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Nielsen Reports 15% Uptick in Radio Ratings After Move to 3-Minute Qualifying Time

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After Nielsen announced it was altering the qualifying time for quarter-hour credit in its radio ratings, it was inevitable that ratings would increase. Now we know just how much the metrics rose.

During the first quarter of 2025, the average radio station saw an average 15% increase in average quarter-hour listening compared to the fourth quarter of 2024.

Some markets — like Phoenix (28%), Las Vegas (24%), Sacramento (23%), San Francisco (23%), Memphis (21%), Riverside (21%), and West Palm (21%) — saw more than 20 increases in its average quarter hour listening, according to Nielsen.

“You generally can see Western markets showing the larger increases, which was consistent with our test data,” Nielsen Audio Managing Director Rich Tunkel said during an interview on the Radio Advertising Bureau’s Better Together webinar.

Other markets like Kansas City (8%), Baltimore (7%), Minneapolis (6%), St. Louis (5%), Atlanta (3%), and Nashville (2%) saw single-digit growth in its average quarter-hour ratings.

While individual markets saw increases, so did specific formats. In January, February, and March, contemporary Christian (43%) and all-news (41%) each saw gigantic upticks in their average quarter-hour listening compared to the previous quarter.

Other formats also saw large increases, like Alternative (29%), Spanish tropical (28%), AAA (24%), Rhythmic CHR (23%), Hot AC (23%). Only one format — sports — saw a decrease in average quarter-hour listening, as it fell by 3%. The other spoken word format — news/talk — saw growth of 16% during the first quarter.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Nearly 4 Million Watch ABC News Interview Between Donald Trump and Terry Moran

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ABC News senior national correspondent Terry Moran interviewed President Donald Trump in the White House on Tuesday to commemorate his 100th day in office. It was a ratings win for the news network.

President Trump the First 100 Days: The Interview in the Oval Office featured an audience of just under 4 million viewers on Tuesday evening. The primetime special was the top-rated non-sports program in all of television on that night.

Included in the 3.959 million viewers were 693,000 viewers from the Adults 25-54 demographic.

The news special was the highest audience in the 8-9 PM ET timeslot for ABC News since February 18th.

Headlines were created by the interview, as President Donald Trump and Terry Moran clashed over questions, especially related to the deported accused MS-13 gang member who was wrongly deported to El Salvador.

During a line of questioning, Trump revealed he had hand-selected Moran for the discussion.

“Terry, you can’t do that,” Trump said. “Hey, they’re giving you the big break of a lifetime. You know, you’re doing the interview because I picked you because — frankly — I’d never heard of you. But that’s ok. I picked you. But Terry, you’re not being very nice.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Fubo Reports Q1 Earnings, Planning Sports Bundle Launch

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During its first-quarter earnings call on Friday morning, Fubo divulged a 3% decrease in North American subscribers to 1.47 million and a 3.5% year-over-year increase in revenue within the category to $407.9 million. The company reported a quarterly loss of $0.02 per share, but a rise in North American average revenue per user by just under 1% to $85.37. Advertising revenue, however, registered a 17.3% decline from Q1 2024 to $22.5 million, something the company attributes to a “drop of certain ad-insertable content” amid a carriage dispute with TelevisaUnivision.

When combined with its business throughout the rest of the world, Fubo registered a loss of $1.4 million, improving from being $38.8 million in the red for adjusted EBITDA in the first quarter last year.

“In the first quarter, our global streaming business exceeded our subscriber forecast and achieved our revenue guidance,” David Gandler, co-founder and chief executive officer of Fubo, said on the earnings call. “We are pleased with these results, which came against a typically lighter first quarter sports calendar and a broader backdrop of economic uncertainty.”

Earlier in the year, Fubo settled its litigation against the Venu Sports joint streaming venture, reaching a deal to have The Walt Disney Company to merge its online television business with the Hulu + Live TV entity. Although the entities will continue to operate under two distinctive brands, the merger would create the second-largest digital pay television provider in the United States and is reportedly under a formal investigation by the U.S. Department of Justice. As part of this deal, which is expected to close in 2026, Disney entered into a carriage agreement with Fubo allowing the streaming provider to create a sports and broadcast service with networks such as ESPN, ABC and ESPN2.

