Terribly-Fun Fact: I went to college with one of the more prominent appointees. He was a year behind me. It was a very small college. I’m pretty sure I never once exchanged a single word with him) and the tariff stuff and whatever. If you can’t find political topics to cover, you’re willfully not paying attention.

This is coming as we enter talk radio and news media’s Death Valley, the period during which most people’s minds are on the holidays, on vacation, on family, on having to buy gifts, on football (Go Birds), on festive things like holiday Starbucks cups and “A Charlie Brown Christmas.” If that’s where the audience’s heads are, even with some pretty huge stories in the news, are they gonna listen to political talk or watch cable news or, as in past years, are they going to tune out?

I have a feeling that the ratings dip news outlets and talk stations usually get – the dreaded “Holiday Book” – will be less sharp than usual this year because of the sheer volume of news and the intensity with which people followed the election, but I can’t speak for the entire audience. I can only speak for myself, a guy in the target demographic who closely follows the news, and I can say that I am avoiding cable news and talk radio and social media as much as I can.

It’s not that I don’t care, it’s that I, and, I imagine, a lot of news junkies out there, have to take a break. Too much, all at once. I do check headlines, and I do know what’s going on, but I don’t want to hear a talk show host, or a panel of pundits talk about it. I’d be happy to see Scott Jennings and David Axelrod loaded into a catapult and flung into the ocean, but that’s not happening.

So, it’s avoidance time for a healthy chunk of your audience. Every time I start to lapse into the mindset that I’d better check in on the news, I remind myself that there is plenty of other material to take its place. Hey, did you know that Pluto TV has an all-Beverly Hillbillies channel? I think I’ve watched that, and other ancient sitcoms more than CNN, MSNBC, and every other TV news source combined in the past few weeks. I’ve also watched some quality TV (I highly recommend Apple TV+’s “Bad Monkey”) and a lot of football and basketball. Watching the news or listening to talk radio isn’t going to be conducive to positive mental health at the moment, not that it ever is, but right now, in holiday season, I just can’t.

As a reporter, host, or pundit, do you respond by ignoring what’s happening? Of course not. Talk hosts can add in some lighter topics as they would in a normal holiday cycle, but it’s not like you can just not talk about the news that will affect everyone. But one thing you CAN do that has been a tradition in this business for decades is blame your ratings dip on the holiday. After all, you can’t help it if people are thinking about gift cards more than Kash Patel. Can’t blame ‘em, really.

Music Radio First Quarter Promotion Ideas

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Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

2025 Q1 Promotional and Digital Content Opportunities.

Remember when we panicked and said, “Hey, 2024 is almost here. We better start planning.” This just in: Thanksgiving is over, and Christmas is less than a month away. Your staff will physically start vacating soon. Emotionally, they’re already drifting because 2024 is done, and 2025 is almost here.

Of course, you’re ahead of the curve in the planning stages and looking at 2026. For the rest of us, here are some first-quarter dates with potential on-air and social media content ideas:

January 2025

  • New Year’s Day (1st):
    • Themes: New Year, New You. 30-Day Challenges. Pay Your Bills
    • What If?:
      • Shut The Door on ‘24: On-Air and social media New Year’s resolutions often are forward-looking with what we want to accomplish this year. That’s great and it’s how we should manage our personal goals.

However, you might get more dramatic and fun content from listeners willing to share why they’re glad 2024 is gone and what happened to them personally. Social media has taught us people will divulge things online we thought were only overheard at a party late into the evening.

  • Martin Luther King Jr. Day (January 20):
    • Tested Themes: MLK Day Parade inclusion. Sunday morning Public Affairs interview. Audio promos and Imaging of Dr. King’s speeches. Education scholarship contests.
    • What If?
      • Instead of a solo audio promo honoring MLK, could you experiment with adding a famous Dr. King line to your standard Imaging? 
      • Ex: The TOH ID with the legal stuff, the sponsor, and the slogan would include 07 of the “I Have a Dream” speech. Or your hourly music imaging promo would include an MLK quote. 
      • The idea is to make it seamlessly inclusive in your content so it doesn’t sound like you’re doing the standard Promo tribute. Play around in the production studio and see if it sounds good.
      • One more: Take your smartphone and get kids and elderly people to read the famous MLK lines. It may be more powerful than 60-year-old audio.
  • More Content Opportunities in January:
    • 82nd Annual Golden Globe Awards (5th): Reels and videos of staff members acting famous scenes from the nominees. The chief engineer creating a scene from The Bear could be horribly funny.
    • National Dress Up Your Pet Day (14th): It’s obvious and a great way to get office colleagues involved in your show and social media.
    • National Cheese Lovers Day (20th): I see fun Reels content.
    • National Hot Chocolate Day (31st): Send a team member to a random Starbucks and buy hot chocolate for people. Check all the boxes: Human interaction, audio, video, social, selfies, feel good.

February 2025

  • Valentine’s Day (14th):
    • Themes: Flowers, Dinners, Concerts, Jewelry, blah, blah, blah.
    • What If?:
      • Why does it have to be love-themed? Use the Valentine’s Day theme to promote something big. “You know what we’re giving you for Valentine’s Day?…$1,000 of groceries!” You get the idea. Make yourself different.
      • “Anti-Valentine’s Day” party: I’m not sure I like that name, but the idea is to celebrate singlehood.
  • More Content Opportunities in February:
    • Groundhog Day (2nd): Any reason to use Bill Murray audio is good.
      • Groundhog Day, your on-air content. Repeat the 6:00 hour at 7:00 and 8:00. But not just the songs, everything. However, you have to repeat it “live.” Promote it weeks in advance.
    • The Super Bowl, oh, wait, The Big Game (9th): Big screen smart TVs and fully catered buffets for a party always work.
    • What If?:
      • As watching and listening becomes more personalized, give away a VR headset like the Meta Quest headset. If your budget doesn’t support buying enough for the whole family, giveaway one for the person willing to experiment with the device during a Super Bowl party. Get a report from that person Monday morning including video of the recipient watching the game in a room full of people.
  • Black History Month: Similar to MLK Day, let the audio help your presentation. There are so many categories to choose from; sports, politics, education, business, healthcare, military.
    • Obviously, history is acknowledging the past. Change it to a feature about who is making history now in your community. Again, this one is likely a 2026 reality. Use February 2025 to kickoff the sales and production effort for the following year.
  • Random Acts of Kindness Day (17th): If you don’t know what to do with this, then don’t attempt.
  • Love Your Pet Day (20th): If food is the great equalizer, then pets are a close second.
    • Encourage your office colleagues to bring their pets to work for the day if your lease allows it. Watch the mood of the office improve for the day. Productivity? Not so much, but the payoff is worth it. Pets are photo and video gold for content.
    • Bonus: Get public service animals involved and win the hearts of government organizations.