“We remain excited about our agreement with The Walt Disney Company to combine Fubo with Hulu + Live TV, and its potential to increase competition and consumer choice in the Pay TV space,” Gandler said. “We continue to work through the regulatory process, and look forward to sharing more information when we are able.”

Fubo is currently in the process of compiling content for a sports bundle that follows the introduction of similar packages from Comcast Xfinity and DirecTV in recent months. The company currently has a channel lineup consisting of several national networks, including NBC, FOX and CBS New York, and an array of sports-focused channels such as Big Ten Network, FS1 and NFL Network. Fubo has also announced a renewal of its multi-year rights agreement with the English Premier League and reflected on the Latino + Beisbol bundle that combines the Spanish-language plan with a local regional for baseball coverage.

“As we have previously communicated, our skinny bundle offering will include a sports and broadcasting service,” Gandler said. “In addition to featuring content from The Walt Disney Company, we are working hard to secure content from non-Disney programmers for the new service. It is critical for Fubo subscribers that we are able to negotiate content licensing agreements at their rates and terms. Our goal remains to launch this service for the fall sports season.”

Fubo currently holds a market capitalization of $889 million with company shares down by about 10.5% at midday trading. The virtual multichannel video programming distributor (vMVPD) grants users an alternative to cable, satellite and/or fiber television amid continued cord cutting in the United States. This past February, the company expanded the distribution of its owned and operated Fubo Sports linear network to over-the-air television stations in over 100 markets across the United States and is available to over 12 million traditional television households.

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How 840 WHAS Turns The Kentucky Derby Into News/Talk Radio Content

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The 151st running of The Kentucky Derby will take place on Saturday at Churchill Downs in Louisville. 840 WHAS has featured comprehensive coverage in the lead-up to the Run for the Roses.

As one might expect, when an event is happening for the 151st time, it is a big deal in a community. The iHeartMedia Louisville news/talk station dedicates dozens of hours of coverage to the build-up of the event before culminating in the “Fastest Two Minutes in Sports” on Saturday evening.

Barrett Media sat down with 840 WHAS Program Director Gus Allen — who also serves as the Director of Spoken Word Programming for the company in the state — to talk about how the station takes coverage of a sporting event and turns it into content that the traditional news/talk radio listener cares about.

Garrett Searight: Lots of people would view an event like The Kentucky Derby as a sports story. What’s your philosophy on turning it into a news/talk story and content?

    Gus Allen: In Kentucky — Louisville in particular — the Derby is a lifestyle event. There is a whole festival surrounding the event – the Kentucky Derby Festival. The wisecrack among many is we have a two-week celebration for a two-minute horse race. It begins with Thunder Over Louisville, two weeks prior to the Derby, with an air show and one of the largest fireworks shows in North America. We broadcast that event as well. Unfortunately, that event was cancelled for only the second time this year due to flooding along the river.

    The Derby is more than just a two-minute horse race. There are parades for the city, steamboat races, marathons, balloon races, and more. People around the city and state have Derby parties, and the event spans all ages and demographics. The Kentucky Derby is the longest-running continuous sporting event in the country, and it’s a symbol that identifies Louisville on the map. It’s the identifying factor that everyone seems to know about our area, whether you are from here or not, so everyone has an interest in it, even if they know nothing about horse racing. They will make sure they pick a horse for the Derby.

    Additionally, the Derby is more than a sporting event. It’s one of the only sporting events people dress to the nines to attend. The outfits themselves are a topic for viewing and discussion. There are people in the infield having such a good time that they don’t even realize there is a horse race going on. So, the event writes a story each year from the 150,000 in attendance. And for WHAS and our team, we try to tell each aspect of that story throughout the day from every angle we can. 

    GS: What goes into your coverage plans?

      GA: We start the week off by broadcasting live from the backside media center Monday through Friday of Derby week. WHAS was the first station to begin doing this many years ago, and now all local — and some national — media come backside. Being here allows us to get interviews with politicians, celebrities, trainers, jockeys, and other people connected to the race in some way or another. We will choose the standout interviews to reuse on Derby Day when we have extended time between races.

      Paul Miles in our news department and Jody Demling come out to the track nearly every day before and during Derby week to gather interviews and sound from trainers and jockeys. That sound allows Jody to create 2-3 minute horse profiles on all 20 Kentucky Derby horses for playback during our regular Derby week and Derby Day programs. Paul’s sound allows for feature stories during our newscasts during the week leading up to the race. The overall sound gathering also allows us to create and tell the myriad of stories of people behind the horses and of course, the horses themselves.

      Our overall plan stays about the same each year with a few tweaks here and there. We cover the Kentucky Oaks on Friday afternoon with our afternoon host Terry Meiners, who stays back at the studio while Jody Demling is at the track with any breaking news (a horse scratches/drops out, weather, etc) and we run the afternoon races, including the Kentucky Oaks late in the afternoon. 

      For Derby Day, we start at 6 AM with Kentuckiana’s Saturday Morning News, focusing all our resources on the event. That includes news giving details on how to get into the track, the current odds and changes to the field, any big developments around the race, what you can and can’t take to the track, weather, and traffic.

      This is one of the few big sporting events that people can simply walk up to and attend without a ticket by going to the infield. It’s a large event in a largely residential area, so providing the information is imperative, whether you are going to the event or not. We begin our full-on coverage at 10 AM each morning, and that involves our morning host, Tony Cruise (who is retiring this year) anchoring coverage for the first 2-3 hours.

      We broadcast every race from the track announcer, and we mix in news, traffic, and weather. We always say it’s sunny and 75 on Derby Day, but the reality is we can get the four seasons all in one afternoon. We will run each race card (which is providing the horse names, jockeys, and trainers of each race) and provide who we think are the best bets on those races.

      In addition to having a primary host anchor the coverage, we will have a co-host from the station join in for a round robin discussion and we have several roving reporters out amongst the patrons at the track doing interviews. We will get interviews from celebrities showing up on the red carpet, college students having the time of their lives in the infield, people practicing capitalism on the street selling cheap flip flops for $20, and the people dressed up in the stands. We sprinkle those in throughout the day, along with the recorded material and jockey comments after each race leading up to the Derby.

      And we try and tell the full story of the day and paint the picture of what is going on. The goal is to show the fun and magnificence of the event. People come here to have fun. People listen to the event to be entertained and enjoy the distraction from regular life. We like to bring that to them. 

      We carry the audio portion of the NBC television broadcast starting at 5 PM through the end of the race. After everything is complete, we wrap it up by taking portions of the post-race press conference along with traffic to get out of the track and stories surrounding the winning jockey, trainer, and owner. It’s a long day, but it’s a fun and rewarding day once we pull it off. This is the 100th year WHAS has broadcast the Kentucky Derby. We like to try and improve it each year. 

      GS: How far in advance do you begin working on what you’re going to do at the Kentucky Derby and in the run-up to the event?

        GA: Never far enough! Each year, I say I’m going to start earlier to get it all done. We start about a month and a half out with some planning items that we need to address. And we work on little things in the weeks leading up. Two weeks out is when we really start going all in to make sure we have everything in place.

        As with any big event, we’re working it right up to the day before, resolving little items. Jim Fenn is our behind-the-scenes miracle worker. He may have the toughest job as he puts in likely 100-200 pieces of imaging. From legal IDs counting down to the event, setting up new clocks/logs for the day of the event, dropping in celebrity and sportswriter horse picks, and making sure we have every small bit of imaging for Derby Day, he has a lot on his plate.

        In addition to that, he will monitor the Derby Day broadcast and take snippets of the broadcast to create a 10-12 minute montage of the event. We’ve been doing the montage for about 40 years now, and we play that when the day is complete Saturday night to recap the splendor of the race.  

        GS: What are the most difficult aspects of pulling off what you want to accomplish?

          GA: Aside from the lack of sleep during the week, likely coordinating all of the people involved. No matter our best intentions, I will miss a bit of information to someone or a group of people. That results in a lot of phone calls/texts and questions in the first few hours of the day.

          Additionally, you have to be flexible as needs can change. The weather can go bad, a horse can scratch, or audio is missing. You have to be able to get some info quickly or switch to a need at any time.