March 2025

  • St. Patrick’s Day (17th):
    • Live Broadcasts: There a some markets where St. Patrick’s Day is like a holiday around the office. Get out and find the people and make connections in the bars. Party people love to take selfies with your logo in the background.
    • Parades: If we’re competing with the noise of competitive content, then a parade of stationary people is a good way for someone to see your float or your people in a parade.
    • Promotion Ideas:
      • Music features for gold-based formats need a revival. There’s something you can do with U2 music on this day.
      • Irish Music on HD2. Hey, there are more Irish artists than U2, Van Morrison and The Boomtown Rats. Research it and dedicate 24 hours to All Irish Music on one of your HD channels. The real benefit is the promo you’ll play on the main channel to show that you’re creative and being in the moment.
      • Pot of Gold scavenger hunt: If part of the ratings game is about impressions, then turn your daily contesting on St. Patrick’s Day into a themed promotion and add a bonus prize.
  • More Content Opportunities in March:
    • National Day of Unplugging (1st): 
      • Find the most plugged-in person on your staff and follow he/she around for the day and video them detoxing from electronics and digital connections.
    • 97th Annual Academy Awards (2nd):
      • See the Golden Globes above. Remember: most of your audience doesn’t care about these shows, so make the content you create stand on its own. You’re just using the event as a way to be in the moment and entertain your audience with your content.
    • International Women’s Day (8th):
      • The 2025 theme is Accelerate Action. 
      • Use the power of audio to enhance your imaging for the day.
      • Use the power of your playlist to promote the day.
      • Digital and Social content awareness opportunities are plentiful.

Check the dates of everything I suggested. Sources can be different. Although, I’m certain New Year’s Day is January 1st this year.

Reach out if you want to talk about ideas and What If…

Following Connected Car Expert Roger Lanctot on LinkedIn is Time Well Spent

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Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Every so often, I take potshots at LinkedIn because so much of it is banal. The combination of members publicly kissing their company’s rear end, being “thrilled” about something that should be “ho-hum”, and the pathos for people in search of work doesn’t make for a pleasant experience or a valuable use of precious time, although it’s always nice to know that a friend has a new gig.

Last week, Jason posted an update about how Barrett Media would operate going forward in terms of the volume of material. He’s right that Barrett Media “produces more content than the audience can keep up with”. We’re bombarded with content every business day and on weekends as well and that’s just the radio trade press! When you add in everything else you want to follow, it’s simply too much.

Given those two truths, I’m suggesting that you read one more piece when you can and you’ll find it on LinkedIn, of all places. I’m referring to my friend Roger Lanctot, sometimes called the “best connected person in the connected car world”. This being a radio column, here’s a pronouncer for his last name. It’s “LAHNK-toe”, so before you make the second syllable synonymous with an Ore-Ida product, you’ll know.

Roger is an expert on connected cars, infotainment systems, satellites, and the like. He has a ton of connections on LinkedIn, but I’m sure he’d be happy to add you if you’re not already in his network. You should do it, because when Roger writes, it’s original and he has a point of view.

I met Roger in 2012 during the Consumer Electronics Show when he was presenting to a group called the Internet Media Device Alliance (IMDA). They had a small meeting well away from the action at the Las Vegas Convention Center, but I made my way to the Embassy Suites and listened as Roger presented an update on the state of connected cars.

It was clear that he knew his stuff and as a newbie to that world as part of my Arbitron mandate, we talked further and I hired Roger as a consultant to Arbitron, bringing him into the wonderful world of broadcast radio. Roger presented at the 2013 NAB Radio Show and has been a fixture at many radio events since.  

At the time, Roger was with Strategy Analytics which later became Tech Insights. Today, Roger has his own firm, StrategiaNow (certainly a better name than StrategiaYesterday) and is also the president of the Mobile Satellite Users Association. Living in the northern Virginia suburbs of Washington, DC, he travels often meaning United Airlines is always happy to greet him at Dulles Airport. He has occasionally made Global Services, which is a big deal in the world of United frequent fliers.

So far, so good, but why spend your valuable time reading Roger’s LinkedIn posts? When he comments on radio, he has an outsider’s view with insider knowledge. Take a look at his post of November 14, entitled “iHeartMedia’s Heartless Stand on Radio”. Or perhaps his post of October 28 “AM Radio Mandate: NAB vs. Auto Makers”. You may not be as excited to read Roger’s views on V2X or the relationship between Volkswagen and China, but like any other content, you’re welcome to pick and choose.

Roger is an excellent writer, no doubt due to earning an English degree at Dartmouth, which proves that some English majors can be productive members of society. His writing is always entertaining, and you’ll never have any doubt as to where Roger stands on an issue in the industry.

You’ll also know more about automotive infotainment systems which directly affect our business. Whether it’s due to a driver’s inability to find the radio (or perhaps AM doesn’t exist as in my better half’s 2023 Volvo XC40 Recharge electric SUV), Android Auto, or Apple CarPlay, it matters to get an expert’s take.

Take a minute or two, ask to join Roger’s network on LinkedIn, or just look for him and check out his recent pieces. It will be time well spent, and you’ll be wiser for doing so.

Let’s meet again next week.

David Haugh is Embracing the Balance of 670 The Score and Chicago Sports Network

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Gearing up to complete a 10K race often requires athletes to devise a strong gameplan that accounts for geographic terrain, environmental factors and other variables that could impact the final time. Runners who successfully cruise through the 6.2-mile haul usually spend time training and visualizing the contest in advance, and subsequently crossing the finish line can evoke feelings of accomplishment and progression. A mindset that can be adopted by challengers looking to subjugate associated intimidation involves splitting the heat into different portions, allowing participants to hone their focus on reaching benchmarks and potential acme. Those competing in team sports can equip similar methodologies during weight-lifting sessions, practices and games that diminish the occasional imponderability of realizing certain outcomes.

Deviating from most standard alignments around the country, 670 The Score broadcasts its weekday morning drive program for five hours. As a result, many sports fans in the Chicago metropolitan area can hear the latest news, information and opinions throughout their commutes and early workdays. Over the last several years, the audience has grown accustomed to David Haugh, a preeminent sports journalist and personality who has prevailed through a business facing generational headwinds.

Haugh joined the station in 2018 teaming with Mike Mulligan in morning drive. Their show has established itself as a popular offering within the marketplace. Balancing tradition, and innovation, the duo has been able to strike a resonant chord and cut through.

“This is where I feel like being a former athlete is really beneficial because there are times where you understand that it’s going to be a slog or it’s going to be a long day,” Haugh said. “You have to have the discipline to look at it not as a five-hour show, but as five one-hour shows – or if it’s five one-hour shows, then it’s three segments per hour. You know what matters? The next segment.”

Haugh retains the mindset of an athlete and prevents submission by refusing to forsake any broadcast time, venerating the platform he has the chance to occupy. Understanding the importance of audience expansion and brand affinity, he hypothesizes that some consumers may hear 20 minutes of the show, evincing a necessity to inform, entertain and concomitantly garner further patronage. Rather than broadcasting in a torpid, apathetic state, Haugh remains energized and is committed to executing the role with the verve and expertise that it merits.

“[You] don’t at 9:20 decide that that’s the segment you’re going to relax because it might be the only segment somebody hears,” Haugh explained. “That’s not the impression you want to leave for yourself, and that’s certainly not the impression you want to leave for your station, so you just have to kind of remind yourself on a regular basis that you’re invested for the whole time and you’re not there just to perform when you feel like you’re up to performing.”

Possessing a keen ability to delineate between essential and extraneous, Haugh can accurately discern salient topics and discussions that will appeal to the listeners. Quantitative data and qualitative observations play into these decisions, which tend to suggest that the Chicago Bears draw significant interest in the locale. Monday editions of the show during the NFL season are pseudonymously referred to as ‘Bear Mondays,’ emphasizing that a majority of discussion is based on the team and its recent results.

“What you do is you just have to understand the metrics, you balance it into, again, what’s being fair, and you don’t want to be so rigidly devoted to a certain team or a certain cause that you ignore some of the other realities and what people are talking about or ignore good stories because they’re not big on the metrics,” Haugh said. “It’s a balancing act, but I think that you do want to make sure you have fun along the way, so you don’t take things too seriously, and you certainly don’t want to take yourself too seriously.”

Haugh believes that he brings a measured approach to the daypart and regards that he is both purposeful and slightly sarcastic at times. Although he does not feel rigid in his hosting routine, he continues to work on embracing the flexibility to vacillate between different points of conversation. Haugh, who was a journalist at the Chicago Tribune for 17 years, feels that some aspects of his identity as a writer have translated to the airwaves, but that there exists a dichotomy in terms of message delivery. For the decade he penned its In the Wake of the News column, he surmises having to write 800 words a day, enabling latitude to meander or exhibit verbosity.

“Radio is a little bit different because I think that you have to get to the point,” Haugh said. “You’ve got a 12-minute segment or a 6-minute segment and you’ve got three callers on hold and a guest coming up, [so] you have to get to the point.”

Even though Haugh was granted the ability to opine and editorialize with the Chicago Tribune, he refused to abandon journalistic tenets. Being afforded the liberty to be critical required he have factual evidence to support contentions and maintain a professional approach, abstaining from rendering opprobrium personal in nature. In the end, Haugh ultimately sought to tell stories and speak for those who did not have a voice in certain situations, eliciting authenticity and certitude in his discourse.

“As a columnist, I never wanted to stop being a reporter, and that sometimes involves asking questions or chasing information that isn’t always easy or pleasant, but I do think that it was worth it,” Haugh said. “That’s the thing you want to be, and the other thing that you want to always remember is as you are kind of reporting or approaching it as a reporter [is] that you’re fair.”

Before joining 670 The Score in 2018, Haugh balanced his writing with co-hosting a local sports show, Kap & Haugh, that aired on WGN Plus and Comcast SportsNet Chicago. The radio program, which he co-hosted with David Kaplan, discussed the latest developments in sports around the marketplace from the perspective of two columnists. Even though it was an ephemeral venture, it accentuated the proliferation of multiplatform appeal and versatility as facets of the newspaper industry faced economic and technological impediments.

“For just about two years, we really had a show that I think we both were proud of, and we had a great time, and it was one of the most enjoyable parts of my career,” Haugh explained. “Those two years with Kap and doing both things and just really, really trying to help both my writing career at the time enhance the broadcasting portion, and they complemented each other really well.”

A similar setup persisted on 670 The Score upon joining the morning drive program with Mulligan, a former sportswriter for the Chicago Sun-Times. Haugh was continuing his work with the Chicago Tribune while co-hosting the radio show, which required a lifestyle change that he initially underestimated. Writing about night games and meeting a deadline while having to wake up at 3:15 a.m. to ensure he was fully prepared to host was an arduous task, but he executed it with aplomb for several years before stepping away from the newspaper in 2020.

“I don’t know if you ever get used to it, but you do learn to deal with it, and so the one thing I can say is that I had a great support system and an understanding boss in Mitch Rosen,” Haugh said. “This was something he wanted to do, he had a lot of belief in me, and I was surrounded by some great co-workers.”

Haugh surmises that he and Mulligan both think like experienced sportswriters, and they share an ability to depict the headlines. Readers of traditional newspapers may not be able to finish an entire sports section, making it essential to succinctly communicate the key points and advance the story. In holding similar news sensibilities, Haugh is able to connect with his co-host and contribute to an informative program that has carved a putative niche under this new masthead.