          You also need to have your talent be knowledgeable about 20 horses — whether they know horse racing or not– as you can be called upon to talk about a horse at any time during the afternoon. You don’t have to be an expert on something but you do want to have the basic info to be able to converse on a topic. 

          GS: If you were to give advice to other news/talk programmers who are in a similar situation — with large events that might not be viewed as traditional content for the news/talk genre or audience — what would you tell them?

            GA: You really have to tell spectacular stories and enjoy doing the event. I know very few people who come to the Derby who don’t have fun — and they are excited to tell you that story. Some people are so excited to tell you where they got their stylish hat. Others want to explain how they just won $700 on a trifecta ticket in the last race. Some are proud of the creative way they sneaked their alcohol into the infield. The horse trainers and jockeys always provide good storylines. Listeners want to hear these items.

            The excitement rubs off on our hosts and reporters telling these stories. It’s a tough broadcast to pull off, but our people enjoy it and it shows. That helps elevate WHAS overall and keep momentum maintained. 

            Great stories never go out of style, and people love to hear them. The Kentucky Derby offers that ability both with the present and also past winners. At the same time the local county fair or other large sporting event offers that same opportunity. If you make it interesting and entertaining, people will soak it in. 

            Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

            Hits On The Horizon: Maroon 5, Jon Pardi And Daughtry

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            Welcome to May, and as many gather at Churchill Downs for the annual “Run for the Roses,” let’s look at a few songs that may get over the finish line as winners! The list is not long, since I’m still unpacking boxes and boxes in my new home.  PLEASE remind me never to move again! 

            In the Top 40/Hot AC space this week, three choices come to mind as no-brainers.  Maroon 5 w/ Lisa from Blackpink / “Priceless” the first song from the band in quite some time. Next up, Ed Sheeran / “Old Phone” it has a nice hook and should do well. Last on the list this week is Benson Boone / “Mystical Magical,” a song he debuted recently at his “salty” performance at Coachella. Despite him being upset with the audience for not recognizing the genius that is Brian May of Queen’s guitar mastery, the audience should gravitate to this new release from his latest album, “American Heart,” out in June.

            From the Country world, a few that should be on your radar, if not already on the air.  Jon Pardi / “Friday Night Heartbreaker” it’s not a streaming monster at this point with a total of about 14 million, but this really does sound like a hit! This next one is Bailey Zimmerman feat. Luke Combs / “Back Up Plan” will get stuck in your head. Tune out the doubters and close-minded, this should be a super smash! One more pick for this week, Hardy / Favorite Country Song”. The song was slightly down in streams but still over 3 million for the week.

            From the Rock side of things, Daughtry / “The Day I Die” is certainly not the pop-rock songs of his early career. This one turns up the heat! Also, liking Green Day / “Ballyhoo”

            From the R&B world, you should get your ears on Coco Jones W/ Lady Johnson / “Is It Mine.” 

            Well, enjoy the ear candy, I’m going back to unpacking more boxes. Have a great weekend!

            Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

            Approaching The Summit: Laurence Holmes, 670 The Score

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            Approaching The Summit is a series of special interviews created in partnership with Point to Point Marketing featuring speakers at the upcoming 2025 BSM Summit in Chicago, IL. Follow along with this series as prominent names surrounding the event coming up on May 8-9 at the Museum of Contemporary Art (MCA) inside the Edlis Neeson Theater and share their insights and expectations for what’s to come in the Windy City. 

            Laurence Holmes is the co-host of Spiegel & Holmes on 670 The Score in Chicago. A Chicago native, Holmes has worked for 670 The Score since 1998 working in a variety of roles from producer to sales to talent. He has also worked in television along with his roles at The Score at NBC 5 WMAQ and NBC Sports Chicago covering the Chicago Bears. Holmes also teaches at DePaul University as an adjunct professor of communication.  

            Holmes sat down with Barrett Media from his home office in Chicago. 

            *Editor’s Note: Answers have been edited for clarity and length.* 

            BSM Staff: The last time you attended the BSM Summit was the original Summit held in Chicago. What are you looking forward to most about this one coming up next week in Chicago? 