“I think a lot of radio shows can spend a lot of time on things that really don’t matter, and I like to think that hopefully part of our success is rooted in the idea that we tend to understand what does, especially in this market, and every market is specific to have its own kind of idiosyncrasies,” Haugh outlined, “but I think that Mully has been here longer than I have, but I’ve been here a long time, and so that combined experience gives us a sense of what’s important to Chicago sports fans and hopefully helps us keep our eye on the target.”

Two hours of the Mully & Haugh program has been simulcast on the Chicago Sports Network over the last month, providing consumers with another way to consume the show. This new regional sports network, which is owned by Standard Media, the Blackhawks, Bulls and White Sox, is available as a direct-to-consumer channel and also has carriage deals with DIRECTV and FuboTV. Instead of inveighing the platform launching upon the denouement of NBC Sports Chicago, Haugh has embraced the undertaking and considers the value proposition associated with the vertical.

“I think it’s important to us because it professionalizes us even more and expands our reach to people who are now being part of this new Chicago Sports Network, which [is] full of great people over there committed to making people care [and] serving the Chicago sports fans audience,” Haugh said, “and so from a Mully & Haugh perspective, it gives us more credibility because it reaches more people.”

Jason Coyle, the president of Chicago Sports Network and an experienced media executive, reached out to Haugh over the summer and asked him to be part of two new studio programs on the network. Even though Haugh described it as a “really ambitious pitch,” he concurred and has been acclimating to these programs since they began in early October. Throughout the week, he takes part in The Big Pro Football Show alongside Ruthie Polinsky and The Chicago Lead with Brooke Fletcher and Camron Smith where he drives the conversation and extrapolates his insights. Even though some topics overlap with the radio show, it is incumbent on Haugh to offer discerning acumen and avoid exhibiting oblivion.

“I’ve got to know five Chicago sports teams really well, and I would have to do that with or without television,” Haugh said, “so it’s a fairly easy to transition so far and we’re hopeful that the network continues to grow, but it’s possible because there’s some really committed, smart, intelligent people running that station.”

One of the reasons Haugh has explored new possibilities in the media business is his inherent sense of curiosity and his propensity for being challenged. Inquisitive to what will come next and its plausibility motivated to perceive his limitations and shift them far into the periphery. Whereas the duration of his workday can seem overwhelming, Haugh is grateful for these audiovisual platforms and considers his occupation to be satisfying.

“At this stage, I think that for me, success comes in being respected and being fair and being relevant in a sports media market that is not easy to navigate always,” Haugh said. “It can be a tough place to operate, and I want to continue to try to do that.”

As the Mully & Haugh show is nearing the halfway point of its seventh year on the air, Haugh has observed that no one associated with the program has succumbed to complacency or narcissism. On the contrary, everyone associated with the show has maintained attitudes premised on collaboration and congeniality that coalesce into an aggregate product tailored to the interests of the listeners. Everyone associated with the program also recognizes how fortunate they are to take part in the show on an esteemed sports talk radio station with experienced professionals and a dedicated fanbase. Haugh has an unwavering sense of gratitude towards his professional endeavors, and he aspires to deliver for those who have invested in him.

“I hope the Chicago Sports Network takes off and is successful in its own way,” Haugh said. “I want to continue to do the best job possible at The Score and reward a lot of loyalty that’s been shown to me from my bosses, and I think I’d like to ultimately achieve a work-life balance that might be a little bit more in line. [It is] difficult to achieve right now just because of the newness of it, but I’ll get there, and I think that’s everyone’s goal. You want to be able to enjoy the benefits of your work, and so I think I’m going to make that a bigger priority than maybe I have.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Consultant’s Corner: Paul Jacobs, Jacobs Media

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Paul Jacobs is the Vice President/General Manager of Detroit-based Jacobs Media. He manages the day-to-day operations and leads the sales consulting services.

Jacobs graduated from Michigan State University and rose through the sales ranks to become a Major Market GM at the age of 28.

He has created campaigns for Phillip Morris and Seagram’s. And aided Ford Motor Company and Procter & Gamble in understanding their youth market.

To date, most Consultant’s Corners have focused on Programming. Today, we take a look under the sales hood.

Jeff Lynn: How do you view the current state of radio? 

Paul Jacobs: It’s partly cloudy. The general mood is pretty down despite it being an election year.  But the fundamentals of the business aren’t bad. Cume is high, and stations that have strong talent and a sound local footprint can make things happen. However, the industry is facing some strong headwinds – generational shift, consumption shift, and competition outside of radio. Not insurmountable, but they require a different operating philosophy that most stations have.

They can no longer operate like they are in the radio business. To succeed, they need to be so much more than that.

Two areas of optimism:

First, medium/smaller market stations are doing pretty well. I often speak at State Broadcaster Association conventions which are populated with a lot of independent stations. In general, most are happy. They are “doing radio” and are important in their local communities. They have talent who are stars in their market and haven’t experienced the drop-off we are seeing in the major markets. It’s not a story frequently told but a bright light.

The other thing we tend to ignore is how the barriers of entry to growth have really fallen. It used to be that to grow, you had to either spend a ton on marketing or buy another station. Today, you can buy an app, create an Alexa skill, shoot a video and post it on YouTube, livestream on Twitch, or create a newsletter for a very low cost and begin to not only service existing audiences but to grow new ones. To me, that’s the most exciting thing the industry has going for it currently.

JL: What are the biggest challenges facing radio sellers? 

PJ: We are in a period where the economy is generally good, but we are in a traditional advertising recession. Dollars are leaving linear media for digital, and many stations (and salespeople) don’t have the capability or content to compete properly. They are still relying on Nielsen numbers, driving their revenue potential, calling on the same advertisers, and selling the same old stuff. 

The one thing that drives me crazy is salespeople who are unwilling to stop thinking they are just radio sellers. The dollars have shifted, and new opportunities in digital and different forms of content are where the growth is. In other words, the biggest challenge they face is themselves, and honestly, those who can’t adapt should consider another line of work.

JL: How do you coach them to overcome the objection that “radio is dead” or ” no one listens to the radio anymore?” 

PJ: That is so easy – first of all, they have to be believers and champions of radio and not apologists. Second, stop quoting Nielsen numbers and start telling stories. Radio has so many stories where we demonstrate every day that people are actually listening, but many sellers don’t bother to share them until a buy is up, and by then, it’s too late.