            Laurence Holmes: I always like being able to be around people in the industry to see the places where I can get better, or maybe understand things from a different perspective. My whole career I’ve pretty much been siloed from a radio standpoint at The Score. It’s nice to hear other people’s experiences and kind of compare and contrast. 

            BSM Staff: What kind of value does the Summit provide? How important do you think it is to get out of the office and network with as many people as you can while you’re at the Summit? 

            Laurence Holmes: The networking aspect is important. The knowledge acquisition aspect is really important, and also maybe putting a face with a name is important too. 

            You might have a feeling that you know a certain personality, but in a setting like this it gives a better representation than just the on air product of who that person is. Those things are important, but seeing how the sausage is made is always preferable. If you’re attending this, it makes you smarter about what the genre and the medium is. 

            BSM Staff: This is your second time speaking at the Summit. What do you hope that the attendees learn about Laurence Holmes or learn from that panel when they walk away from it? 

            Laurence Holmes: I’m pretty passionate about radio. It’s the reason why I keep doing it and the reason why I’m teaching, so I love this medium. 

            Considering that I started in 1998 to see where things are now are both exciting and terrifying, because there’s a ton of being asked to do more with less resources. There’s an excitement in that and there’s a challenge in it, and I look forward to the challenge every day.  

            What I hope is that people get a real sense of what it’s like, and how if we weren’t passionate about it, I don’t know if many of us would even be doing it. Seeing people who are passionate about what it is they do I think has value. To have a bunch of truth tellers up there too I think it is good, so that people can really get a sense of it. 

            If you’re just entering the industry or you’re thinking about entering the industry, you need to take these panels with on air talent really seriously. You might just think these are people who made it to the top or made it to the end.  

            Hearing the stories and the struggle and even like the day-to-day, I think it’s valuable for anyone so that they can make up their mind about what it is that they want to do, and how they might be able to change things for the better. 

            BSM Staff: As someone who has only attended the very first edition of the Summit years ago, I’m sure you’ve kept up with the headlines that come out of this Summit every year. How do you see from afar how this Summit has evolved over the years? 

            Laurence Holmes: It’s grown exponentially. There’s something really powerful to the idea of just doing something, and I think that was Jason’s (Barrett) idea. 

            Why don’t we try this and see how it goes. Then you see that there is a level of interest that’s so high in it, that more and more people want to get involved. To see how big it is and how it’s grown is really inspiring, and the fact that they’re still people who want to learn more about it I think it’s a testament to why it exists in the first place. 

            BSM Staff: You talked about doing more with less. That’s obviously a challenge that everybody in the industry is continuing to battle. Moving into the Summit, what are those challenges or maybe those biggest opportunities that you hope is discussed at the Summit? 

            Laurence Holmes: I hope that we talk about the medium as a whole. The thing is I’ve worked long enough in the industry to remember how sports radio was treated at the beginning. How it was looked down upon by some of the other genres of heritage media. 

            Now you see sports radio is one of the biggest drivers for any of these companies now. The idea that we are not getting the benefit financially, in my opinion, that some of the other genres of heritage media such as news talk, for example, got, and we continue to earn. We’re still making money as a genre and I think that needs to be respected.  

            That’s one of the things I do like about the conference. It puts a spotlight on not just the talent, but the amount of money that has been generated by talent and the programmers of these stations that it becomes hard to ignore. If you look inside of any of the radio companies, look to see where their money makers are. 

            When I first got to the industry, you could talk about the FM jocks back in the day, or the news readers you were making tons of money. Now look at where a lot of those companies stand, they are looking for more people that work in sports. They are looking for more sports stations because they know that those stations rate, and they know that those stations bill.  

            The sad part for me is I’m not sure that the people involved in the industry on the sports side have reaped the benefits of that like our predecessors did in other genres. 

            BSM Staff: You’ve worked in television. You have done a number of podcast ventures over the years on top of your work in radio. There’s going to be a lot of different subsets of sports media at the Summit between sports radio, television, digital media, and print media.  

            How do you see the Summit being as an opportunity where maybe the different subsets work together to produce opportunities to win together and all benefit? 

            Laurence Holmes: I’m ever hopeful that if the more everyone knows about what everyone else is doing, the easier it is for all of us to succeed. 