A lot of sellers also don’t understand that we are sort of in the entertainment business, right?  In many local markets (including here in Detroit), personalities have a certain level of recognition and celebrity. Clients pay extra for endorsements from them.  People love visiting stations to see how things work. We throw promotions where hundreds or more show up. We do radiothons and other charity work and raise hundreds of thousands of dollars.

Is radio dead?  C’mon. Now newspapers – unfortunately, way too many of them are dead!

JL: Many stations still use digital in a way that I call “do you want fries with that?” or as a toss-in. What do you say to that? 

PJ: We are in the audience delivery business. Clients pay us to deliver bodies to them. Who cares if they come from a :60 or banner ad or a pre-roll?  And digital provides many benefits that commercials on the radio don’t, including the ability to track behaviors and actions.

Digital ads aren’t stuck as the fifth unit in a cluster—they can stand apart, be attached to relevant content, and be pushed out to listeners instead of being passive exercises like commercials.

If you think about it logically, you could make a case that they should be charging more for digital than commercials, but that probably isn’t going to happen anytime soon.

JL: How can radio attract the next generation of sellers? Most stations I have worked at had two or three senior AEs and a revolving cast in the remaining staff spots.

PJ: This is a real problem. We recently developed a strategic plan for a State Broadcaster Association and, in the process, interviewed leaders of radio and television GMs across that state. One TV GM told us she faces the same challenge hiring young people – she’s had recent college graduates apply for a weekend anchor position, BUT THEY’VE NEVER WATCHED LOCAL TV NEWS! Radio faces some of the same challenges.

However, there is a fairly large community of young adults working in college and community radio right now. We work with many of them, and they are terrific. They love the medium, the creativity, the intimacy. Tap into that (and support them).

But most of them aren’t salespeople, and this is a problem that’s much bigger than radio. Sales has a stigma. It’s not perceived as cool. Colleges and high schools don’t provide training and education for it, so this is a real concern.

We work with the Michigan Association of Broadcasters – two years ago, they invested heavily in attracting young adults to the industry and created the “Be There” campaign.  This ran on radio and television stations throughout the state. Check it out and watch the video – these are the kinds of efforts we need to take to effectively sell the industry to the next generation – Home – betheremichigan.com. They aren’t just going to come to us naturally.

JL: How can a cluster combat the group across town that won’t maintain rate integrity and will lowball the market or toss in two or three of their underperforming station to make the buy appear attractive? 

PJ: The first proven evidence of a radio salesperson dropping their pants happened ten days after Marconi invented the radio. This is nothing new – radio has been famous for its circular firing squad activity when it comes to rate integrity.

Seriously, this is not an easy question to answer. It takes a sales team (and senior management) dedicated to investing in sales marketing, elevating their image, and staying away from rates and ratings.  I’ve got nothing against Nielsen, but it’s the great equalizer. In other words, if everyone is selling based on ratings and price, everyone becomes a commodity, and when that happens, prices go down. The cluster that invests in building up its value and impact and creates quality sales opportunities (think sports sponsorships) can move beyond this.

But only to a point. We are our own worst enemies.

JL: On average, what is a healthy percentage of transactional business for a station vs. local direct? 

PJ: I can’t quote you a percentage, but as I said, dollars allocated to linear media are falling, and those are mostly the transactional dollars targeting 25-54.

I’ve been on a mission lately with our Classic Rock and public radio clients to promote their strengths and get out of the 25-54 transactional box.  In both of these cases, they have a large number of listeners, 50+, which have been devalued by the transactional advertisers. So I’m advising them to allocate resources to promote and own the 50+ market. If you look at the qualitative of this group, it’s huge. And they listen to the radio. However, because they are mostly outside of the 25-54 construct the agencies have set up to devalue the audience, they are deemed worthless.

Another thing we have been doing lately is fielding “sales surveys” of the audience—learning a lot about their hobbies, products, and services, business ownership, and more—and then arming the sales team with a qualitative profile and approach that will take them beyond the B to C and into some very interesting B 2 B opportunities.

So, I don’t think it’s “local direct.” I think the strategy is identifying a station’s demographic strengths, developing a detailed “map” of what the audience is into, and then going out and, instead of asking, “do you have a radio budget?” talking about the opportunities a station can provide to connect that client with their audience in new and innovative ways, supported by the research.

JL: One complaint consistently heard about radio is the long stop sets. Since most stations won’t pressure the inventory and drive rate, what can be done about 10-minute stop sets?

PJ: I tune them out. Seriously. I realize stations have debt to pay, but we must create innovative ways of generating revenue well outside of harming the product.

Radio revenue is on a slow decline—like a leaky balloon—while the number of stations or inventory available isn’t changing. You don’t have to take an Econ 101 course to know what this is going to do to rates, thus necessitating adding inventory.

We are working with some clients who recognize this and have invested in non-radio divisions that are adjacent to radio and fit together well. Hubbard created the 2060 Digital agency years ago, and it’s a real success. The same thing is happening in Baton Rouge with Guarantee Media. Others have built events divisions that create non-station, major events in their markets—and even outside of their existing markets. Then, they use their stations to promote them.

This is a nice way of saying that the current reality of 10-spot stop sets is unsustainable, and smart broadcasters are developing alternative revenue sources. They have to.

JL: What was the best career advice you ever received? 

PJ: Read. I know that sounds mundane and old school, but I was advised to read anything and everything, whether related to my station/career or not. It expands your mind, and as a seller, you become much more of a resource for ideas and solutions when you get your head out of the rating book and out into the world.

For example, early in my career, I worked for an AC station. I’m a rock guy, so I wasn’t exactly a perfect fit. So, I started subscribing to Cosmo and other female-targeted magazines. I can’t tell you how much audience insight and ideas I was able to generate by doing that.

Every day, I start by reading three newspapers. Then, I listen to a couple of podcasts and newsletters—all before 7 a.m. I drive my staff crazy because I email them before they are awake with new ideas and thought starters. Great salespeople should do the same.

I have Google keywords that feed my email each day on specific topics. This isn’t hard; it just requires a little bit of energy, right?

Contact Paul by email here.

Jacobs Media

30300 Telegraph Road
Suite 240
Bingham Farms, MI 48025

248.353.9030 Phone

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Ryan Fitzpatrick and Andrew Whitworth Share 33 Years of NFL Experience on ‘Fitz & Whit’ Podcast

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If you watch Thursday Night Football on Amazon’s Prime Video or have at least ever caught a part of its pregame, halftime or postgame shows, you already know. You’ve already seen and heard the great chemistry former NFL players Ryan Fitzpatrick and Andrew Whitworth have with one another. Their Wave Sports + Entertainment Original series, Fitz & Whit, which has only been out since the week of Halloween, is simply an extension of what we see when they are together on Thursday nights. As someone who enjoys what the two bring to the table for Prime Video, I was excited to eavesdrop in on last week’s fifth episode of the podcast.

The podcast is recorded on Sunday evenings and the two recap the NFL action along with anything else going on in their lives. The two use their combined 33 years of NFL experience to break down the games, inform and entertain the listeners in about sixty minutes per episode.

Fitzpatrick, known as ‘Fitzmagic’, played for 17 seasons in the NFL and played for nine different teams. He played his college football at Harvard and was a seventh-round draft pick of the then St. Louis Rams, the 14th and last quarterback taken in the 2005 draft.

Whitworth had a distinguished 16-season career with the Cincinnati Bengals and Los Angeles Rams. He earned multiple Pro Bowl and All-Pro honors and won Super Bowl LVI with the Rams. 

“Whit and I have the best time working on Thursday Night Football each week, so it was a no-brainer to do this show together,” Fitzpatrick said in a release when the new podcast was announced. “We are excited to give fans a behind-the-scenes look at our lives, friendship, and maybe even interview some of our fellow athletes. We look forward to working with the team at Wave to bring this show to life each week.”

Whitworth added, “I am excited to make this show with my longtime friend and NFL brother, Ryan Fitzpatrick. We’ve had countless moments on the field and off, and now we get to bring those stories and experiences to fans in a whole new way.”

This particular episode started in a way I am guessing no other football podcast has ever started – talking about college cross country. Fitzpatrick wanted to make sure he slid in how well his alma mater did in the NCAA Championships with a Harvard runner taking home the individual honors. After that, it was mostly all about the TNF team and football.

Fitz and Whit were coming off what they said was the best game they had on TNF in three years, a 24-19 Cleveland Browns win over the Pittsburgh Steelers which was played in heavy snow making for a fun game and broadcast. “What an awesome game,” Whitworth said. “What an electric atmosphere, it was sick.”

Fitzpatrick compared the game to the movie Rocky 4 with all of the back and forth. He and Whitworth also talked about what it was like in the green room as they watched together. He explained normally everyone is rooting for the team they picked on the pregame show, however, this particular game, everyone wanted the Browns to win so they could have time with Jameis Winston on the postgame show. With the Browns pulling out the win, the crew got their wish.

After the interview with Winston, Whitworth said he had asked the producer if it would be ok to dive off the desk into the snow and was told, “Don’t ask, just do it.” So, he did, and Winston joined him. That was followed by a snowball fight where Whitworth nailed Winston ‘below the belt’. When Fitzpatrick brought up where the throw landed, Whitworth followed with, “I never claimed to be a quarterback.”

The two talked about their time in Cleveland, how they had over 10,000 steps as they walked around the city and toured the Rock and Roll Hall of Fame. Additionally, the stories told about how they traveled to Cleveland on Al Michaels’ private jet were amazing.

Fitzpatrick said he thought he did well on the plane and Whitworth said if he believes that he must have a bad memory. Whit described Fitz making multiple trips to the food line and pointed out that when Michaels came back to where the two were sitting (what they called the coach section versus the first-class area where Michaels sits) Fitzpatrick would keep talking to him even when he clearly was ready to return to his seat.

Next, Whitworth described what he called “by far the most amateur move I’ve ever seen,” which took place as the plane started to land. With the bad weather, the landing was far from smooth, and Whitworth said in classic Al Michaels fashion, he started “saying some ‘Whoa Nelly’s’ and being entertaining.” Whitworth said Fitz pulled out his phone and started recording Michaels, but the flash came on and shined in his face. Whit said when Michaels noticed he was being recorded, he gave a look to Fitz who then threw his phone as to act like it wasn’t him doing the recording with the flash.

Next it was a look at games played over the weekend. This is obviously where these guys and their experience playing the game takes the podcast to a different level. The way Fitzpatrick and Whitworth look at the game comes from their perspectives as players, specifically as a former quarterback and offensive lineman.

One area where this came into play was with a couple of quarterbacks, specifically Bryce Young of the Panthers and former Giants quarterback Daniel Jones. With the career Fitz had, he was able to speak firsthand about the situations those guys were in. For Young, it was about being benched and then returning to start. With Jones, it was about the rough start to his career, being released and what to do next.

Fitz said based on the way Young played against the Chiefs he was doing what needed to be done in a case like this. “You use it as a good thing, use it as a reset,” Fitzpatrick said.

As for Jones, who had not signed with the Vikings when the show was recorded, Fitzpatrick suggested unless a playoff bound team has an injury, he should sit out the rest of the year, use it as a reset and choose his next team wisely. Fitz said he believed some time off could be the difference in saving Jones’ career.

Whitworth took a strong stance against any fans who wanted to overly blame Jones. He pointed out the Giants made the mistake, not Jones, saying he didn’t demand the money and then plan to not do well. “He owned it and took accountability and if you have a problem with someone who says, ‘I’m sorry’ and takes accountability, you got issues,” Whitworth said. He then compared this situation to other quarterbacks who just didn’t work with one team but found success elsewhere and said he expects the same for Jones.

As they talk about the games, you can tell the two analysts love talking with one another about the game, about its nuances and yet they don’t lose the audience in the discussion. Just two former players talking ball with a lot of insider knowledge.

Next, it was a segment called ‘Judge Whit’ where Fitzpatrick throws a couple options at Whitworth, and he has to decide which side wins. In this case it started with Dan Orlovsky saying the Steelers are not a Top 3 team because they tend to kick a lot of field goals versus scoring touchdowns. JJ Watt chimed in and pointed out the Steelers had just beaten the Ravens by kicking 6 field goals in an 18-16 win. Greg Olsen, however, disagreed with Watt pointing out what the statistics say.