            If there’s more transparency than it gives a better roadmap, and people aren’t caught off guard or by surprise by what’s happening. I always hope what it ends up leading to is transparency and collaboration. An understanding that everyone has to be everything now. You can’t just say that your radio, you can’t just say that you’re print. 

            You got to be able to float between different disciplines inside of sports to be able to function and survive. 

            BSM Staff: Barrett Media announced that Mike North will be receiving the lifetime achievement award at the Summit. As someone that has worked at The Score as long as you have, what are your remembrances of what Mike North means to Chicago sports radio? 

            Laurence Holmes: At the time, I don’t think that anyone could have set the genre on fire the way that Mike North did. That was a different sound, even though I think it would be very easy for people to be like ‘oh he sounds like Mad Dog (Russo).’ 

            He’s a very different sound. It was very Chicago, and that relatability catapulted him to a level of popularity that is hard to quantify. For a long time, Mike North was The Score, and for many people he still is. That’s the ruler that we are judged on. 

            I don’t even know at the time the ratings system was even fair enough to really relate how popular North and (Dan) Jiggetts was. In today’s market it would feel a lot more popular than what the numbers showed. His impact on the industry in Chicago, like you can’t say enough how big of a deal it was to have such a fire brand to jumpstart what was sports radio in Chicago. 

            2025 BSM Summit

            Purchase your tickets to the 2025 BSM Summit here, and for more information BSMSummit.com 

            Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox. 

            WVMT Morning Host Kurt Wright to Retire

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            WVMT morning host Kurt Wright has announced he will step away from the Burlington, Vermont news/talk morning show.

            Wright has served as an elected official in multiple capacities — most notably as a member of the Burlington City Council and in the Vermont House of Representatives.

            “Kurt brought the same thoughtfulness and dedication to his radio career that characterized his years in public service,” said WVMT Program Director Kwame Dankwa. “His ability to discuss complex issues fairly while maintaining the warmth and accessibility that defines local radio has set a standard for broadcasting excellence in our community.”

            Kurt Wright joined the station in 2019 after Vox AM FM Digital purchased the station.

            “Kurt’s voice has become part of the morning routine for so many Vermonters,” said Vox AM FM Digital Chief Operating Officer Ken Barlow. “While we will miss his presence behind the microphone, his impact on Vermont broadcasting and our community will endure.”

            WVMT plans to announce the future plans for The Morning Drive — which currently airs from 6-9 AM — in the following weeks.

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            John Skipper Leaving Meadowlark Media: Report

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            John Skipper, the co-founder and chief executive officer of Meadowlark Media, is reportedly leaving the company after four years. Skipper worked with sports talk host Dan Le Batard to help grow the company and previously inked a three-year contract with DraftKings as the presenting sponsor of programming. In addition to creating documentary content, the company has been producing original sports podcasts such as The Dan Le Batard Show with Stugotz and Pablo Torre Finds Out with studios in Miami and New York City. Ryan Glasspiegel of Front Office Sports was first to report the news of Skipper’s departure.

            A source with knowledge of the situation told Barrett Media that Meadowlark has chosen to focus its business on its shows and that Skipper’s job does not exist in the same way amid changes to the economy with scripted/unscripted programming. Although Skipper is leaving his current position, he will continue taking part in The Sporting Class podcast with co-hosts David Samson and Pablo Torre, and he also remains on good terms with the company.

            “Thankful to John Skipper for his friendship and look forward to his continued leadership and guidance on and off air,” Le Batard said in a post on social media. “I asked him to build a successful, fiercely independent media company within four years, and he has. Meadowlark will continue to produce films and documentaries. Our audio/video network is thriving, and we look forward to sharing good news shortly in that regard. I’m so grateful that our Skipper has navigated today’s turbulent media seas to get us into much safer waters.”

            Meadowlark Media has worked in the scripted and unscripted space across various projects over the last several years, some of which include Sports Explains the World, After the Whistle and The Comeback: 2004 Boston Red Sox. The company is also in the process of working on a docuseries for Prime Video about the last few years of the career of WNBA superstar Diana Taurasi. Le Batard’s program and other Meadowlark shows have been broadcast on DraftKings Network, although the host divulged that the deal expired in a few months during a March episode.

            Skipper previously served as the executive chairman of DAZN where he was responsible for overseeing the company’s global expansion and strategy for rights acquisitions. Before that time, he was the president of ESPN and co-chairman of Disney Media Networks, working in the role for five years and inking media rights deals with entities such as the National Basketball Association, Major League Baseball and the College Football Playoff. Skipper launched ESPN The Magazine in 1997 and worked in several leadership roles over his two decades with the company.

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            Erik And Jenny Named New Morning Hosts At Y100 San Antonio

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            Erik Scott Smith and Jenny Lee will take over morning hosting duties at Y100 in San Antonio starting Monday.

            Lee previously hosted mornings on sister station Hits 105.3 with Tony Cortez until being dropped last November. (BMM 11/7/2024).

            Smith co-hosted “The Morning Bullpen” at 100.3 The Bull Houston until the show’s disbandment last December. (BMM 12/20/2024)

            The show will take over the spot that has been vacant since Frito & Katy exited for 100.3 The Bull Houston in January. (BMM 1/7)

            Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

            Indiana Fever Announce Radio Broadcast Agreement With 93.5/107.5 The Fan

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            The WNBA’s Indiana Fever and Radio One announced Friday that 93.5/107.5 The Fan will serve as the official radio broadcast partner for the highly anticipated 2025 WNBA season. As part of the agreement, all Fever preseason and regular season games—both home and away—will be broadcast live on 93.5/107.5 The Fan.

            Jeff Rickard, sports format captain at Radio One, echoed that enthusiasm. “Basketball is such an integral part of the Indiana community and the Fever are certainly a big part of that story,” Rickard said. “For 107.5 The Fan to be able to share in telling the story of this exciting chapter in Indiana’s pro basketball history is a wonderful opportunity. We’re thrilled we can bring Fever fans a little closer to the action.”

            The new partnership officially tips off with live coverage of the Fever’s first preseason matchup against the Washington Mystics at 1 p.m. Saturday at Gainbridge Fieldhouse.

            “We’re thrilled to bring the Indiana Fever to the airwaves on The Fan, which has a strong reputation for their top-tier sports coverage and commentary,” said Mel Raines, CEO of Pacers Sports & Entertainment. “This partnership is an exciting way for us to make Fever basketball more accessible and grow our fanbase across Indiana and beyond.”

            Meanwhile, Radio One leaders emphasized the significance of the collaboration. “Radio One is honored to be the official radio partner for all Indiana Fever games on 93.5/107.5 The Fan,” said Andrea Kahrer, vice president and general manager of Radio One. “This partnership underscores our commitment to delivering premier sports coverage and supporting the continued growth of women’s professional basketball. We look forward to bringing Fever fans across Indiana closer to the action and sharing in the excitement of the team’s journey.”

            The coverage will feature in-depth commentary designed to bring fans closer to the action. Former University of Kentucky standout and Indiana Miss Basketball Bria Goss will provide game analysis, while veteran broadcaster John Nolan will handle play-by-play duties on the Old National Bank Radio Network.

            Bria Goss is an Indianapolis native and attended the University of Kentucky. Bria was a standout basketball player at Ben Davis High School, winning two state championships and being named Indiana Miss Basketball. In her time at UK, she was the 2012 SEC Freshman of the Year and appeared in two Elite Eights. She played professionally at several overseas destinations, including Poland, Sweden, Finland, Israel, Romania, and Slovakia. She accepted an invitation to Indiana Fever training camp in 2019. Bria was a member of the Indiana Fever television broadcast from 2020-23 and has also worked with SEC Network and ESPN+.

            John Nolan is a New Jersey native and attended Syracuse University. John has been a broadcast announcer for the Indiana Mad Ants from 2017-present. In 2024, he was the play-by-play broadcaster for the NBA G League All-Star Game, and earlier this year he filled in on radio play-by-play for the Brooklyn Nets. He has served as an announcer for the Fort Wayne TinCaps, a minor league affiliate of the San Diego Padres, since 2013, providing television play by play at home games and radio play by play on the road. Additionally, John announces a variety of Purdue University Fort Wayne sports and has worked with several other colleges and organizations, including the Horizon League.

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