During the segment, Fitzpatrick threw to a ‘guest’ who was imitating ‘Stone Cold’ Steve Austin breaking down the ‘tale of the tape’ between JJ Watt and Greg Olsen if they were involved in a cage match. Fitzpatrick had a lot of fun at JJ Watt’s expense saying he is soft now and with his slim figure, he thinks Olsen would have the advantage. Judge Whit ended up ruling in favor of JJ Watt, due to an injury Olsen had suffered playing tennis, so he believed if the match happened today, that is who would win.

To finish out the show, with Thanksgiving coming up the two talked about what they look forward to about the holiday. Whitworth went in on the food and how he likes to make sandwiches with all of his Thanksgiving favorites in one and said his holiday can be best described as, “sitting around with the family, eating until absolute misery and watching NFL football.”

Fitzpatrick said he likes the escape of being outside and frying up a turkey. “I have to man the station, it’s dangerous…and I avoid a lot of the politics and the family fighting and the conversation that happens inside.”

He explained people will come and visit him, have five-minute conversations and leave. Both said those are conversations they prefer, and Fitz called his routine “the cheat code” for a successful Thanksgiving.

Lastly, the two said what they were thankful for and mentioned their families and talked about their football family at Prime Video. They mentioned reconnecting over the last few years since having played together more than 15 years ago.

Both men feel blessed to get to do what they do and have as much fun as they have doing it. And that is exactly what comes shining through when you listen to the Fitz & Whit podcast.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Peacock to Exclusively Stream ‘EA SPORTS Madden NFL Cast’ on Dec. 21

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Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

NBC Sports and Peacock will work with the National Football League, EA SPORTS and Genius Sports on a new alternate broadcast on Saturday, Dec. 21 at 1 p.m. EST when the Houston Texans face the Kansas City Chiefs. Streaming exclusively on Peacock, the EA SPORTS Madden NFL Cast will showcase a blend between the iconic football video game and live action, bringing fans an immersive viewing experience in this distinctive domain. Utilizing data from NFL Next Gen Stats and Genius IQ, along with graphics, play cards and ratings from EA SPORTS Madden NFL 25, the broadcast will implement quantitative insights and developments within the overall presentation.

The live stream will feature play-by-play announcer Paul Burmeister, who has called matchups and hosted studio coverage for NBC Sports across multiple properties. Former NFL quarterback and YouTube personality Kurt Benkert will be on the call discussing the graphic overlays and predicting play options. Moreover, former wide receiver and six-time Pro Bowl selection Chad “Ochocinco” Johnson will be a real-time “ratings adjuster” on the broadcast. Professional Madden NFL player Henry Leverette will also take part in the production after winning the Ultimate Madden Bowl championship earlier in the year. Additionally, Leverette is the first player in the history of the Madden NFL Championship Series to surpass $1 million in career earnings.

“We are excited to work with the NFL, EA SPORTS, and Genius Sports to offer fans the ability to watch Madden NFL come to life like never before exclusively on Peacock, which has established itself as a home for premium live sports and innovative viewing experiences,” Fred Gaudelli, NBC Sports executive producer of NFL, said in a statement.

“This first-ever Madden NFL Cast marks a new milestone as Peacock’s first sports alt-cast. Not only are the Texans and Chiefs in first place in their respective divisions, but they have star players at multiple positions whose avatars will help us analyze the game’s biggest plays through the Madden NFL 25 lens. It has long been a point of pride for John and the Madden family that their video game has helped generations of fans and gamers learn and enjoy football, and we are thrilled to continue that tradition.”

Steve Greenberg will produce the Madden NFL Cast with director Geoff Butler showcasing two teams with 13 players between both teams possessing a Madden rating of “90” or better. Chiefs quarterback Patrick Mahomes and tight end Travis Kelce were two of six players to begin the NFL season with a Madden rating of “99” overall. The game will be presented in accordance with the traditional broadcast on NBC, Peacock and Universo airing on NBC, Peacock and Universo.

NBCUniversal, a subsidiary of Comcast, is currently in the second season of a 10-year media rights deal with the National Football League reportedly worth $2 billion per annum. The company will present Super Bowl LX from Levi’s Stadium in Santa Clara, Calif. to conclude next season.

“We are constantly looking for exciting and innovative ways to present our game, and we are incredibly excited about the opportunity to bring together the Madden game, our Next Gen Stats platform and NBC Sports’ incredible production to create an entirely new way to experience an NFL game on Peacock,” Hans Schroeder, NFL executive vice president of media distribution, said in a statement. “The Madden game franchise has had an indelible impact on generations of football fans and gamers alike, and we look forward to honoring that legacy with this unique broadcast of a crucial matchup with postseason implications.”

This broadcast follows several groundbreaking presentations on Peacock this year, including Gold Zone and “Your Daily Olympic Recap” surrounding the Olympic Games Paris 2024, the Peacock Exclusive AFC Wild Card Game broadcast in January and the 2024 NFL São Paulo game in Week 1 of the season. Successful execution of the broadcast is weather dependent based on the visibility required for the venture.

“At EA SPORTS, we’re always exploring innovative ways to bring fans closer to the game they love, and the Madden NFL Cast is a groundbreaking step in that direction,” Andrea Hoeplain, general manager and senior vice president of publishing at EA SPORTS, said in a statement. “By merging the excitement of live NFL action with the immersive possibilities of augmented reality, we’re redefining how fans experience football. Partnering with NBC Sports, Peacock, the NFL, and Genius Sports on this initiative allows us to deliver a dynamic broadcast that showcases the power of Madden NFL in a whole new way outside the game.”

“We’re delighted to be working alongside the NFL, NBC Sports, Peacock and EA Sports to help deliver the first-of-its-kind Madden branded alternate broadcast,” Steve Bornstein, president of the North American division at Genius Sports, said in a statement. “Leveraging GeniusIQ’s groundbreaking technology and the NFL’s Next Gen Stats, the Madden NFL Cast is a fully immersive viewing experience designed to engage a whole new generation of fans.”

Sports Facility Accidents: Legal Rights for Injured Fans in Texas

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Sports facilities in Texas host a variety of events, drawing enthusiastic fans eager to enjoy the thrill of live action. While these venues are a hub of excitement, accidents can occur, sometimes leading to serious injuries for spectators. Whether it’s a stray ball or an unsafe stadium condition, fans might wonder about their legal options if they get hurt.

In Texas, injured fans have legal rights and may pursue compensation if their injury results from negligence by the venue or event organizers. This includes situations where the property owner failed to maintain a safe environment. Understanding these rights can empower fans to hold parties accountable and seek justice.

Those injured at a sports facility may benefit from consulting with legal professionals to assess their situation. Personal injury attorneys can assist in exploring legal actions against the responsible parties. For instance, fans injured in Texas can reach out for guidance and case reviews from experienced professionals, like those available in Garland.

Understanding Legal Concepts in Sports Injuries

When injuries occur at sports facilities, understanding legal principles like negligence, premises liability, and risk assumptions is important. These concepts shape how injury claims are pursued and resolved. Below are key legal aspects often involved in sports injury scenarios.

The Role of Negligence in Personal Injury Claims

Negligence is central to many personal injury claims. It involves proving that a party failed to exercise a level of care that a reasonably prudent person would have under similar circumstances. In the context of sports injuries, demonstrating negligence can mean showing a breach of reasonable care by the facility or event organizers. This could include instances where safety measures are not adequately enforced, leading to accidents or injuries.

Premises Liability and the Duty of Care Owed by Sports Venues

Premises liability refers to the legal responsibility of property owners to maintain safe conditions. Sports venues owe a duty of care to ensure the safety of spectators. This duty includes regular maintenance, prompt repair of hazards, and clear warning of potential dangers. If injuries occur due to unsafe conditions, the venue may be liable, especially if it can be shown they did not exercise reasonable care in maintaining the facility.

The Assumption of Risk Doctrine and Spectator Injuries

The assumption of risk doctrine acknowledges that individuals are aware of and accept inherent risks associated with certain activities. In sports, this doctrine applies to both athletes and spectators. For spectators, it’s recognized that injuries can occur from normal activities such as foul balls or flying pucks. Legal claims can become complex when determining if the injured party effectively knew and consented to these risks.

Comparative and Contributory Negligence in Texas

Texas uses comparative negligence in assessing liability, which considers the degree of fault of each party involved in an incident. If an injured party is partly responsible for their own injury, their compensation may be reduced by their percentage of fault. Unlike some states with contributory negligence, where any fault could bar recovery, Texas allows recovery as long as the plaintiff’s responsibility is less than 51%.

Evaluating the Enforceability of Liability Releases

Liability releases are agreements where individuals waive their rights to sue for injuries sustained at sports venues. The enforceability of these releases depends on how clearly and conspicuously they are presented and whether they adhere to state laws. In Texas, courts scrutinize these documents to ensure they don’t violate public policy and that all signing parties fully comprehend the rights they are waiving. This involves clear language and a fair opportunity for the signer to review the terms.

Navigating Personal Injury Lawsuits for Injured Fans

In Texas, injured fans seeking compensation from sports facility accidents must understand the legal landscape governing personal injury lawsuits. Key aspects include initiating a lawsuit, gathering evidence, determining damages, and selecting a suitable attorney.

Initiating a Personal Injury Lawsuit: Basics for Texas Residents

When pursuing a personal injury lawsuit for accidents at sports facilities, residents of Texas need to be aware of the specific legal procedures. The process typically begins with filing a complaint against the responsible party, which might be the facility owner or event organizer. This complaint outlines the details of the incident, the injuries sustained, and the damages being sought. Texas law generally requires the filing of such lawsuits within two years of the incident.

Plaintiffs must establish jurisdiction and venue, which typically depends on where the accident occurred or where the defendant resides. Understanding these initial steps sets a solid foundation for the lawsuit. Knowing the statute of limitations helps injured fans ensure their claims are timely filed.

The Importance of Gathering Evidence and Proving Negligence

Proving negligence is critical in personal injury claims involving sports facility accidents. Evidence collection is a crucial task and may include obtaining witness statements, reviewing surveillance footage, or securing photographs of the accident scene. Medical records detailing injuries and treatments are also essential components.

A successful claim hinges on demonstrating that the facility had a duty of care, breached this duty, and caused the plaintiff’s injuries as a direct result of this breach. Documented evidence supporting these points strengthens the case considerably, explaining how aspects like faulty equipment or inadequate security measures contributed to incidents such as slips, trips, and falls.

Types of Compensation Available for Sports Facility Accidents

Injured fans can seek various forms of compensation following an accident. These typically cover economic damages like medical bills, lost wages, and rehabilitation costs. Non-economic damages also play a role, compensating for pain and suffering or emotional distress endured due to the incident.

Compensation aims to restore the injured party to their pre-accident conditions to the greatest extent possible. Special circumstances may allow for punitive damages if egregious negligence is a factor. Understanding these categories ensures injured fans can fully articulate their compensation needs.

Selecting the Right Personal Injury Attorney for Your Case

Choosing the right personal injury attorney is vital for navigating the complexities of a lawsuit. Potential clients should consider factors such as the attorney’s experience with similar cases, their reputation, and their familiarity with Texas personal injury laws.

An attorney who has successfully managed personal injury claims involving sports facilities can offer valuable insight and increase the chances of a favorable outcome. Resources like client testimonials and initial consultations are useful tools in the selection process. An informed choice empowers plaintiffs to navigate their legal rights effectively.

What to Expect in a Free Consultation Session

A free consultation with a personal injury lawyer provides an opportunity to discuss case details without financial commitment. During this meeting, clients can present the facts of their case and receive a preliminary assessment from the attorney. It’s also a chance to ask questions regarding the legal process, potential strategies, and possible outcomes.

The lawyer may evaluate the strength of the evidence and offer advice on the next steps, such as evidence gathering or discussing settlement options. This session helps injured fans make informed decisions about pursuing their lawsuit, and understanding their potential claim’s strengths and weaknesses.